The Flow

Rosewood have long been a well-established name in Switzerland’s Americana
and modern country scene. Founded in 2014, the band quickly
embarked on a remarkable musical journey.
Performances at renowned venues and festivals such as the Trucker & Country
Festival Interlaken, Country Music Festival Albisgütli, Openair Klewenalp, Ride
West, Stadtkeller Luzern, Baronessa Lenzburg and Kulturschachtle Adliswil – to
name just a few – have earned the band a steadily growing and loyal fan base.
Rosewood have also performed in Germany and other European countries,
including Austria and Spain.
Shortly after the band was founded, Rosewood received the Swiss Country
Music Award for “Best Band”. Their song “Life Is Good” was also honoured
with the award for Best Song.
In 2020, the band followed up with their debut album Miles And Stories, which
entered the Swiss album charts directly in the Top 10 during its first week.
In early 2026, Rosewood broke new ground with the release of their EP Season
I – The Studio Sessions. All songs were recorded as live sessions in the studio –
no safety net, no second takes. The honesty, warmth and deep connection
between the five band members can be both felt and heard throughout the
recordings. All songs are original compositions, driven by earthy guitars,
organic rhythms and voices that tell stories of change, time and love.
The five musicians are continuously working on new songs, which they are
developing and releasing in stages as part of the continuation of their Studio
Sessions.
Their latest songs regularly receive airplay on Radio Swiss Pop, SRF 1 and
various relevant independent radio stations in Switzerland and abroad.
With a passionate and captivating live show, Rosewood draw their audience in
from the very first moment, creating an atmosphere that resonates long after
the final note. Whether on an intimate club stage or in front of a festival crowd,
the band impresses with passion, authenticity and a genuine connection with
their audience.

The 30-year-old musician Via discovered her passion for music at a young age. Even as a child, she used her song lyrics to write down enduring memories and dramatic experiences from her life in order to process them. Instead of struggling through sheet music, she prefers to rely on her ear and play melodies intuitively. She gave her first ‘concert’ at the age of 10 - spontaneously in front of a grocery shop with a piano. She wrote her first song at 14, followed by her first EP at 16.
She won the hearts of her listeners with modern English pop and her authentic style. After a creative phase in German, she returned to English pop with a breath of fresh air.

incipit brings together four rock enthusiasts who are determined to draw on every element of the genre’s richness from their musical toolbox. The result is a hybrid form of alternative rock, blending raw, organic rhythms with more psychedelic flourishes, all driven by a powerful vocal and finely crafted guitar sounds. For now, these original compositions are complemented in our live sets by covers of the bands that inspire us – and, above all, get your head bobbing: The Hives, The Strokes, Arctic Monkeys, QOTSA, Wolfmother and many more!
‘incipit’ means ‘the beginning’, the opening of a work… we invite you to start following us – who knows where this will take us? Let’s go for it together!

JOYNA est une autrice-compositrice-interprète de pop francophone dont l'univers navigue entre mélancolie intime et résilience. Avec une sincérité désarmante, elle explore la complexité des relations humaines : les moments suspendus, les douleurs qui forgent, les lumières extraites du plus sombre.

En collaboration avec le producteur Gregory Kropf (18 Lines Studio) et l'autrice-compositrice-interprète Margie Clément, elle sculpte une identité sonore immersive et habitée.

Film 2 is Jonas Albrecht, Elias Bieri and Elischa Heller. For nearly a decade they have been playing their way through the Swiss underground, from dark cellars to niche festivals, from 20-minute sets to 4-hour performances – somewhere between noise rock, kraut and experiment.
Their music comes hurtling in with sound constructions that overwhelm and confuse and sweep you along and hit you square in the face. Energetic and grinding, and yet there are moments within it that touch you and make you stop. The instruments rear up, scraping what feels like a cloud of dust made of sounds into your face, and then suddenly you find yourself on the outside, the guitar becomes almost physical, everything melts and grinds.
At Film 2, text becomes material. Words abstract themselves in the process of repetition until they dissolve into pure sound, only to then concretise back into thoughts. Every sound, every word is turned and twisted, stretched and kneaded, the rhythm drives the whole thing forward and pulls everything else along with it.
And so they make us tremble and think. Always shifting, but always moving forward.

