Drawing upon cinematic scores and the evocative landscape of post-rock, Faux Tales constructs a world with a core bound together by emotive sub-bass, where momentous synths roam, and flickers of reversed foley, vocals and percussive elements resemble shattered reflections in zero gravity.
Swiss composer and producer Timo Loosli creates otherworldly, cinematic soundscapes, adopting a more longform approach in his upcoming album, Reflections, compared to his previous work. Writing his third full-length album began with the conception of ideas, loops, and skeletal tracks using hardware synthesisers, drum machines, and more esoteric sound generators and processors. The writing process, which unfolded over a year and a half, was patient and deliberate, allowing the music to breathe.
Timo Loosli is a composer, producer and artist who records and performs under the alias Faux Tales. He builds minimal and ambient layers that shift into ever-looming and all-absorbing climaxes. A juxtaposition of calm and chaotic moments flow freely between one another. This juxtaposition between calm and heavy electronica flows freely. Light piano motifs - seemingly pure - become immersed in an immense and dynamic disturbance that slams deep into our terminus. Fused by a constantly churning interstellar cloud of organic and electronic sounds, Loosli synthesises an otherworldly sound palette with his far-reaching compositional skillset. A considerable amount of the Faux Tales sound hails from Loosli's appreciation of film scores, modern electronica and post-rock. The music provides rare escapism that allows listeners to create internal narratives with infinite possibilities.
