Schlagzeug, Gitarre, Synthie und eine heulende Stimme. Das ist alles was sie brauchen für ihren psychedelischen Garage Sound. Im Jahr 2012 gegründet haben die Gebrüder Digler seither zusammen mit Maryl Love zahlreiche Auftritte im In- und Ausland gespielt. Nun kann Mensch sich von ihren Livequalitäten in der Brass begeistern lassen. Wird gut!
press reviews :
What the Press said about Love Cans :
LOVE CANS - s/t 7" review
This 7" contains two tracks of what I can best describe as psychedelic surf-rock that is a bit 70s and reminds me a bit of bands like FRET and YOUVES and maybe THE MURDER OF ROSA LUXEMBURG in places. Both songs have a really funky, catchy lead riff, on bass in 'Scary Eyes', and on guitar in 'Graveyard', helped along by some tight and pounding drums that marry rhythmically with said riffs. There are also some cool, heavily reverbed yet reserved (and suitably spooky with regards 'Graveyard') vocals on both tracks that compliment the music by way of adding extra texture to the rather awesome musicianship rather than being ! ! ! a focal point, which I really liked about it. A great little two-track record if you like garage-y surf rock with a psych vibe.
The Screever Zine, (UK) may 2016 ________________________________________________________________________
Love Cans play minimalist garage punk and and come from Switzerland. No, that sentence isn’t an oxymoron. The Land of Bankers, Cuckoo Clocks and Chocolate is, in fact, a rich breeding ground for this sort of music and Love Cans nail it as well as any. Being a bare bones trio (guitar-keys-drums) of psychos, they revel in the lower end of the aural spectrum. Parochially speaking, this is the precisely the sound Australian kids are devouring in an underground scene that most people don't see because it generally operates outside of established "rock" venues. I'm sure things aren't much different in Europe. Organist Dany Digler’s drawled vocal is buried in the mix on “Scary Eyes” whic! h i! s ! a vaguely rockabilly-tinged work-out that meanders a little. The sound’s more jagged and strident on “Grave Yard” with Bab Digler’s distorted guitar to the fore. Dany’s Lux Interior-styled vocal (wailing about “too many dead”) and hypnotic organ sound give “Grave Yard” a seamy feel and its corpse is kicked along by Meryl Love’s simple but forceful drumming. The vinyl single doesn't come with a download code but you can solve that problem (if it is one) by checking Love Cans out on Bandcamp where this is available as a physical product and download. If you like what you hear, Burning Sound can hook you up with another five track digital release.
The I-94 Bar Zine , Sidney (AUS) , July 2016
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What are those crazy Swiss trying to do? Be the most primitive, noisy and fucked up garage punk band ever? Seriously? I mean? Listen to them, just a minute, they sound like the perfect mix between The Screamers, Destruction Unit and The Oblivians. Oh! And they also look awfully good on stage. I C A N N O T believe it... the nerves!
Guru Disques, Brighton (UK) , March 2019
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Love Cans Un poderoso trío que gusta por los riffs de garage y toques psicodélicos. Su música parece extraída directamente de una película de horror de clase B ! y eso es uno de los mejores cumplidos que se nos pueden ocurrir. Basta con escuchar un par de canciones para sentirte en un viaje al pasado, uno que te llevará por el underground sesentero.
Live Box Set , Mexico (MEX), June 2014 ________________________________________________________________________
Love Cans écume les scènes underground depuis 2012 à travers toute l'Europe, et confirme au passage le remarquable travail de fond DIY de Bab Digler et Dany Digler (Dee Diglers), responsables du label hyperactif Burning Sound (www.burningsound.net) . Aux côtés de la splendide Meryl Love, ils déballent un punk-surf-blues survolté et savent mieux que quiconque rendre leurs shows indispensables.
Sas, Delémont (CH), May 2014