TaubArt is a Swiss electronic music duo based in Bern, focused on original productions spanning Tech House, Progressive House and deep, driving club sounds.

TaubArt’s sound blends powerful grooves, hypnotic basslines, atmospheric textures and melodic tension. Rather than following a fixed formula, the duo combines club energy with experimental elements, creating tracks that range from deep and stripped-back to euphoric and explosive.

A central part of the TaubArt concept is its commitment to originality: the duo performs exclusively with its own productions. As a result, every set becomes an evolving showcase of their own sound — direct, individual and distinctive.

Based in Bern, TaubArt continues to develop its style through new releases, live performances and a constantly growing catalogue of electronic music made for late nights, powerful sound systems and packed dancefloors.

Es begann alles während der Pandemie. Damals bestellte sich Ambra Fia eine Gitarre im Internet, liess sie nach Hause liefern und lernte ihre ersten Akkorde. Schon bald sprudelten die ersten Lieder aus ihr heraus, und sie bemerkte, wie gut ihr das Songwriting tat. Ein bis dahin unbekanntes Gefilde wurde zu ihrem treusten Begleiter.
Seit einem Jahr arbeitet sie gemeinsam mit Luca Burkhalter an ihrer ersten Debüt-EP und ist dabei auf der Suche nach ihrer musikalischen Identität. Es waren spannende Tage in den Untergeschossen des Studio 571 in Zürich. Die beiden tüftelten, lachten und diskutierten, bis das Projekt schliesslich zu Ambra Fia wurde.
Die Lieder bewegen sich in Schweizer Mundart und sind musikalisch zwischen Pop und Folk angesiedelt und besitzen echtes Ohrwurmpotenzial. Einige davon sind Up-Tempo-Nummern, zu denen man am liebsten sofort tanzen möchte. Hört man jedoch genauer hin, wird schnell klar, dass die Songs nicht nur von Leichtsinn geprägt sind.
Ihre Musik handelt von Zweifeln, Unsicherheiten und Melancholie. «I ha doch alles, aber alles esch mer zvöu» singt sie in einer Ballade und bringt damit auf poetische Weise zum Ausdruck, dass ihr ihre eigene Innenwelt manchmal zu viel wird: zu laut, zu intensiv und zu verunsichernd. In ihren ruhigeren Songs richtet sie den Blick nach innen, stellt sich Fragen und verarbeitet dabei ihre Prägungen und Erfahrungen. Ambra Fia lässt sich nicht einfach einordnen. Sie bewegt sich zwischen Melancholie und Leichtsinn, zwischen Nachdenklichkeit und Lebensfreude. Diese Dualität kennt sie nur zu gut. Sowohl in ihren Songs als auch in ihrem eigenen Leben nimmt sie diese Spannung gerne als Herausforderung an.
Wer Ambra live auf der Bühne erlebt, merkt schnell: Ihr natürlicher Charme wirkt ansteckend, und ihre Stimme sorgt immer wieder für Gänsehautmomente. Falls ihr Ambra Fia noch nie live erlebt habt, solltet ihr das unbedingt nachholen.
Let this horse out of the box!

Arkas ist ein Provinzkind mit Identitätskrise: Einerseits tief verstrickt mit urbaner Nonchalance, andererseits halt doch naiv und geprägt von Festbankromantik. Und auch wenn er seinem Ärger ab und zu zwischen den Zeilen Luft macht, bleibt Arkas dabei immer sanft. Auch musikalisch bewegt sich Arkas im Spannungsfeld: Rap will und soll, nein, darf das nicht sein. Manchmal ist es ein Flirt mit Post-Punk, aber ein Fuss bleibt trotzdem immer in der Tür zum Pop.

