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The Flow
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Stärnehagel veröffentlicht auf verschiedenen mx3-Seiten Musikkompositionen und Lieder von Robi Weber.
(siehe auch: https://mx3.ch/staernehagel)
Auf dem hier vorliegenden Kanal "Stärnehagel oni Xang" befinden sich ausschliesslich Interpretationen eigener Instrumentalstücke. Vorerst präsentiere ich Kompositionen, die ich im Jahr 2000 auf der CD "Fontanive" vorstellte. Darauf sind 22 Gitarren-Stücke zu hören, die ich mit Hilfe von Suno in diversen Stilen neu instrumentiert habe. Suno hat die Abläufe z.T etwas umstrukturiert und manche Teile mit eigenen Solis versehen. Dasselbe gilt für meine Aufnahmen auf der CD "Nirvana retour" die ich 2008 erstellte und nun von ebenfalls Suno neu interpretieren liess.
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Welcome To My World
1. No Commercial Use with No Rights!!!
Phil is a 34-year-old music producer with over 17 years of experience crafting powerful, genre-blending soundscapes. His work spans a wide musical spectrum, including Trap, Rock, Hip Hop, Dubstep, and Hardstyle, showcasing his versatility and deep understanding of modern music.
Driven by a passion for hard-hitting beats and emotional melodies, Phil has been honing his production skills since his teenage years. Over nearly two decades, he has developed a unique sound that fuses raw energy with polished production, appealing to both underground fans and mainstream audiences.
Phil produces his music using Logic Pro X, with mixing and mastering done through Ozone 11 Advanced and Neutron 4. His creative toolkit includes high-end plugins from EastWest Sound Library, Nexus 5, Sylenth1, Serum 2, and a wide range of other professional libraries. With access to over 50,000 samples, vocals, FX, and chops, he brings depth and variety to every production.
In addition to his technical skillset, Phil collaborates with industry-level vocalists, licensing vocal phrases and full vocal performances that he is authorized to release under his own name. This professional approach allows him to deliver high-quality, radio-ready tracks that resonate with a global audience.
Always evolving and experimenting, Phil continues to push the boundaries of sound.
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Mail: broadway-band@gmx.ch Roger Strub: 079 330 5358 Roland Kämpf: 079 215 3751
Als erfahrene Musiker geben wir Ihrem Anlass den nötigen Pep ohne Netz und doppelten Boden – keine Playbacks - live!
Unser Repertoire umfasst Country, Rockabilly, Rock’n’Roll, Blues usw.
Wir freuen uns auf Ihren Anruf😀
Rolf Beetschen: Guitar, Vocals
Roger Strub: Drums, Vocals
Roland Kämpf: Bass
Shino Schneider: Piano, Organ, Vocals
Peter Liechti: Lead Guitar
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FLUR is a German-speaking singer-songwriter who explores the power of boundaries and personal truths through direct, emotional music. Born in the former DDR, she began her musical journey as a guitarist in her teens and formed her first band at the age of 13. Over a decade ago, she turned her back on vibrant Berlin and moved to the clear light of Zurich, where she rediscovered her voice and shaped her own sound.
FLUR stands for clear language in pop/alternative.
With her single “Mein kleines Nein” (My Little No), she delivers an extrospective, powerful track about attitude.
Words are her most precise tool, directness her unmistakable trademark. Sprinkled with a certain elegance that prevents the hard edges from catching the eye—and instead hits where art has its deepest effect: right under the skin.Her music is an expression of a clear attitude, and this attitude doesn't end with the song—it continues in her life. As a single mother, she lives her dreams not despite, but with everyday life. During the day, she takes on responsibility, work, and caregiving; at night, when her son is asleep and the neighbors are watching Netflix, she opens her creative space, writes songs, and works on her pre-productions. She shows that dedication and self-realization are not mutually exclusive, but rather support each other. You just have to surrender to the moment that is right there.
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Yearning is the feeling that will probably haunt her until the end of all her days and yet her favourite feeling to write and sing about - yearning for a friendship long lost, love that never came to be, a world where decisions were made differently. What if's are so intrinsically beautiful yet full of implications.
With her folky debut EP "Perspective" released in 2023 and her wistful single "Hands and Laughter" released in 2025, Lara is now working on her sophmore EP to be released in 2026.
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Formé par trois jeunes musiciens et uni par une curiosité sonore commune, paracosm se fixe une règle simple: ne jamais enfermer sa musique dans une case. Enthousiaste de la spontanéité et l’improvisation de groupes tels que CAN ainsi que la fine balance entre musique expérimentale et musique pop de groupes comme Radiohead, le trio offre une musique éclectique, riche et accessible.
Se laissant guider par l'inspiration du moment dans une esthétique électronique, remplie d'effets, de nappes, de drum machine et de bruits, mais aussi de guitares électriques, de rythmes hypnotiques, ainsi que des voix, des saxophones et des synthétiseurs, le groupe genevois mêle improvisation et composition dans des concerts uniques à chaque occasion, voyant chaque représentation comme un seul grand morceau.
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Free from any aesthetic constraints, Chris de Puidoux composes unhindered music with multilingual lyrics.
Notes, words, rhythms, and textures...
Pop, rural groove, chanson, rock, carimbó, waltzes...
Voice, guitarina, banjo, computer, keyboards, guitars, sheet music and pencil...
French, Franco-Provençal dialect, Portuguese, Latin, Spanish, English, instrumental...
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Embassy Astra is an upcoming ultra-luxury residential landmark by the renowned Embassy Group, located in the prime neighbourhood of Hebbal, North Bangalore. Designed to redefine high-end urban living, Embassy Astra Hebbal brings together iconic architecture, low-density planning, and unmatched connectivity, making it one of the most awaited luxury launches in the city.
