The Flow

"Wild as the breeze.
Hotter than a 2 dollar pistol.
Keeping the spirit of rock n’ roll alive."

That describes Kim Tohora's music best.

With a great passion for music and life Kim Tohora writes songs reaching from high energy rock anthems to heartfelt ballads. Her lyrics tend to reflect her love for poetry and storytelling which she never fails to blend with pure Rock n' Roll.

Born in 2000, Maud Paquis grew up in Switzerland alongside her piano and computer keyboards.

As a child, she spent her time drawing on her nintendo DS, building boats for ants, and composing her first songs. A few years later, she enrolled in her first formal jazz piano lessons in the music school EJMA in Lausanne, before continuing her studies and obtaining her Bachelor’s degree at the HKB in Bern.

Maud is a multifaceted musician — a pianist, singer, songwriter, arranger, and producer, she does (almost) everything by herself.

Her writing process often begins at the piano, where she composes chord progressions and melodies paired with lyrics inspired by her daily life, in a tone that is both sincere and slightly offbeat.

During the Covid pandemic in 2020, Maud composed the material for her first EP Morphée, released in 2022. Spanning jazz, bossa nova, and pop aesthetics, the EP preceded the release of her debut album Circé in 2025, which propelled her onto the stages of the prestigious Montreux Jazz Festival, Cully Jazz Festival, and ZKB Jazz Prize, where she was awarded the audience prize.

In her forthcoming EP, set for release at the end of 2026, Maud continues in this vein, digging deeper into her lived experience. Whether the result is lighter or a little more on the heavy side, her voice is her own, inhabiting a warm pop that invokes Clairo, Men I Trust, or even Mac de Marco, in French of course.

Her next two singles, “Internet,” and “Si tu savais,” will come out this year. The first tackles her relationship to screens and the digital worlds that were made available to her, for better or for worse. The second evokes her childhood hopes and dreams, the inevitable disenchantment of adulthood, and the evolution of her self perception, set to mellotron and arpeggiated guitars brimming with chorus

Mira Meier (*1981) lives near Zurich, Switzerland. Although she did not grow up in a musical family, she discovered her passion for the piano at an early age and received nearly 15 years of classical training starting in second grade. As a child, she already began improvising and creating her own pieces.

Inspired by neoclassical music and minimalism (Richter, Einaudi, Tiersen), she composes calm, reduced piano music with clear melodies and atmospheric depth.

In recent years, she has been releasing her compositions on international streaming platforms. Her focus is on timeless music that evokes emotion and creates space for reflection. Every person who listens to her music is of great value to her, and she hopes to bring a little joy, love, and light to people.

As a child, Ophélie Meyer followed her parents around the globe. From these migrations emerged her passion for culture, music and dance. She began composing her first songs as a teenager, mostly dipping into folk music, with only her voice and guitar. These creations were then developed and released in her former indie-rock band. Ophélie’s vocals are mesmerizing, powerful, mellow and ethereal, captivating her audience in a world of her own. Marc Pauli, a multi-tasking musician and singer in many bands, became Ophélie’s drummer in 2018. His unique play and creative percussions enhanced their project. Their connection was, since the start, very strong and intuitive. In 2020, Ophélie started a solo project, composing songs on a piano, in a small chapel. Wanting to create an electronic version of her work, she called on Marc and his skills for rhythm and percussions. Together, they gave birth to Kashmire For Goliath.
Kashmire For Goliath uses musical instruments, drums, synthesizers, pianos and digital music editing to create a unique blend of indie electronica. Their universe is mystical, dark, yet bright, tribal, deep and lunar.

DJ Superfoam creates Swiss German melodic house and electro pop with uplifting grooves, catchy dialect hooks and a playful Swiss feel-good attitude.

The music is AI-generated and human-curated — built from personal ideas, memories, places, moods and little stories, then shaped and refined into modern, radio-ready tracks.

From “Lozärn glänzt” to “Bärn het Zyt” and “Bitzle meh”, DJ Superfoam blends local Swiss identity, humour, summer energy and melodic electronic sound.

AI generated. Human curated. Emotionally driven.