SPLIT is back.

More than 40 years after SPLIT was founded, the remaining founding members are bringing the band back together and returning to the stage.

Rehearsals have already begun, and auditions are currently underway for saxophone and vocals. At the heart of the project are the many original SPLIT compositions from the 1980s and 1990s – reinterpreted with today’s energy and complemented by new material.

The unmistakable SPLIT sound – a powerful blend of funk, jazz-rock and fusion – is not just meant to live on as part of the band’s history, but to return to where it truly belongs: live on stage.

The first concerts are planned for 2027.

SPLIT 2027:
Ulrich Meldau – keyboards
Johann Bernard – drums
Christian Bohren – bass
Jean-Marc Hunziker – guitar
Saxophone & vocals – line-up in progress

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Notable Concerts 1984–1994
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Ugly Richterswil, STUZ Zürich, Atlantis Basel, Montreux Jazz Festival, Casino Frauenfeld, Domino Schaffhausen, Volkshaus Zürich, Dillons, Drahtschmidli, Stadtkeller Luzern, Casino Bremgarten, Limmatquai 82, Casino Luzern, Albisgüetli, Hotel National, Schützengarten St. Gallen, Kongresshaus Biel, Reithalle Frauenfeld, Tonhalle Wil, Cabanna Davos, Picaddilly Brugg, Open Air St. Gallen, Open Air Thun, Neuhof Bachs, Kaufleuten Zürich, Moonwalker Aarburg, Albani Winterthur, Mühle Hunziken, Hotel 3 Könige Chur, Inox Baden, Rössli Stäfa, Gaskessel Bern, Miller's Studio Zürich, Eisenwerk Frauenfeld, Hallenstadion Zürich, Mister D's, Casino Affoltern, Ca-Ba-Re Zürich, Kulturfabrik Burgdorf, Magic Factory, and many more.
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Supporting Act for
Stanley Clarke – 1986, Volkshaus Zürich
James Brown – 1987, Reithalle Frauenfeld
Mezzoforte – 1988, Albisgüetli Zürich and Kongresshaus Biel
Tania Maria – 1989, Tonhalle Wil
Cher – 1992, Hallenstadion Zürich

“Il Saggio” was formed in 2013 from the ashes of a previous band, “Griots”. Filippo Leoni (vocals and guitar) joined forces with Ivo Gasparini (drums, percussion and synthesizer).
Their early musical journey ranged from singer-songwriter music to blues and world music. Their first single, “Dove sta il mare”, received airplay on regional radio stations throughout the summer of 2014. It was followed by an EP featuring four original songs.
Over the years, their live performances have taken them throughout Switzerland and northern Italy. In 2018, they completed their first full-length album, “NaturaHumana”, featuring 17 original tracks and recorded with Auditoria Records. For the album, the trio invited Franco Ambrosetti (trumpet and flugelhorn) and Andrea Pedrazzini (piano and organ) to collaborate as guest musicians.
Their songs reached national radio stations, while their live appearances included prestigious venues and events such as the Teatro Sociale in Bellinzona and Moon and Stars in Locarno.
In 2023, they released two further singles, also recorded with Auditoria Records.

Von Zippen was formed in 2014 in Ticino, when Faze (vocals and piano) and Hedgehog (guitar) joined forces, soon followed by Rocco on drums and Staf on bass. After an early period of cover songs, the band began writing original material in 2017. A turning point came in 2019, when the band reinvented itself and embraced sleaze rock, drawing inspiration from acts such as Guns N’ Roses, Mötley Crüe, Kix, and L.A. Guns.

In 2024, they released the EP Ain’t Going Down No More, led by the acoustic single Tryin’ So Hard, proving they can weave softer tracks into their more aggressive sound. This was followed in 2026 by the singles Hit’Em Back and You Have To Run Away, further strengthening a musical identity that blends sleaze rock with heavy-hitting energy.