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Nick Betschart (born August 28, 2001) is a Swiss musician, songwriter, and digital artist whose innovative sound fuses the immediacy of pop with the intensity of electronic music and the grandeur of cinematic elements.
He crafts concept-driven releases that harmonize anthemic energy with intricate sound design and compelling narrative depth.
In addition to his solo endeavors, Nick has collaborated on brand-aligned music projects that transform real-world inspiration into contemporary, stream-optimized tracks, including thematic album series such as Road Command and Navigation.
His music is managed and released by the label R3cords Three Production Studios.
His creative process integrates advanced technological tools, refined visual branding, and an intuitive sense for hooks that evoke both futuristic innovation and authentic resonance.
Through each project, Nick builds an expansive artistic universe centered on themes of motion, ambition, and the notion that modern music can serve as both a narrative journey and a pulsating, mechanical entity with a human core.
© 2025 R3cords Three Production Studios. All rights reserved.
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A dynamic vocal artist, singer, songwriter, musician, and producer, KEULE stands as an independent solo acoustic performer and storyteller with a raw, authentic rock ’n’ roll spirit. Armed with a powerful voice that carries the weight and depth of an entire orchestra, he brings emotion, grit, and honesty to every stage he steps on. Before launching his solo career, he founded and fronted the rock band MEISTERROCKER. Today, alongside his work as a solo artist, he continues to lead as the vocalist and frontman of the Swiss rock band RECYCLER.
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Als DJ Steinschlag bin ich Produzent, DJ und Live-Act der elektronischen Musik. Irgendwo zwischen E. Varèses monumentalem Poème électronique und den mikrokosmischen Klangexplorationen von H. Hartmann findet sich meine Musik wieder. Meine Genres sind IDM, acid, early techno sound, ambient, experimental electronics und soundscapes.
Ich schaffe auch als turntablist sound art und Installationen. Dabei spielt der Plattenspieler oft eine zentrale instrumentale und/oder ästhetische Rolle. Meine Kunst spiegelt aktuelle Themen wieder, und hält stets dazu an, das bewusste und weniger konsumorientierte Hören zu beleben.
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Marcel Zollinger
Gitarren-Schule La Guitarra
1983-1989 Zürich
Punk Band Chaos Frogs aus Zürich
Gitarrist 1991-1996
Band Flibberty Gibbet
Progressiv Metal
Gitarrist 1996-1997
Goa-Trance Dj Tantric 1997-2002
Goa-Trance Poduzent Tara In-Project mit Claudio Zopfi
1999………immer noch Aktiv
Band AshVeil Rock Produzent/Gitarrist mit Voice Romano De Paoli
10.2025……Aktiv
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blue corbou is a calm, thoughtful and curious musician based in Zurich.
For him, music exists in the space between chaos and clarity, driven by a desire to experience life more deeply.
After years as a professional bassist on international stages, he now turns inward in search of his own voice — beyond roles and expectations.
His work lives between melancholy, experimentation and honest intimacy.
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Dixflöppi is the joint pop and performance project of Lille Schmid and Till Bürgin. So far, this collaboration has resulted in a few live performances and a first album, Last Night I Was An Angel (2023, self-released). Since then, we have been trying to adapt our working methods to our spatial distance, currently between Paris and Frankfurt, while at the same time involving our various interests and focuses between sound arts, fashion design, performance, text, and video more strongly. Constantly moving between media, our musical output is increasingly moving outside of familiar music formats.
Till Bürgin (*2001 in Basel) is a Sound Artist and performer based in Gießen, Germany. Having previously completed their studies in Sound Art, Till is currently studying Applied Theatre Studies in Gießen. The focus of their artistic work lies somewhere between text and music and on the search for their mutual dissolution in performative contexts. Often working with fixed media, be that sound, image or text, Till is trying to feel for where these formats become tangible and how we relate to them on a physical level. Apart from that, Till is also frequently engaged in more collaborative works, where their involvement varies from scoring the music to doing the sound design for performances, all with an ongoing interest of how sound itself can be performed.
Lille Schmid (*2000 in Basel) is currently completing an internship as a designer at Acne Studios in Paris following her studies in Fashion Design in Antwerp. Her practice is rooted in a vehement interest in textile craft and with these slowly learned skills, her fingers drape stories both personal and always striving to elaborate on a distinctly human predicament. Over the years, Lille's focus has shifted—from theatre performance to costume design, from writing about clothes back to making them—always circling around a central question: the performance of self and the questioning of an inherent core identity. In her work, Lille creates a contained space—a vacuum of sorts—and fills it with narrative, telling that story through whatever form is at hand: a garment, a costume, a text written, spoken, or sung aloud.
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Chloé Bieri is a vocalist, performer, sound artist, and composer working in the fields of experimental and electronic music and performance.
She creates her performances as immersive 360° experiences.
Chloé is a hybrid artist who builds bridges between genres and different aesthetics.Profile photo credits:
Photo: Vladimir Bertozzi
Costume: Mélanie Vincensini
Taken from the performance “Personne ne ramasse ma langue” by Shoss Company, Lisa Tatin, Simona Gallo
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Lua Jungck is a Swiss producer and electronic musician based in Zürich and St. Gallen. She is known for her innovative approach to sound and performance. Lua Jungck’s hybrid live set is a visceral mix of digitally processed field recordings, electronic beats, and tonal debris.
With a background in jazz piano, Lua Jungck transitioned into electronic music, oscillating between producing club-focused music and engaging with experimental spaces. For the dance floor, she merges solo production and collaborative improvisation into loud and heavy bass, processed field recordings, and fragmented textures from abstract synthesis; moving between deconstructed and constructing, boundary-pushing electronic music.