The Flow

- NEXT ALBUM IS COMING -
I am a young queer musical artist from French-speaking Switzerland, having brought to life my musical project blending dark pop and electro-punk.

A musical project that champions freedom, love, dreams, sex, and anti-fascism.

My goal is to break down the barriers of morality.

To shatter the fears, insecurities, and anxieties linked to this crumbling society.

Because it is by freeing ourselves from these barriers of shame that we can break free from our chains, soar, and shine as we deserve.

<3
ALLANOIRCEUR

Tomssonic is a pop rock band from the Zurich region of Switzerland, founded in 2016. Their music combines modern pop production with elements of rock, resulting in a clear, contemporary sound shaped by strong melodies and catchy choruses.

The band consists of Natalia Ruiz, brothers Fabian and Michael Bürgler, and Till Tenbrock. Together, they focus on creating songs that balance energy and emotion, with arrangements that highlight both rhythm and melody.

Since their formation, Tomssonic has continued to develop their musical style while staying rooted in pop rock. Their 2026 single “Dance with Me” reflects this direction, bringing together a modern sound, memorable hooks, and a steady groove.

Tomssonic delivers straightforward, melodic pop rock with a modern edge.

Yes

Living in Zurich, Switzerland, singer and guitarist Dean Denmark walks the way of the traditional singer-songwriter, combining classical folk elements with Blues, funk and rock. By his own account, the essence of his music is „a touch of folk, melodic guitar lines and delicate introspection“.

Thanks to his Blues- and folk-loving father, Dean had an early introduction to legends such as Eric Clapton or B.B. King. Amazed by the intensity, dynamic and honesty of their craft he soon developed his own visions of being a guitar man, promptly picking up lessons, henceforth turning music into the outlet of his own emotions and creativity. A love unwavering for the story-tellers and virtuosos of the Sixties and Seventies, Dean Denmark still takes inspiration from contemporary artists, among them Amos Lee and Damien Rice. His various musical influences are interwoven with elements of literature, painting and history to form his commentary on society and to tell tales of personal experiences, of love, longing and the fulfillment of dreams. His stories are taken straight from life and thus feel authentic, carrying volumes of emotion delivered by a warm voice. To round it out, his harmonic approach at playing the guitar allows him to easily capture his audience and entertain, while or rather through emotionally engaging them.

Es ist unglaublich was die Band Bad Marilyn aus dem Kanton Solothurn innerhalb eines Jahres erreicht hat. Mit Powermetal mit Deathmetal-Einflüssen sorgen sie nicht nur dafür, dass die Crowd spätensten ab dem zweiten Song kocht, sondern haben sich in den Szenenblogs im In- und Ausland einen Namen gemacht. Es ist eine logische Konsequenz, dass die Band sich rasant entwickelt, denn innerhalb weniger Monate nach dem Debut- Albumrelease knackte die Band die 250 000 Spotify-Streams, spielt nun knapp ein Jahr nach dem Albumrelease am Brienzersee Rockfestival 2025 und qualifizierte sich für die Semifinale des Wacken Metal Battle.

Kraftvoll loten sie die Grenzen des Möglichen aus, beschreibt der Blog "Blatturbo" vor kurzem die Band. Ist es also verwunderlich, dass es sich der Produzent Dennis Ward (Pink Cream 69, Helloween, Gotthard, Krokus) nicht nehmen liess, das Debut-Album "Eye of the Snake" (2024) zu produzieren?

Mit „Eye of the Snake“ servieren Bad Marilyn nun den Titelsong ihres Debütalbums – und der hat es in sich. Ein hymnischer Refrain, treibende Riffs und eine Intensität, die fesselt. Wie der hypnotische Blick einer Schlange, die nicht loslässt.

Hört rein – oder lasst euch von der Schlange fressen!

Expellow were founded in 2006 in Regensdorf-Watt near Zurich, Switzerland. What began as an experimental project somewhere between black metal, punk and alternative rock has over the years gradually evolved into a distinctive mix of hardcore and metalcore.
When vocalist Mik joined the band in 2007, Expellow gained a defining voice and a new creative dynamic. The band wrote their first songs and quickly established themselves within the Swiss club scene through numerous live shows. Their debut album "The Silent Days Are Over" was released in 2011 and marked the first release of this early, stylistically diverse phase.

With Nici joining the band as guitarist in 2015, the line-up has remained unchanged ever since. With "Modern Age Credo" (2015), the band refined their sound significantly: hardcore and metalcore moved to the forefront, while their genre-spanning influences were incorporated more deliberately. This development continued with "We Held The Line" (2018). The video for the single "Game Insane" gained international attention and brought Expellow onto the international radar for the first time.

Like for any live band, the COVID-19 pandemic marked a clear turning point for Expellow. Undeterred by this interruption, the band refocused their efforts on writing new material, with live shows ramping back up in parallel as clubs and festivals slowly resurfaced after 2021, resulting in their fourth studio album "Signals On Swells", released in October 2024. The record reflects Expellow’s development towards a more mature and musically diverse songwriting approach, while consciously retaining a raw and straightforward sound in order to capture the energy of their live shows as authentically as possible.