Through live shows, festivals, and radio airplay, Von Zippen holds to rock and roll as an attitude. Come taste the band.

Von Zippen’s lineup:
Amos “Faze” Malorgio — vocals & piano
Samuele “Hedgehog” Cambianica — guitar
Stefano “Staf (The Bull)” Martini — bass
Rocco Vitale — drums

Before Arto Cola, Augustin von Arx and Léonard Persoz had already shared more than a decade of music making together, both on stage and in the studio. Founding members of some of the most distinctive acts on the Swiss French-speaking scene, including Magic & Naked and Le Roi Angus, they have played more than 400 shows together, appearing at festivals such as Paléo and the Montreux Jazz Festival. Over the years, they refined a distinctive sonic signature, leading to Arto Cola, a space of freedom where the different facets of their journey as musicians, producers and arrangers converge. Truly singular and playful, their work takes the form of pop in perpetual flux, where influences from R&B, funk and soul blend freely and naturally with metal guitars.

Seit über 20 Jahren stehe ich als DJ hinter den Decks und lebe meine Leidenschaft für elektronische Musik. Mit dieser geballten Erfahrung und einem feinen Gespür für die Crowd bringe ich jede Tanzfläche zum Beben. Seit vier Jahren kanalisiere ich diese Energie auch im Studio: Ich produziere meinen eigenen Melodic & Epic Trance – ein Sound voller tiefer Emotionen, epischer Melodien und treibender Beats, die direkt ins Herz gehen. Die Songtexte sind fast alle auf Latein.

Séverine Gonzalez, agente artistique indépendante chez cvrin prod.

– ROSTER: Dominique y los Cuchumatanes | François Vé | Hector ou rien | Anti-concert par Hector ou rien | Don't Kill The Cow | Gadjo | Noir & Gerber | Emilie Roulet & Michael Frei | The Story of John O'Hara - Cie 5/4 | Hemlock Smith

– Photographe et vidéaste sur mandat: Concert / Spectacle / Backstage / Session en studio d'enregistrement

– Communication pour Kaléidoscope à Romainmôtier en 2025.

– Programmatrice du Tilleul Festival pour la 10e édition anniversaire en 2024.

– Création en juillet 2018 d'un magazine musical, Onde Romande, pour mettre en avant les artistes suisses.

ALAIN MICHOUD aka Electro JazzPower
JAZZFUSION electroacoustik : Afro & Oriental // SAXES, FLUTE, KEYS, VOICES, compos-arrgts, playing, recording & mixing all myself.
(in years 70' I was a PIONEER of AFROFUNK in West Africa Hit #1 in 1976 in Ghana "Cry in the Jungle" and "Brothers & Sisters"
My hobby is littérature : ROMANS (en français) :
LA REVOLTE DU MAUDIT 2015 Edilivre Paris, fnac.com / épuisé !
SWEïLEME Jets d'Encre Ed. 2017 Paris chez amazon.fr, amazon.com , fnac.com, fnac.ch et dans toute la francophonie.
Version AUDIO avec soundtrack jazzfusion inédit : chez AUDIBLE, Amazon.fr etc
FIN 2026 : sortie du roman AUDIO ambiancé par soundtrack inédite jazzfusion " CANCER "

A voice like sun warmed skin. Soft and warm on the surface, deep underneath.

Nadiya is a Swiss-based R&B and Pop singer-songwriter with Italian and Arab roots. Growing up between two cultures shaped her openness to different music perspectives and her curiosity as an artist. She explores this through experimenting with different sounds, styles, and influences while always staying true to her own voice.

Her sound blends the warmth and soul of R&B with the openness of Pop. Letting the melody lead the way, Nadiya writes and composes in English.

She writes about what moves her deeply-heartbreak, self-worth, emptiness, fulfilment, hope, and the quiet moments when life simply feels right. Drawn to both the beauty and intensity of emotions, she turns personal experiences into songs.