Tapas nocturnes est un groupe composé de 3 saxophonistes, 1 flûtiste, 1 batteur, 1 bassiste et 1 guitariste. Son répertoire musical comprend des musiques d'inspiration funk, latino jazz, des chansons pop-rock anglaises et françaises, arrangées par des musiciens lausannois. Fun, plaisir de jouer, c'est déguster des sons comme les tapas... l'auberge espagnol!!!

Ich bin Ana Lou, 19 Jahre alt, und mache Musik aus den Dingen, die ich sonst nirgends unterbringen kann. Aus Gedanken, Erinnerungen, Fragen und Gefühlen. Andere schreiben Tagebuch, ich schreibe Songs.

Mit meinem deutschen Indiepop möchte ich nicht nur einzelne Lieder veröffentlichen, sondern Stück für Stück eine Welt erschaffen. Jeder Song erzählt etwas Neues und macht diese Welt größer. Wenn meine Musik am Ende dazu führt, dass sich jemand verstanden fühlt oder für ein paar Minuten alles andere vergisst, dann hat sie genau das geschafft, was sie soll.

no fucking translation for this fucking language

The band met in a bar in the Swiss mountains after a snowboarding session. Fast forward a few years and they are now well known for their live shows, having already played SXSW & Levitation Festival in Austin, The Great Escape in Brighton, and the Reeperbahn Festival in Hamburg.

On ‘Out of Scale’, the band have further developed their sound. The band's first album, ‘Sweet Mortality’, brought them international fame, seemingly out of nowhere. They recorded their second album, ‘Inner Smile’ in the U.K. It was rougher, more honest. Now they have sharpened their style once again. Each song sounds different yet inevitably follows on from the next. Distorted guitar and empowering grunge rage are followed by repetitive psychedelia. Then there’s a thoughtful, almost quiet song. Somewhere between Courtney Barnett and Wet Leg. 

Much of the new music was written in the summer, during the holidays when Zurich was almost empty. Singer Gini Jungi remembers the taste of sunscreen and salt on her skin. Summer dresses. Endless time to think. Sometimes that felt good, when a night unfolded without a plan, in limbo, and she still felt a stark clarity. But sometimes she would sit on the carpet in her apartment, feeling alone, playing guitar, feeling loss, but also gratitude. 

At festivals, on long bus rides, and at late shows, the band members were always very close. They were able to empathize with singer Gini Jungi's lyrics almost seamlessly and set them to music together.  

Many songs on ‘Out of Scale’ are about friendships and romantic relationships. About feeling secure and feeling the euphoria when someone shows you the beauty of the world. Memories of a time when everything was good. Then the doubts creep in. Something is no longer right. I am not your answer. I am not your cure.  

Songs like ‘The Ocean’ or ‘Something ain't right’ find melodies for this mood, this mix of desire, longing, and comfort. Sometimes Gini Jungi's voice is in the background and reduced, then suddenly the fog lifts and she is very close. 

Some more changes come along with this new release. The band have joined forces with the distinguished indie label Clouds Hill. Bassist Josip Tijan will be joining Annie Taylor, bringing fresh energy to the band. The visual concept was designed by Kevin Högger, Studio Végété, and Quentin Lacombe. The mix of contemporary graphic design, experimental art, and pop aesthetics reflects the friction and openness that characterizes the album.  

Doing your own thing, even if it's not the direct route. ‘Out of Scale’ is about non-conformism. That's the message the album conveys and which is already embedded in the band's name. Annie Edson Taylor was a teacher from the USA who led a turbulent life and rubbed people up the wrong way. In 1901, she became the first person to plunge down Niagara Falls in a barrel. She was only injured on the back of her head. 

Annie Taylor's new songs are moving because they are very raw and intimate. Because they give difficult times the space they deserve. And because they also allow for new beginnings. The opener ‘Alligator’ immediately grabs your attention, sounding as if everything is at stake in the band's rehearsal room and showing that after struggling, the realization often comes: I don't have to make myself small, dissolve, bend over. I can change the situation myself. 

‘Out of Scale’ motivates us to never stop dreaming. To constantly reinvent ourselves. And to resist stagnation. 

