The Flow

Certains s'achètent une guitare pour provoquer les parents, d'autres arrêtent le foot... Dyaxxx, lui, choisit les platines à l'âge de 12 ans.
Des premières fêtes d'anniversaire aux caves les plus underground où même les concierges refusent de s'aventurer, les années filent à toute allure. Dans ces décors de béton armé où les basses font vibrer les murs et où les jours s'enchaînent sans voir la lumière du soleil, le ton est donné : c'était brut, direct, parfois violent.
Aujourd'hui, fort d'une expérience forgée dans les clubs sombres en Suisse et aux États-Unis, et nourri par son passé de bassiste et chanteur au sein de divers groupes, Dyaxxx a trouvé son identité. Derrière les platines, il fusionne ses propres productions avec des plaques Hardtech calibrées pour une puissance maximale, centrées sur l'impact des basses et des médiums.
Entre séquences originales et gros beats binaires purs, sa musique est une frappe d'enclume : direct dans ton visage.
On peut ne pas aimer, mais on ne peut pas rester insensible

An innovative Latin Soul project based in Zurich, Switzerland, featuring the vocals of I.S.A. and produced by renowned pianist Alex Wilson.

The project’s distinctive sound is driven by a powerful rhythm section featuring Steve Winwood’s percussionist Edwin Sanz, in-demand bassist Dimitris Christopoulos, and Alex Wilson, who blends 80s-inspired keyboard sounds with Salsa montunos. I.S.A.’s soulful vocals are enriched by the powerful voice of singer Naomi Phillips.

Hinter Kafi-D steht der Ostschweizer Musiker, Produzent und Soundtüftler Urs Baumgartner. Sein Schaffen umfasst Band- und Soloprojekte, Musik für Filme, DJ-Sets und Remixes. Im Zentrum steht dabei die neugierige und unkonventionelle Auseinandersetzung mit den Möglichkeiten elektronischer Musik.

Album Kafi-d Grains

Es knistert, knorzt, knarzt und kickt! Auf seinem Album «Grains» erschafft Kafi-D einen liebevoll und detailreich gebauten Mikrokosmos aus Sounds, Schaltkreisen und Eigensinn. Irgendwo im Jungle zwischen Breakcore und Braindance hat er sein musikalisches Biotop angelegt. Darin tummeln sich neun Tracks, die jeweils einem eigenen kompositorischen Prinzip folgen und doch von derselben Lust am Unberechenbaren angetrieben werden. Für die aufwendige Klangerzeugung entwickelt Kafi-D seine Software selbst, baut Teile seines analogen Instrumentariums und entlockt seinen Maschinen Sounds jenseits von Presets und Patentrezepten.

Vorgefertigte Lösungen interessieren ihn nicht. Kafi-D bleibt ein Suchender, erfindet eigene Regeln und baut immer weitere Umwege. Selbst die Repetition, das Credo elektronischer Musik, wird bei ihm unberechenbar: Sie rüttelt am Metrum, stolpert, setzt aus und schlägt plötzlich wieder zu. Dabei arbeitet Kafi-D präzise genug, um den Kontrollverlust lustvoll zu zelebrieren. So klingt «Grains» nie verkopft, sondern verspielt, exzessiv und irgendwie immer tanzbar. Mit Betonung auf «irgendwie» und einer Synkope bei «immer».

Kafi-d Live

Kafi-D schleppt seine Werkstatt auf die Bühne, verkabelt sie zu einer Versuchsanordnung und gibt seinen Maschinen Auslauf. Kaum steht die Ordnung, beginnt er, an ihr zu rütteln. Sounds fallen einander ins Wort, Schleifen drehen durch und jeder Impuls schickt den Abend auf einen anderen Umweg. Die Maschinen laufen ihm davon. Kafi-D legt nach. Dann übernimmt der Schalk die Regie: Die Versuchsanordnung gerät unter Strom und der ganze Raum in Bewegung. Breakbeats taumeln in den roten Bereich, der Bassdruck nimmt zu und die Schaltkreise kommen ins Schwitzen.

Sharleen was formed in 2022. Their music blends power, depth and raw emotion. The musicians craft an alternative rock sound with grungy and psychedelic influences, moving between calm and fury, darkness and light. Their explosive creativity allows them to quickly compose around twenty original songs, each with contrasting and intense atmospheres.

In 2021, Thierry Fournier began looking for musicians to put together a new alternative rock band. The first line-up of Sharleen came together in 2022 in Valais, Switzerland, and quickly developed a repertoire of around twenty original compositions. The band subsequently performed on various stages throughout French-speaking Switzerland.

