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The Flow
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Inspired by pop, classical music and Bernese dialect pop: singer-songwriter Mats Cage (voc, piano / real name: Matthias Kägi) from Bern sings and plays originals and unconventional cover versions in English, dialect and other languages that go straight to the heart. Live, he interweaves his musical pieces with piano improvisations. "With my music, I connect with the present and with people, and I want to enable my audience to do the same", says Cage. In doing so, he consciously creates a creative antidote to the current world situation. Cage is also singer and keyboarder of the Swiss band Farao.
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Mané is a Swiss shamanic pop singer/songwriter whose music empowers listeners to reclaim their own power.
With influences such as Aurora, Eivør and Billie Eilish, her songs blend themes of women’s rights (reclaiming their power over their own body, feminism, abortion, periods), witches, mental health and queer identity.
Since 2014, Mané has performed at prestigious venues such as Hotel Café in L.A., the Threshold Festival in Liverpool, and Montreux Jazz Festival (2024).
After receiving significant support from Swiss radio stations with her first EP “Before the Storm”, Mané released the track “High on Flowers” in 2024 and participated in the musical Sorcière, written by Aliose in Montreux.
In 2025, she signs with Livana, a zurich-based indie label.
Her new album "The GODDESS in the Room" is released June 3rd 2026 at the venue LES DOCKS, within the program PROXIMA.
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Four members from Chur, the spirit of Bob Marley in their name, and a sound that ignites instantly in the club. The quartet serves up a highly effective mix of gritty indie guitars, driving basslines, and atmospheric synths. At its heart: two voices that breathe bittersweet melancholy. Indie rock unfiltered, but with a serious dose of mainstream appeal. After the sophomore hype surrounding "from NATB with love" and high-energy festival shows (including Open Air Lumnezia), the next logical step follows on September 25, 2026: album number three. No compromises, no filler – just tracks ranging from intimate club vibes to stadium-ready anthems.
Spread love and be kind
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I am Morgy, an independent artist from Ins in the Canton of Bern, Switzerland. Through a blend of Synthpop, Dark Wave and Alternative Rock, I tell emotional stories. My latest concept album, Echoes in the Machinery, explores themes of transience, digital surveillance and the search for identity in an increasingly artificial world.
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Manu913 stands for modern Swiss rap with an international vibe. The St. Gallen-based rapper with Angolan roots sets himself apart with his distinctive deep voice, razor-sharp wordplay, and an extremely strong instinct for modern, rhythm-driven productions.
Alongside his partner FAU$TINO and backed by the Winterthur-based management Godblesscity (GBC), the duo has quickly established itself as a force to be reckoned with in the Swiss scene. In 2026, they proved their high-energy live performance skills and undeniable relevance on the country's most influential stages: with their own slot on the Openair Stage at the prestigious M4Music Festival, their celebrated performance at the legendary SRF Bounce Cypher, as special guests for Luuk on the Intro Stage at Openair St. Gallen, and an energetic 30-minute slot on the La Fabrik Stage at Openair Frauenfeld.
Manu913 doesn't deliver run-of-the-mill tracks, but rather a dynamic mix of hard-hitting rap parts, melodic R&B influences, and global afro vibes. Currently, the duo is working on their next major milestone: a joint tape set to drop in autumn 2026
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Prune Karlen is a singer and songwriter based in Lausanne. Shaped by nine formative years in Scotland and the changes that followed her return to Switzerland, she writes songs that blend chanson, folk and jazz, with a strong emphasis on storytelling. In collaboration with vibraphonist and percussionist Clément Waquet, her music takes shape as a duo centred on space, texture and musical interplay. Following a series of performances across Switzerland, including the Cully Jazz Festival, she released her debut EP, Autrement, in April 2026
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Before focusing primarily on music, MirrorMouth spent years in international finance, building a career in foreign exchange, stockbroking, and wealth management, eventually becoming Country Manager and Deputy Region Head at one of the world’s leading financial institutions. There, he advised ultra-high-net-worth individuals and led international teams.
He lived and worked across cultures, spending more than a decade abroad, including five years in New York, as well as time in London, Panama, and across Latin America, before returning to Zurich, Switzerland.