We are a duo that creates intimate music from emotions that touch the heart. We want to transport you to a dreamlike world full of vulnerability and longing, where we explore the fragile beauty of human connection.

Pierre-Alain Gogniat - Music and songs

From 6 to 12 years, violin and then classical piano.
At 14, I joined the band Souled Out as a bassist. Jean-Marie Gogniat and Michel Bourquin on guitars, Jean-Marc Roth, then Michel Jaussi on drums, Souled Out performs tracks by (The) Kings, Beachboys, Doors, Beatles, Rolling Stones, Who, Hendrix, Cream, Soft Machine, Pink Floyd among others.
Michel Bourquin is replaced by Marino Maillard who takes the bass. I move on to the keyboards. This is the beginning of personal compositions. Souled Out performs live in Switzerland and France with a visit to the Golf Drouot in Paris. A record is made.
Title Aumether (2 tracks "Citadelle d'illusion" and "Vibration de terre"). Released on vinyl in 2013/2014. Links:
https://holywax-records.bandcamp.com/track/aumether-citadelle-dillusion
https://holywax records.bandcamp.com/track/aumether-vibration-of-earth.

Then I take the bass in the band Return (Jean-Jacques Tharin, guitar, Philippe Tharin, drums, Jean-François Chételat, Hammond organ) for some concerts and a passage on TV Suisse. After leaving Return, I occasionally play in other bands as the proposals progress and participate in the production of various records

The world of images (photography, films, multimedia) fascinates me as much as that of music. Finally, it is the professional activities of documentary film directors and multimedia productions that take over. Music is never very far away (children’s songs, film scores, choral singing) and, better late than never, in 2003, I started to write texts in French! New songs are born. Stories of encounters, reflections on the world, milestones of a life path with many meanders and particularly enriching.
Today, freed from my professional activities, I come back with pleasure and more availability to the music to put a final touch to my songs that remained in the state of mock-ups. The technical means have evolved, I take this opportunity to create new orchestrations, which will appear in the specific "Le Beau Son de X" playlists.

Pierre-Alain Gogniat - Copyright - member SUISA)

Own style growing Across music styles : Profusion de plein d'affluences musicales de tout genres. Le temps est venu de partager, ici c'est le nid et les musiques mes oisillons les voilà prêts à s'envoler...
Difficile de choisir entre les styles de musique (et les époques) ... ils sont tous intéressants à explorer... et le mieux c'est de les Mélanger...
Compositeur, musicien, arrangeur, player, Laborantin Musical, producteur et +
Ici c'est sans IA, que du vrai , 100% fait Main avec Cœur, y compris les Couvertures avec nos amis sauvages, rencontrés, aimés, respectés ...

Music Is Love

KIKKO BELLO, de son vrai nom Leonardo Santoro est un artiste Lausannois. Un doux mélange du sud de l'Italie entre Pouilles et Calabre. Un zest de citron acide. Son premier album ERREUR 404 a fait mouche, notamment avec le single ENVIES CRIMINELLES qui prend référence à la ville de Lausanne, ou encore Montreux, suivi de INACCESSIBLE au rythme chaud et sensuel.
Après les succès des albums suivants "Être un homme" et "Némésis", KIKKO BELLO prépare une nouvelle vibe de fraicheur avec un album aux sonorités 80's qui sortira en juillet prochain.

Kadeus is a Swiss bass music collective blending cinematic sound design, organic instrumentation and French vocals into immersive electronic experiences. Through emotional melodies, deep basslines and audiovisual storytelling, the group crafts music designed to transport listeners beyond the ordinary.

By bringing guitars, strings and other organic elements into modern bass music, Kadeus explores a distinctive space where raw emotion meets electronic power. Their artistic universe has featured the iconic French voices of Morgan Freeman and Richard Darbois, and has been recognized through a finalist placement in the M4Music Demo of the Year competition.

Poetic Pop-Rock from Zurich🥀.