In December 2023, the band recorded five tracks at « Studio du Faune » in Rennes, with the help of Romain Baousson. During the winter of 2024, these tracks were mixed and mastered by Bruno Green at « Silent Masters Studio » in Lennoxville, Canada. They were then released as singles on all major streaming platforms between May and October 2024.

In 2025, Sharleen recorded five new tracks in their home studio. In September 2025, these tracks were mixed and mastered by Romain Baousson at « Le Monde Perdu » studio in Rennes and by Damien Tillaut at « La Bourbine » studio in Rennes. They were subsequently released as singles on all major streaming platforms between November 2025 and March 2026. In April 2026, a new version of « April Spleen », mixed and mastered by Bruno Green at « Silent Masters Studio », was also released on all major streaming platforms.

Sharleen aims to continue recording and releasing new material on a regular basis, while bringing their music to the stage with their new line-up. The band is currently working on the pre-production of new songs, scheduled for release in 2027.

Twenty year old Artist/Producer straight outta kanton Zug!

jupiter.clouds was born from the meeting between Ismael Trentin and Rodrigo Jucker, respectively bass/keyboard and drums, in 2022.

The initial goal of the duo, and that of the current quartet, is to try to reach new worlds in sounds, by mixing contemporary Jazz, Funk, Soul and different instrumental techniques.

The quartet is currently composed of the aforementioned members, Yannick Veronesi on piano and keyboards and Niccolò Monté Rizzi on trumpet.

In 2023 jupiter.clouds participated in the Stars on Street contest in Locarno organized by the Pop Music School, performing live for the first time and obtaining the music critics' award assigned by Michele Castiglioni.

jupiter.clouds reached the finals in TicinoBands music contest, making greart impression also on local newspapers.

The quartet performed at several festivals, including Longlake festival in Lugano, and Avant Tout Musique, Etroubles.

In August 2024 jupiter.clouds made its first musical production in the form of a live session with Touch Time Records, which is still streamed on local radios nowadays.

Only one year later, the quartet recorded a second live session featuring saxophone player Leon Buckley from Dublin.

OXSA plays electronic music the way you play an instrument: synthesizer, turntable, hand-built modular racks and voice. Where many electronic live sets are operated, his is played.

Behind it is Patrick Eichenberger, a musician from Geneva. Piano at four, scratching at twelve, self-taught on a turntable found in the street. He has played Paléo Festival twice, the Montreux Jazz Lab twice and the Electron Festival, and writes, arranges and mixes for other artists from his studio in Geneva.

He released ASTROSPORA in June 2026, twelve tracks put out independently on ADESIV. His current work pushes modular synthesis toward song: in October 2026 he created LÀ-EAU for the Undertown's thirtieth anniversary, some fifteen minutes of voice, scratching and modulars, from the mountain to the city.

Booking: ADESIV · oxsa.ch

Etna ROM is the solo music project of artist Andrea Rickhaus.
As an extension of her artistic practice, Etna ROM marks a shift from the visual to the musical – opening up a space in which she can follow her inner impulses and delve deeper.

In doing so, she moves between external and internal landscapes, between different times, textures and tempos – exploring the interplay between memory, perception and the world around her. Her music travels through these in-between spaces, where contradictions, shifts and ambivalences can coexist.

For her debut EP Terra Blu (Inner City) she drew inspiration from the sounds and surroundings during her stay in Athens. She wonders: What layers emerge when we approach the past not only chronologically, but also through its depths, uncertainties and even its (in)finiteness?
A gentle voice hovers over devotional drones, interrupted by pulsing field recordings. The vocals shift between singing, creaking, whispering and breathing. Ethereal sequences give way to eroded rhythms. Sonic landscapes drift into dark waves. Languages intermingle; boundaries dissolve. What takes shape erodes again – and time loses its direction.

The Strange Vines composent des titres rock originaux, dont plusieurs qui donnent envie de bouger le popotin. Le guitariste construit ses propres guitares. Ils enregistrent seuls leurs chansons sans passer par la case studio. Ils montent sur scène et se donnent à fond à chaque fois, peu importe s’il y a une foule en délire où deux grand-mères et un chat dans le publique (ce qui est déjà arrivé, mais le chat était sympa heureusement). Ils parlent de plein de choses différentes dans leurs chansons, en passant par l’IA, la mer, les bandits, et même les singes. Ils ont sorti un EP en 2024 (Places Only Known To Us), un album en 2025 (Turbulence), et viennent de sortir un nouveau single (Roads). Ils chantent en anglais car c’est leur seule langue commune, vu que le bassiste est argentin, le batteur français, le guitariste pakistanais, et le chanteur suisse. Ah, et ils sont totalement nuls avec les réseaux sociaux.

BEQUEM..

