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The Flow
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Marcel Zollinger
Gitarren-Schule La Guitarra
1983-1989 Zürich
Punk Band Chaos Frogs aus Zürich
Gitarrist 1991-1996
Band Flibberty Gibbet
Progressiv Metal
Gitarrist 1996-1997
Goa-Trance Dj Tantric 1997-2002
Goa-Trance Poduzent Tara In-Project mit Claudio Zopfi
1999………immer noch Aktiv
Band AshVeil Rock Produzent/Gitarrist mit Voice Romano De Paoli
10.2025……Aktiv
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blue corbou is a calm, thoughtful and curious musician based in Zurich.
For him, music exists in the space between chaos and clarity, driven by a desire to experience life more deeply.
After years as a professional bassist on international stages, he now turns inward in search of his own voice — beyond roles and expectations.
His work lives between melancholy, experimentation and honest intimacy.
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Dixflöppi is the joint pop and performance project of Lille Schmid and Till Bürgin. So far, this collaboration has resulted in a few live performances and a first album, Last Night I Was An Angel (2023, self-released). Since then, we have been trying to adapt our working methods to our spatial distance, currently between Paris and Frankfurt, while at the same time involving our various interests and focuses between sound arts, fashion design, performance, text, and video more strongly. Constantly moving between media, our musical output is increasingly moving outside of familiar music formats.
Till Bürgin (*2001 in Basel) is a Sound Artist and performer based in Gießen, Germany. Having previously completed their studies in Sound Art, Till is currently studying Applied Theatre Studies in Gießen. The focus of their artistic work lies somewhere between text and music and on the search for their mutual dissolution in performative contexts. Often working with fixed media, be that sound, image or text, Till is trying to feel for where these formats become tangible and how we relate to them on a physical level. Apart from that, Till is also frequently engaged in more collaborative works, where their involvement varies from scoring the music to doing the sound design for performances, all with an ongoing interest of how sound itself can be performed.
Lille Schmid (*2000 in Basel) is currently completing an internship as a designer at Acne Studios in Paris following her studies in Fashion Design in Antwerp. Her practice is rooted in a vehement interest in textile craft and with these slowly learned skills, her fingers drape stories both personal and always striving to elaborate on a distinctly human predicament. Over the years, Lille's focus has shifted—from theatre performance to costume design, from writing about clothes back to making them—always circling around a central question: the performance of self and the questioning of an inherent core identity. In her work, Lille creates a contained space—a vacuum of sorts—and fills it with narrative, telling that story through whatever form is at hand: a garment, a costume, a text written, spoken, or sung aloud.
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Chloé Bieri is a vocalist, performer, sound artist, and composer working in the fields of experimental and electronic music and performance.
She creates her performances as immersive 360° experiences.
Chloé is a hybrid artist who builds bridges between genres and different aesthetics.Profile photo credits:
Photo: Vladimir Bertozzi
Costume: Mélanie Vincensini
Taken from the performance “Personne ne ramasse ma langue” by Shoss Company, Lisa Tatin, Simona Gallo
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Lua Jungck is a Swiss producer and electronic musician based in Zürich and St. Gallen. She is known for her innovative approach to sound and performance. Lua Jungck’s hybrid live set is a visceral mix of digitally processed field recordings, electronic beats, and tonal debris.
With a background in jazz piano, Lua Jungck transitioned into electronic music, oscillating between producing club-focused music and engaging with experimental spaces. For the dance floor, she merges solo production and collaborative improvisation into loud and heavy bass, processed field recordings, and fragmented textures from abstract synthesis; moving between deconstructed and constructing, boundary-pushing electronic music.
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Alex Nantaya is a classically trained musician, vocalist, and producer carving a bold space at the intersection of high- energy techno and ethereal pop.
With roots in pop and years on the club circuit alongside techno’s leading names, she crafts an immersive universe where rawness, groove and emotional vocals collide. Having graced iconic clubs across Switzerland, Europe, and Asia, sometimes through hybrid live performances, Alex brings a unique energy to the dancefloor.
You can hear her many influences unfold through her DJ sets, always groovy, driving, and forward-thinking. With her debut EP on RAW, she steps into the future of techno-pop with a singular voice and a powerful vision.
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KOVA ist eine 22-jährige Musikerin aus der Schweiz. Sie schreibt und produziert ihre Songs selbst in ihrem Homestudio, singt und spielt Gitarre. Inhaltlich bewegt sich KOVA zwischen persönlichen Gefühlen und gesellschaftlichen Themen. Ihre aktuelle Single „idiots in power“ setzt sich kritisch mit dem gegenwärtigen Weltgeschehen auseinander und thematisiert Machtmissbrauch, Egoismus und das Leid, das daraus entsteht. Ehrliche Texte treffen auf eingängige Melodien und eine intensive, eindringliche Energie. Getrieben von einer lebenslangen Leidenschaft für Musik ist ihr Ziel klar: eine Band gründen, laut werden und ihre Songs dorthin bringen, wo sie hingehören – auf die Bühne.