Authenticity comes first in her music. She has never embraced excessive Auto-Tune, believing that a voice should retain its natural texture and imperfections. Anything that strays from that natural character can feel too “fake” to her. For Nadiya it comes down to real emotions, strong melodies and a voice that sounds unmistakably like her.

Her music is an invitation to feel deeply, stay curious and connect beyond boundaries, with people, with emotions, and with the many worlds that shape us.

Ein Blick in die Geschichtsbücher
Wer ganz weit zurückschaut, erkennt den Beginn der musikalischen Reise bereits in den 1990er Jahren, als die beiden Gründer der Band, Thomas Weber und Guido Wohler, mit dem Punk-Trio «Notausgang» Hunderte von Konzerten im In- und Ausland spielten.
2011 wagten die beiden unter dem Namen «Weber & Wohler» einen musikalischen Neuanfang. Aus Punk wurde folkiger Pop und aus Deutsch wurde «Züridütsch».
Die zwei Alben «Gueti Lieder» und «Herzbluet» folgten in den Jahren 2013 und 2016.
Schon bald war aus dem Duo-Projekt eine Band entstanden, welche ab dem Jahr 2018 unter dem Namen «Weber Wohler Band» auftrat.

Auf zu neuen Ufern
Das Jahr 2019 brachte schliesslich unzählige Veränderungen mit sich. Hoch motiviert, ein neues musikalisches Level zu erreichen, arbeitete die Band intensiver als je zuvor.
Als grösste Veränderung beschloss die Band, ab April 2020 unter dem neuen Namen «Finn’s Finale» aufzutreten und besiegelt damit ihren Aufbruch zu neuen Ufern.
Bereits ab dem Sommer 2020 wurden die ersten drei Singles unter dem neuen Namen veröffentlicht. Anfang 2021 folgte die Debut-EP «GO!» und 2022 erschien «Fahne in Wind».
Mit den neuen Songs bleiben sich Finn’s Finale treu und halten an handgemachter Mundartmusik mit tiefgehenden Texten und eingängiger rockig-poppiger Aufmachung fest. Gleichzeitig klingen die Songs deutlich moderner und grösser denn je.

With her powerful, deep voice, Lily Sollors naturally transforms life’s emotions into songs that are as intense as they are intimate. Drawing on a background in musical theater and jazz, she developed a broad and diverse artistic palette early on.

Lily decided to form her own band to share her original songs with audiences. In 2024, she took part in the Emergence Studio program (supported by the City of Lausanne and Artefax) to record her debut EP, "Breathe", blending rock, pop, and folk influences.

Following the EP's release, the band sought to explore new sounds. Influenced by modern jazz and indie rock, Lily Sollors’ new compositions push sonic and vocal boundaries while remaining deeply rooted in the emotions conveyed through her lyrics. A fresh energy best experienced live on stage.

Terry Blue - Leo Pusterla (vocals, guitars, synths and live processing) & Eleonora Gioveni (backing vocals, synths) - is an indie-folk/electro-pop duo from Lugano, Switzerland. Deeply influenced by artists such as Ben Howard, Bon Iver, James Blake and Leonard Cohen, composer and songwriter Leo Pusterla is always on the edge of a musical genre definition.
After the release of "Chronicles of a Decline" in 2023 and its following UK tour, Terry Blue returned in 2025 with the new album "Lakewoods" and an extended Europe Tour featuring shows in France, Germany, Spain, Portugal, Switzerland, Italy & Czech Republic.
In 2026 Terry Blue published "Ultimo Fiume" featuring Fabio Pusterla's voice and poems and presented it with 11 concerts around Italy and Switzerland. Both releases featured various well known musicians and performers such as Fabio Pinto (Monte Mai), Zeno Gabaglio (Niton), Andrea Manzoni (Migrantes), Christian Gilardi (Panighiröl) and Matteo Mazza (Diaspro).

Eifach müsig fer iisch und fer eiw ❤️ der räscht iisch nit wichtig..