Today, MirrorMouth draws on those experiences to write indie-pop songs about relationships, human nature, incentives, fairness, and the complexities of modern life.
His mission is simple: to write thought-provoking songs he truly believes in—even when they’re unpopular. Songs with a Message.
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JESSE: Die Stimme, der Macher, der Mentor
Musik ist für Jesse weit mehr als nur ein Beruf – sie ist sein Lebenselixier. Geboren am 19. Februar 1992, stand der Berner bereits mit sechs Jahren auf der Bühne. Was als spontaner Auftritt begann, entwickelte sich zu einem Weg, der ihn früh weit über die Landesgrenzen hinausführte. Nach dem Gewinn einer Schweizer Talentshow im Alter von zehn Jahren folgte 2012 ein prägender Meilenstein: Jesse erreichte das Finale von „Deutschland sucht den Superstar“ und belegte den dritten Platz.
Diese frühen Erfahrungen vertiefte er in den darauffolgenden Jahren auf ganz unterschiedlichen Bühnen. Er tauchte in die Welt des Theaters ein und übernahm Hauptrollen in Produktionen wie „Der Löwe, der nicht schreiben konnte“ oder dem Kultmusical „Heimweh – Fernweh“. Parallel dazu durfte er als Teil der Welttourneen von DJ BoBo wertvolle Erfahrungen vor einem riesigen Publikum sammeln. Doch trotz des internationalen Trubels blieb die Verbindung zu seinen Wurzeln bestehen. Mit dem Wechsel zum Mundart-Pop fand er seine authentischste Ausdrucksform. Hits wie „Summer“, „Schnufe“ (Sieg in der SRF-Show „Darf ich bitten!?“) und sein Top-15-Album „Farbtupfer“ zeigen einen Künstler, der angekommen ist.
Hinter den Kulissen hat sich Jesse in den H2U Studios in Thun als versierter Songwriter und Produzent etabliert. Dass er ein feines Gespür für den richtigen Sound hat, beweist unter anderem seine Arbeit für Trauffer, für die er bereits mit Goldausgezeichnet wurde. Seine kreative Energie floss zuletzt auch in die Komposition: 2025 schrieb er die Songs für das Musical der Pink Ribbon Music Show. Sein aktuellstes Werk „Äs paar Zilä“ unterstreicht diesen Weg – persönlich, echt und nahbar.
Heute gibt Jesse seine Leidenschaft und sein Wissen weiter. Als Vocal und Performance Coach unterstützt er junge Talente dabei, ihren eigenen Weg zu finden. Ob als kreativer Kopf für Künstler wie Gölä und Oesch’s die Dritten oder als Solokünstler bei intimen Konzerten – Jesse bleibt ein musikalischer Farbtupfer, der die Schweizer Szene mit viel Herzblut bereichert.
www.jessemusic.ch
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Eternity 547K Arsaphes Prod produit de la musique électronique, principalement de la house, en s'inspirant de différents styles. Ingénieur du son de métier, il a également participé à des projets d'autres artistes pour le mixage, le mastering et la direction artistique. Sa musique se caractérise par des sonorités chaleureuses, parfois inspirées des années 70, comme dans son album Peace and Love.
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Draaht is a Techno duo that creates their music live from scratch, delivering unique, minimal, and high-energy performances at every show.
Draaht's minimal, rhythmic sound propels forward at a pace above 130 BPM, leveraging instant composition techniques to craft each concert as a unique experience. This approach not only highlights their technical prowess but also their ability to adapt and innovate in real-time, creating a singular event at every show that reflects the dynamic interplay between the duo and their audience.
Their collaboration was sparked when Boris Kraft and Gabriel Seher crossed paths at the world-renowned Elysia Club in Basel during a workshop with Techno legend Sebastian Mullaert, laying the foundation for a musical journey that would become the modus operandi of this Swiss duo.
Gabriel Seher's fascination with electronic sounds began at age 10 when he serendipitously encountered Kraftwerk's "Computerwelt." This marked the beginning of a transformative musical odyssey, leading him to acquire his first synthesiser and drum machine in 1991. From 1995 to 2000, Gabriel immersed himself in the vibrant world of raves and live acid sets across Germany, France and New England, while simultaneously diving deep into the technological side of electronic music. With a dedication to live improvisation as a form of meditation and balance, he returned to the roots in 2020, embracing the pure essence of spontaneous musical creation. Notably, Gabriel adheres to the concept of always improvising shows live and subsequently crafting tracks from recordings, embodying a unique artistic philosophy.
