Micro contradiction music.
Pop for the pop-starved.
Post Feuilleton.
Drinking at the tennis club.
Psychedelic Schlager.
Alko Pop.
Fourties Folk.
Whatever.
The longest melody arcs and the most obtrusive choruses from Limmattal, okayyy?!
When others say it doesn't fit together, Ludwig welds it.
Neither mainstream nor underground.
Too old for the extravagant pop, too young for the old-man folk.
A flying fish that falls through all algorhitmic grids.
Music marked by ambilvalence and irony.
Referential lyrics.
Taking inspiration from songs that his colleagues wave off.
Anglo-Saxon music is given too much importance.
Fabrizio de André.
Still wide warm analog stereo.
Psych and LA and such.
Morricone.
Songs that should not avoid the hook, but in no way annoy.
Withstand fashionable sound effect trends.
Hobby producer from Zurich.
Emotional, intoxicating, thrilling.
The world in Technicolor.
Ludwig Dreistern likes: Fabrizio de Andre (and lots of Italian pop anyway), David Bowie, Tim Presley, Unloved, The Gun Club, The Wipers, Poni Hoax, Timber Timbre, The Brian Jonestown Massacre, Abba, Blondie, Pulp, Elliott Smith, Arcade Fire, The Breeders, Elvis Costello, Grizzly Bear, Pink Floyd, Amy Winehouse, The Kinks, Roxy Music, Die Aeronauten, Serge Gainsbourg, Nine Inch Nails, Nirvana, Etienne Daho, The Shins, Tame Impala, Danger Mouse, Alessandro Cortini, Andrea Lazlo de Simone, Beach Boys, Blackmore's Night, King Crimson, Colapesce, Michel Polnareff, The Soundtrack of our Lives, Ultravox, The Rolling Stones, Van der Graaf Generator, Guns'n'Roses, Joy Division, The Besnard Lakes, Brian Ferry, Quilt, Ride, Temples and many many more!