Mia isn't here to entertain - she's here to expose. Known for her powerful (and very loud) voice and for her lively stage presence, Mia's true passion lies in writing explosive, yet thought-provoking songs, seeking to touch the faintest, yet craziest of hearts. Her music fuses live sounding pop-rock with a few sprinkles of punk, some scoops of poetic, yet bold (and in some cases playful) lyrics, and a whole lot of tunes that will either leave you laughing, crying, or both at the same time. With her music, Mia's mission is to reach those who are too afraid to be themselves, or more specifically... who are too afraid to be loud. Like who cares if you're too loud for the world? You're certainly not for Mia!

Séverine Gonzalez, agente artistique chez CVRIN PROD: Dominique y los Cuchumatanes | François Vé | Hector ou rien | Anti-concert par Hector ou rien | Gadjo | Noir & Gerber | Emilie Roulet & Michael Frei | The Story of John O'Hara - Cie 5/4 | Hemlock Smith

– Photographe et vidéaste sur mandat: Concert / Spectacle / Backstage / Session en studio d'enregistrement

– Communication pour Kaléidoscope à Romainmôtier en 2025.

– Programmatrice du Tilleul Festival pour la 10e édition anniversaire en 2024.

– Création en juillet 2018 d'un magazine musical, Onde Romande, pour mettre en avant les artistes suisses.

Né en 2006 à Lausanne, Gadjo est composé de quatre musiciens issus d’univers musicaux différents et réunis par leur passion commune pour le swing manouche. Aux deux guitares répondent un violon et une contrebasse, pour un répertoire où les standards du jazz côtoient des compositions originales et où les reprises vont du classique aux musiques de l’Est en passant par le hard rock.
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3 albums sortis entre 2008 et 2021: Incorporated, Chpilo, Ramage
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Et plus de 500 concerts et joué dans des festivals de renom tel que Cully Jazz, Lavaux Classique, Guitare en Scène, Jazz Contreband, Jazz Parade et bien d’autres… Il continue de réchauffer les âmes grâce à la sincérité et la musicalité partagée par ses musicien-es.
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Diego Fernandez (guitare)
Sébastien Pittet (contrebasse)
Vanessa Loerkens (violon)

Membres occasionnels:
Denis Croisonnier (accordéon)
Marc Crofts (violon)
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BOOKING: Séverine Gonzalez - cvrin prod - www.cvrin.com

Goa vor der Millenium Wende, heute Deep Dubtech fan.
Inspiriert von Luss, Liuos und Upwellings fügt sich alles zusammen...

Formed in Zurich, corokia blend 90s grunge influences with contemporary post-punk energy. Through regular rehearsals and initially rough demos, they have evolved into a powerful live band, known for their distinctive guitar riffs, driving drums and melodic yet relentless basslines. Weaving together distorted sounds and driving grooves, they create songs that oscillate between dark abysses and danceable melodies. With «every fragment of this dream», corokia venture into dark territory, both thematically and musically. The EP explores illusions, emotional dependency, mental health, the fragile notion of «security» within toxic dynamics, and the question of what remains when this construct crumbles.

corokia are Luana Jil Kälin (vocals, guitar), Marius Zäch (guitar), Saskia Sutter (bass) and Kilian Frick (drums).

Laume is a producer and DJ based in Berne, rooted in deep house, minimal, and deep
techno.
His story behind the decks began in Reims in the 90s, unfolded across the clubs of Paris
— Rex Club, Batofar, La Scène Bastille — and took him through England, Austria, Germany,
and Tunisia.
In 2014, under the alias Møsta, he founded Caïmite Radio, three years of weekly
broadcasts serving as a sound lab and platform for a wide range of DJs.
In 2020, he won the Deep category of the Mixmag France Lockdown DJ Contest. Two
years later, he released Paeonia on Fantastic Friends Recordings.
Then came a deliberate reset. Leaving Møsta behind to start fresh as Laume — not a rebranding
exercise, but a conscious decision to rebuild with a clearer identity. Same sound. Sharper focus.
Today, he is working on his debut EP as Laume, and hosts Too Many Pancakes, a monthly show
broadcast on Maxxima across Switzerland — part artist portrait, part sharp-tongued take on the
current state of the scene.
Laume doesn't aim to fill a space. He aims to inhabit it.