Boris Kraft embarked on his musical journey at age 13, starting with the electric bass and songwriting. Adopting the piano as his main instrument, he studied electric bass in Los Angeles, USA, jazz piano in Edinburgh, Scotland, and later in Basel, Switzerland. Until his early 30s, Boris performed live with various rock, soul, and jazz formations. His musical pursuits took a back seat when his software business thrived, resulting in a successful exit in 2017. This pivotal moment allowed him to refocus on music, leading him to explore modular synthesis and delve into sound design and live improvisation under the alias "Fables of Silence."
Together, Boris Kraft and Gabriel Seher form Draaht, architects of sound who craft a sonic temple where the dance-floor transforms into a sacred space for the transcendence of the everyday. Their unique approach to live improvisation, technology, and sound design defines Draaht's creative ethos, showcasing a synthesis of diverse musical backgrounds and a shared commitment to pushing the boundaries of electronic music.
Draaht has been signed by French techno-label Logistic Records. Their first EP “2303 And Counting” was released on Vinyl and digital on June 6, 2025.
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The Wicked Local Newspaper in Massachusetts wrote:
If you've never seen Attila Vural perform, you've got to check him out. The Swiss guitarist is a dazzling musician. His dexterity and speed, his incorporation of percussive rhythms and his original music are extraordinary. His instruments are unique works of art, in particular, his dobromandola, a hybrid designed by Vural, with two necks jutting out from the body in a vee. Watching him move up, down and around the instrument is a mesmerizing experience.
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ALMØST HUMAN IS A SWISS METAL BAND, BUT IT IS ALSO A UNIVERSE. AN ORCHESTRATION OF THE LIFE AND DEATH'S CYCLE WHICH FINDS AN ECHO EVEN IN ITS OWN BIOGRAPHY.
Almøst Human focuses in on the melodies and emotions in their songs, mixing the technical elements of extreme metal with the energy of rock music.
Founded on impulse in the 90’s by Olivier Perdrizat (guitar) and Rosario Fullone (drums), Almøst Human slowly died out before being reborn from their ashes in 2008 when Jan Peyer (bass) joined the group. A second guitarist, Chris Matthey, and singer Ben Plüss completed the line-up and allowed the group to find their signature sound.
Almøst Human’s music mixes introspection with rage, brute strength and solace. Playing up to and with the cliched ideas associated with metal music, the band ponders human nature and the place that humanity holds in the world.
Almøst Human’s first EP was self-produced "Ø" which also made it possible for them to play at the Silence festival in Nepal, alongside Textures (NL). Another door was opened when the EP made possible a collaboration with the 120 secondes comedians, Vincent Kucholl and Vincent Veillon. Playing a role as composers and producers for the metal parody band "Black Lion Genocide" allowed the five musicians to become a part of the Paléo Festival (CH) in 2015.
Aſter recording and producing the first album “XS2XTC" at Royal Studio in Lausanne (CH), Chris Matthey (guitar) quietly leſt the band. He still plays the part of producer but was replaced on stage by Gilles Bonzon in 2017. The album was released in January 2019 with financial aid from the city of Yverdon-les- Bains and is distributed by Fastball Music (DE), via SOULFOOD (EU), ROCK INC. (BENELUX) and Nonstop Music (CH).
During Spring 2019, Sara Borel replaced Jan Peyer on bass. The same year, Almøst Human played a dozen concerts and most notably won the Greenfield Festival (CH) band contest. Their victory meant that they could play at the most important rock and metal music festival in Switzerland alongside Slipknot (USA) and Lamb of God (USA) in June.
Opening for international bands such as Bloodred Hourglass (FIN) or Ultra Vomit (FR), Almøst Human was selected as a finalist for the Swiss Metal Battle in early 2020. A first-place win means playing on one of the mythical stages of the Wacken Open Air festival (DE) in 2022!