..a trio from Zurich that refuses to commit to any single genre. Kickass rock and metal, laced with blues, samba, and an appetite for just about anything. Passion, crafted by hand. Songs in various languages ​​with cheeky lyrics. Preferably amplified using old-school gear. Vacuum tubes instead of algorithms. A tangle of cables instead of a full hard drive. A short circuit instead of an error message.

BEQUEM – a sofa with an ejector seat!

25 YEARS. STILL LOUD. STILL THE NUTCUTTERS

25 years of punk rock. 25 years of sweaty clubs, loud guitars, friendships, and stories probably best left untold.

Since 2002, THE NUTCUTTERS have been delivering high-energy punk rock, infectious melodies, and a healthy dose of DIY attitude. From small Swiss clubs to international festival stages and sharing the stage with punk rock heavyweights like Pennywise, Lagwagon, Zebrahead and more - these four guys from Bern have collected more than a few stories along the way.

After seven years away from the stage, THE NUTCUTTERS will celebrate their comeback in 2027. Not to relive the glory days, but to pick up right where they left oft: on stage, with guitars turned up way too loud and songs !hat sound like beer, friendship, and one hell of a good time.

In 2027, THE NUTCUTTERS celebrate their 25th anniversary. With a handful of selected shows, old stories, and new music on the way.

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・A NEW EARTH IS EMERGING・
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Alle Songs wurden in Zusammenarbeit mit künstlicher Intelligenz geschrieben und produziert.
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Was ist Musik aus künstlicher Intelligenz?
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Die Zukunft?
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Künstliche Intelligenz wird die Musikwelt zweifellos grundlegend verändern.
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Musik und Kunst werden zu einem Gemeingut.
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Ob mir das als Künstler gefällt oder nicht, ist unerheblich.
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Das Neue kommt wie eine Welle.
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Wer nicht auf dieser Welle reitet, wird von ihr mitgerissen.
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Reite auf der Welle – oder noch besser:
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Werde selbst zur Welle.
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Musikproduktion mit KI –
ein philosophischer Blick
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• KI eröffnet Räume, in denen Klang nicht nur erschaffen, sondern auch reflektiert wird.

• Sie fungiert als stiller Resonanzraum, der unsere eigenen kreativen Impulse widerspiegelt.

• Mensch und Maschine verweben Ideen zu Formen, die keiner von beiden allein erschaffen könnte.

• Nahe Zukunft: Musik als Dialog zwischen Intuition und Algorithmus.

• Ferne Zukunft: Sich stetig wandelnde Werke, die uns wie akustische Spiegel unserer Innenwelt begleiten.

• Die grundlegende Frage: Erschafft KI Musik – oder enthüllt sie neue Konturen dessen, was es bedeutet, Mensch zu sein?

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Wie KI jeden Menschen kreativ macht
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• Sie baut Barrieren ab: Ideen werden zu Klang – ganz ohne teure Ausrüstung oder langwierige Ausbildung.

• Sie verwandelt spontane Impulse in nutzbares Material.

• Sie liefert Funken, die den Einstieg erleichtern, statt den Prozess ins Stocken geraten zu lassen.

• Sie eröffnet auch Nicht-Experten neue Wege, innere Bilder auszudrücken.

• Sie erweitert die Vorstellungskraft durch frische, unerwartete Möglichkeiten.

• Sie verlagert den Schwerpunkt der Kreativität von technischem Können hin zur Neugier – und gibt so jeder Stimme Raum zur Entfaltung.

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ALL TRACKS ARE WRITTEN AND PRODUCED IN COLLABORATION WITH ARTIFICIAL INTELLIGENCE

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WHAT IS ARTIFICIAL INTELLIGENCE MUSIC?

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THE FUTURE?

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Artificial intelligence will definitely change the music world fundamentally

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Music and art will become a common property

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Whether I, as an artist, like it or not is irrelevant

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The new comes like a wave

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Those who don't ride the wave will be swept away

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Ride the wave, or even better

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Become the wave

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AI Music Production - -
a philosophical glance

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• AI opens spaces where sound is not only made but contemplated

• It acts as a quiet resonator, reflecting our own creative impulses

• Human and machine weave ideas into forms neither could shape alone

• Near future: Music as a dialogue between intuition and algorithm

• Distant future: Ever-shifting works that accompany us like acoustic mirrors of our inner world

• The lasting question: Does AI create music, or does it reveal new contours of what it means to be human?

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How AI makes everyone creative

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• It removes barriers: ideas become sound without costly tools or training

• It turns quick impulses into usable material

• It offers sparks that help people start instead of stall

• It gives non-experts new ways to express inner images

• It expands imagination with fresh, unexpected options

• It shifts creativity from skill to curiosity, giving every voice room to grow

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**Team Europa – Good vibes to connect with!**

Team Europa ist ein Electronic Live Act aus Bern. Matufi macht die Beats, Yeahman bringt die Texte. Zwei Freunde, die aus Freude am Selbermachen und Experimentieren gemeinsam elektronische Musik entwickeln.