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In 2018, J4KIM joined the Estelle Zamme collective as a dancer in a music video. He then collaborated as a singer and co-producer on four tracks of the project.
In 2025, he laid the foundations for his solo project, a condensed blend of sandwiches, darts, and psytrance.
His music is influenced by the French-speaking alternative rap scene as well as more electronic productions, ranging from drum and bass to hard bass, resulting in a unique mix that is rarely represented in Switzerland.
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Sierra Zaza est un artiste complet, auteur, compositeur et interprète, qui repousse les frontières du rap français avec un univers hybride mêlant rap, R&B et influences afro. Son nom d’artiste reflète ses racines : « Sierra » fait référence au Sierra Leone, pays d’Afrique de l’Ouest à l’histoire riche, et « Zaza » est un diminutif de « Zaïrois », pour désigner les Congolais de la RDC, son pays d’origine. La fusion « Sierra Zaza » symbolise ainsi l’alliance de ses deux héritages culturels et de son identité artistique.
Très tôt, il est sensible aux musiques écoutées par son entourage, du ndombolo et de la rumba congolaise à Michael Jackson et aux sonorités américaines. Grandissant dans les années 2000, une période effervescente du rap post-âge d’or, il s’inspire d’artistes comme 50 Cent, Eminem, Lil’ Wayne, Drake, Future et Booba, ainsi que du R&B avec Usher, Justin Timberlake, T-Pain ou Partynextdoor. Il écrit ses premiers textes à 8 ans après avoir vu 8 Mile et pose pour la première fois devant un micro à 12 ans, d’abord chez un ami disposant d’un petit studio dans sa chambre, puis dans la MJC de sa ville. Avec ses amis d’enfance, il fonde le collectif African Clan et développe ses premiers projets de 2008 à 2012. En 2013, il se lance en solo et diffuse ses morceaux sur YouTube et SoundCloud.
Artiste hybride, Sierra Zaza construit un ADN musical où rap et R&B se mêlent, avec des sonorités mélodieuses et sombres, un flow à la fois puissant et nonchalant, et un usage maîtrisé de l’auto-tune. Son univers puise ses influences à la fois de l’autre côté de l’Atlantique (Toronto, Atlanta, Londres) et de son continent natal, l’Afrique.
Ses textes sont directement inspirés de son vécu et de ses ambitions, abordant des thèmes variés et universels : expériences personnelles, relations amoureuses, vie urbaine, hustle, struggle, argent, succès, loyauté, protection de ses proches et désir de se dépasser. Avec une approche réfléchie et authentique, il raconte sa vie tout en offrant une perspective qui parle à chacun. Sa musique explore aussi les plaisirs de la vie, la séduction, l’amour et la fête, toujours avec sensibilité et humour.
En 2016, le 2 juillet, il sort sa première mixtape NIRVANA, un projet introspectif et musicalement riche mêlant R&B, rap, afro et dancehall. Composée de 19 titres, cette mixtape 100 % indépendante reflète l’authenticité et la sincérité de l’artiste. Trois clips officiels ont été réalisés pour ce projet : Million Dollar Baby (2015), SOS (2016, tourné au Portugal) et Souvenir (2017).
Sierra Zaza choisit de reléguer l’aspect gangster au second plan pour mettre en avant l’intimité, la sensualité et les relations humaines, tout en restant ancré dans la réalité urbaine. Sa créativité se manifeste dans des productions soignées, des mélodies captivantes et des textes authentiques qui racontent son regard sur le monde et sa manière de le vivre.
Actif depuis plus de 15 ans, il compte :
Plus de 50 singles solos officiels depuis 2013
1 mixtape : NIRVANA (2016)
7 EPs :
Mojo (2 titres, 12 mars 2017)
Mal de mer (2 titres, 19 mars 2017)
Cortez (2 titres, 26 mars 2017)
Bonnet D (2 titres, 3 juin 2018)
Lards (2 titres, 7 juin 2018)
Purple (3 titres, 22 août 2018)
Telo (2 titres, 14 juillet 2021)6 clips officiels : Night (2013), Million Dollar Baby (2015), SOS (2016), Souvenir (2017), Biff (2018), Système (2024)
Avec une identité artistique forte, un style singulier et une vision claire, Sierra Zaza s’impose comme une figure innovante de la scène urbaine contemporaine. Il incarne un rappeur moderne, leader de sa génération, qui avance à contre-courant, suit sa mission, inspire ses auditeurs à poursuivre leurs ambitions et construit son héritage à travers son label Hungry for My Legacy Records.