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Anya Louise is an indie-folk artist who blends guitar melodies and intimate lyrics to tell stories of growth, nostalgia, and self-discovery, creating a sound that feels both personal and universal. Raised in Verbier, in the Swiss Alps, she found her voice and gained experience performing in local bars and festivals. Anya is now stepping into a new chapter with the release of her first EP, The Way, inviting listeners to find hope, connection, and a piece of themselves in her songs.
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Behind the “Cloud in a shell” project is a Swiss producer and songwriter from Gampel (VS) who consistently brings her musical vision to life entirely on her own. From the initial beats through songwriting to the final performance, the entire creative process is in her hands. The sound of Cloud in a shell defies traditional genre boundaries and falls within the realm of alternative rap. It is built on urban beats featuring distinctive lo-fi and tape drums, combined with layered, heavy synthesizers. Organic Latin percussion lends the productions rhythmic depth, while the use of Auto-Tune in the vocals and rap underscores the music’s modern, ethereal character. This distinctive aesthetic also reflects the Valais native’s close ties to the U.S. producer scene. The focus of the solo project is clearly on studio work. The current focus is on the release of her debut album “NOX” (Latin for “night”). Despite a consistent, unifying thread in the sound design, the album covers a broad spectrum of moods and themes—from love, intimacy, and sexuality to loneliness, loss, and carefree moments. “NOX” is the foundation of a promising Swiss newcomer project that combines international influences with an uncompromising DIY mentality.
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In June of 2022 Kate Siegenthaler, alias Just Pearls, released her first solo album “Into The Evening Mood.” The album had been over ten years in the making, incorporating sounds and nuances from her childhood roots in Americana and bluegrass, as well as elements of blues, rock and pop. The name is an homage to Kate’s great-grandmother Pearl (Kate’s birth name is Katherine Pearl Melnick) and evokes connotations of justice, modesty and minimalism. With Tom Gisler on keys, Dave Jutzi on drums, Philipp Bühlmann on bass, and Serge Christen on guitar, the band adds depth and flavor to Kate’s rich storytelling palate.
Kate grew up in the small town of Yellow Springs, Ohio, a town full of art, music, and alternative culture. Graduating from high school early at 16, Kate’s dreams and ambitions led her to explore a variety of paths before she landed in the fabulous Mazzive Sound Studios in Biel/Bienne in October 2021 to put down the tracks for this album. Music, song and storytelling were an early passion which she had put on hold for almost twenty years as she explored other realms. She has worked as an equestrian athlete, tutor for refugees, translator and teacher, earned advanced degrees in literature, linguistics and teaching, and lived and studied briefly in France, Ireland, Burkina Faso, and Peru. At home in Emmental, Switzerland for the last 20 years, Kate, mother of three, teaches English and French at the Rudolf Steiner School. On the journey that has led to the production of this album, she rediscovered her passion for storytelling, music and live performance, exploring new and unknown territory, conquering shame and fear on her quest for harmonies and self-expression.
Just Pearls sings of the tiny pearls in our daily lives which we find if we can just look closely enough. Full of energy and humor, reflective and sensitive, she brings us simple, pleasant, catchy melodies with a hint of jazz and a touch of blues, making us laugh and cry while never taking life or herself too seriously.
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DONEPPE ist ein elektronischer Musikproduzent, der futuristische Elemente, kraftvolle Synth-Sounds und atmosphärische Drops zu einem modernen, tanzbaren Klangbild verbindet. Sein Stil bewegt sich im Bereich Hybrid-Electronic und Crossover, geprägt von klaren Strukturen, energetischen Rhythmen und einer starken emotionalen Tiefe.
Mit seinem charakteristischen Sound erschafft DONEPPE eine futuristische Klangwelt, die sowohl cluborientiert als auch cineastisch wirkt. Seine Musik transportiert Energie, öffnet emotionale Räume und lädt den Hörer ein, in eine moderne, visuelle Dimension einzutauchen.
DONEPPE produziert unabhängig und entwickelt einen eigenständigen Signature-Sound, der sich bewusst von klassischen Genregrenzen löst. Sein Ziel ist es, elektronische Musik zu schaffen, die nicht nur gehört, sondern erlebt wird.