Druckvolle Bässe, offene Synthesizer-Sounds, elektronische Beats und Breaks sowie deutschsprachige Texte zwischen Spoken Word und Sprechgesang prägen ihren Sound. Mal leicht und verspielt, mal dicht und gewichtig – immer mit dem Groove im Zentrum.

Im Studio werden die Stücke programmiert, produziert und mit live eingespielten Elementen ergänzt. Auf der Bühne verbindet Team Europa Beatstation, Triggerpads, Stimme und einzelne Instrumente zu einem energiegeladenen, tanzbaren Set. Alternativ treten die beiden als Soundsystem hinter dem Mischpult auf.

Ihre Texte schauen auf die Herausforderungen unserer Zeit, ohne bei den Schreckgespenstern stehen zu bleiben. Sie suchen nach dem Verbindenden und nach neuen Perspektiven. Lebensfreude und ein wacher Blick auf die Welt gehören für Team Europa zusammen.

Weniger Ego-Show, mehr kollektive Energie. Musik, die bewegt, verbindet und Hoffnung weckt.

**Website & Booking:** https://teameuropa.earth/

"Heartline" Pop Rock Cover-Band aus Lenzburg.

The artist Mina, originally from Switzerland, moved to London after completing her high school diploma to pursue a music career in one of the world's biggest music capitals. She quickly became part of the local live music scene and began performing regularly at venues like the renowned Proud Camden, Bush Hall, and many others. While her background lies in jazz and classical singing, since the pandemic, she has fully dedicated herself to creating her own music. With her main genres being soul, jazz, and RnB, she found great mentors in jazz musician Nathan Britton (Ego Ella May) and BBC Radio Introducing-celebrated music producer/artist Brando Walker (Pixie Lott, Jelani Blackman) at the Soho.Live Studios in London. In recent years, the trio has been working on developing Mina's sound and writing countless songs—'Don't Hold On' was the first release in a series of planned singles in 2023. The new single 'Broken Boy' (Brando Walker Remix) will be available on all platforms starting October 18th.

emo rock from Fribourg

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・・ ENTER THE FUTURE ・・
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Four years in the making, recorded at Double V Record Studio in St. Gallen, this is Van Vernon's most personal record yet — ten songs moving between indie rock, folk, and alternative, never settling for one mood when three will do.

The album opens with intimacy and closes with departure, and in between it doesn't shy away from taking sides. "King of Rodeo" and "Ride on" are sharp and unflinching, political in the way only a songwriter with something to lose can be, while "The Power of Beauty" turns inward, trading anger for a quiet, searching philosophy. "Seven Days" and "Counting on You" pull things back into the personal — love, and the fragile trust it asks of us — before "Fluke" and the title track close it all out on something more autobiographical, tinged with the particular ache of moving on.

Lukas Stalder's electric and lapsteel guitar threads through the arrangements, Remo Borner's drums (tracked with Serge Christen at MAZZIVE Sound Production) give the songs their backbone, and everything else — instruments, production, mixing — comes from Van Vernon himself. Mastered by Felix Davis at Metropolis Studios, London.

But once a song is released, it's no longer his. It becomes yours. A line might remind you of someone. A song might land exactly where you are right now. You might hear something completely different than what was meant — and that's exactly how it should be.

The cover shows Hamburg's main railway station, where arrivals and departures happen side by side, every day, without ceremony. A fitting image for an album about love, faith, politics, and memory — places we all pass through. Welcome & Goodbye doesn't hand you a conclusion. It just opens the door. Make it your own story.

i’m kk and i make music in german: warm, nostalgic synths, melancholic lyrics and my husky voice.

i started out in 2019 as ruszy, rapping in swiss german. when i moved to hamburg, i switched to german, and i’ve been releasing as kk naked since 2021. i’m back in basel now, but i’ve kept making music in german.

my music has always leaned electronic. i write, produce and record almost everything myself and only occasionally work with other producers. i’ve been independent since my first release. around 30,000 people listen on spotify each month (as of november 2026), and “nicht tanzen”, my most-streamed song so far, has passed 250,000 streams.

Blessure (it‘s french for injury but if you pronounce it more in an english way it sounds more like pleasure, it's a mix of hurting and blessing). This is the music project of Oreste Vinciguerra you‘ll find on soundcloud and also here. The tracks are recorded in an unprofessional way in my studio where i normally do illustrations or hanging around with my illustration colleagues. But sometimes i am also writing songs, singing and playing guitar, collaging loops in GarageBand in my humble way. Just for the fun of it. It could injure your ears or give you pleasure 😆 Either or