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Nyfa is a Swiss female duo – music between fragile poetry and raw, unfiltered reality. Two voices, cello and guitar sounds. As experienced songwriters, they create their own world through warm acoustic tones and subtle synthesizer textures.
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Alexandra Ukonu gained extensive live experience across Europe with her former band Serafyn. Her collaboration with producer Pola Roy (Wir Sind Helden) has had a lasting influence on her artistic development.
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Sofie Ellenbroek, singer and multi-instrumentalist, has been writing and producing her own songs for over 15 years. Her most recent EP, A Woman’s Body, was released in 2018.
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As a duo, Nyfa turns towards unconventional themes such as motherhood, female identity and emotional vulnerability. Their songs are sometimes dreamy, sometimes honest and critical – Moving through a world of reverie, Nyfa’s music dances between indie pop and folk pop, constantly reshaping itself and redefining its own sound.
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Erin Kimberly, a Geneva-based singer, songwriter (lyrics), and composer (music production), has been nurturing her passion for music since childhood. Inspired by the African-American music scene, she created her first demos at the age of 15 using only her smartphone and headphones.
In 2021, she began sharing her musical universe through covers and original compositions on social media platforms (Instagram & SoundCloud), which led to collaborations with Swiss artists (Daej Phantom, Cy) as well as international artists (Boddhi Satva).
Her debut EP Intimately was released in March 2025. The project features beatmakers such as MOJVKI (SA) and Rollercoaster (CH). Produced in collaboration with The Spot Geneva, the EP is accompanied by a Visual EP (short-film-style music video) that immerses the audience in an enigmatic exploration of relationships through the lens of introspection.
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PARA PARA is the recording project of 23-year-old Zurich-based musician Liam Haller. Currently studying jazz guitar at the Zurich University of the Arts (ZHdK), he writes, sings, produces and records all of his music himself — entirely in his bedroom.
Following his debut EP “of corrupted projection and amorous rejection”, which was still rooted in psychedelic rock and indie pop, PARA PARA now enters a new creative phase. The latest single “IT’S SO DARK (I CANNOT SEE)” marks a clear stylistic shift.
Dark, driving electronic jungle beats collide with autotuned vocals and infectious pop hooks, creating a dystopian sound world situated between club music and bedroom pop. PARA PARA blends raw intensity with pop accessibility, establishing a distinctive voice within a new generation of genre-fluid pop artists.
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GRVTY ist mehr als nur die Anziehungskraft, die uns erdet. Der Berner Künstler reist mit Lichtgeschwindigkeit durchs Universum seiner Musik. Er passiert schwarze Löcher und dringt durch die Ohren bis tief in den Verstand vor. Seine vielschichtige und authentische Mischung aus Mundart-Rap und Singer-Songwriter-Elementen überwindet musikalische Dimensionen. Seine Vibes erfassen jeden und versetzen selbst erschöpfte Geister in Ekstase. Am Ende ist GRVTY eine konstante Welle, die sich ausbreitet - von negativ zu positiv und zurück, genau wie das Leben selbst.
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I grew up in a trilingual (English, German, Arabic) and inter-/multicultural household in Southsinai in Egypt. I`ve been living in Switzerland since 2012. music has been a part of my life since forever. already as a child I used to sing, dance and play instruments infront of an audience. I learned how to play the flute and the violin, when I was a kid. as I became older I taught myself how to play the guitar and through my sister I learned how to play the piano. I had my first experiences with singwriting and creating my own music with 14. and since then I never stopped. I`m 25 now. in 2019 I went back to Egypt for 2 months and because I didn`t have an instrument with me to compose, I began to create beats on Garageband. creating music and especially songwriting to me is a way of self-therapie. there was a time, when I didn`t want to release my music. my songs are intimate, vulnerable and as personal as a paragraph out of my journal. I write phrases, sing melodies, which I myself need to hear, that help me, that let me process, reflect and most importantly feel. somewhen I realised, that I`m not on my own with my emotions. that my music can help not just myself but so many more. that it might even be selfish to keep music, which is something that is meant to be shared, to myself. now I`m on my way to do exactly that. share my music.
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Two Star Motel (Bern/Glarus). Armed with nothing but simple samplers and a Microkorg, this duo distills a cold, purely digital aesthetic from the intersection of Witchhouse and Electroclash. At its core are piercing female electropunk screams colliding with maniacally manipulated time-stretch synths. It is digital lo-fi in its most extreme form: reduced to the essence, loud, distorted, and absolutely raw.