In spring 2025, Expellow won the national Wacken Metal Battle and went on to represent Switzerland at the international final at Wacken Open Air. There, the band prevailed against more than 12,000 competing acts worldwide, making history as the first Swiss band ever to win this international title.

Strengthened by this international recognition, a steadily growing fanbase as well as numerous festival and tour appearances, Expellow now look confidently to the future – with an unchanged DIY mentality, a clearly defined musical identity and uncompromising live intensity.

Ich bin ein engagierter Drone-Gitarrenkünstler, der sich auf satte Texturen, anhaltende Töne und eindringliches atmosphärisches Sounddesign spezialisiert hat. Ich vermische Elemente aus verschiedenen Genres und erstelle emotionale Kompositionen, die Leidenschaft, Tiefe und Intensität in jede Aufführung einfließen lassen. Meine Arbeit erforscht die Ausdruckskraft von Resonanz, Ton und Raum und schafft weitläufige Klanglandschaften, die Zuhörer zu tiefgreifenden und kontemplativen Erlebnissen einladen.

How do we become who we are? The journey of Swiss singer-songwriter Mira Lora shows that when we surrender to the flow of life, we eventually arrive at ourselves.

After engaging in politics, studying economics, and working as a business consultant, Mira Lora was unexpectedly discovered by a music manager - thanks to her distinctive voice featured in a Swiss TV (SRF) documentary about rural life. A magical moment that turned her whole world upside down.
She began traveling between Berlin and London, writing songs with artists like Niklas Paschburg, Mya Audrey, and Pablo Nouvelle, and opening for acts such as Patent Ochsner, Veronica Fusaro, and Philipp Fankhauser. Her debut EP Unleashed, released in November 2023 and co-produced by Niklas Paschburg, received airplay on national Swiss radio stations like SRF 3, SRF Virus, and RTR.
Unleashed led to an invitation to the Montreux Jazz Festival
Residency 2023, appearances at festivals such as Stars in Town Schaffhausen, BScene Festival, and Summerstage Basel, and a support slot for Kadebostany at a sold-out show at Club GRETCHEN in Berlin.

Shortly after, Mira Lora relocated to the German capital - and entered a new phase of personal and artistic growth. She parted ways with the manager who had discovered her and began to uncover who she is and what she needs.
She wrote new songs, which she releases on her second EP The Shadow Needs Light on March 13, 2026, on her own label Little Sun Waves. Her music became more vulnerable, bolder, and darker: a dance with her own shadows. She began weaving in mystical in-between worlds, landscapes she has felt at home in since childhood - places where aliveness and impermanence gently meet.
Mira Lora has let go of the need to please everyone - and shows us that authenticity is the most powerful gift we can offer the world.

Her genre Existential Earth Pop blends the mystical power of Norwegian artist AURORA, the grounded tenderness of Polish pianist Hania Rani, and the emotional introspection of British trio London Grammar - with a hint of Björk’s fearless spirit, always ready to break her own boundaries.

Hyperium wurde 2007 unter dem früheren Namen Hyperion gegründet.
Nach ersten kleineren Konzerten, war im Spätherbst 2008 eine kleine Europa Tournee angesagt als Support von u.a: Requiuem, Lowbrow und Bloodwraith.
Nach einer grösseren bedingten Pause im Jahre 2009, und einem erneuten Besetzungswechsel, wird jetzt an neuem Songmaterial für das kommende Debut gearbeitet.

Husgmacht

„Gschichte usem Läbe“… so lautet das Motto der Mundart Band Husgmacht. Die fünf Musiker nehmen euch mit ihren Liedern auf eine Reise durchs Alltagsleben. Die Texte basieren auf Erlebnissen, Situationen und Gefühlen, die das Leben halt so prägen.

Husgmacht, die Band aus dem Berner Oberland. All ihre Songs, geschrieben in Mundart, stammen aus der eigenen Feder und verführen die Zuhörer zum Nachdenken, Mitfühlen und Mitsingen.

Husgmacht hat sich nicht einem festen Musikstil verschrieben. Ob Rock, Funk, Reggae, Country, Ballade… Hauptsache in Mundart und für jedermann und jederfrau.

Marcel Zollinger
Gitarren-Schule La Guitarra
1983-1989 Zürich
Punk Rock Band Chaos Frogs aus Zürich
Gitarrist 1991-1996
Band Flibberty Gibbet
Progressiv Metal
Gitarrist 1996-1997
Goa-Trance Dj Tantric 1997-2002
Goa-Trance Poduzent Tara In-Project mit Claudio Zopfi
1999………immer noch Aktiv
AshVeil Alternative Space Rock Band mit Post-Grunge und Metal Einflüssen Produzent/Gitarrist mit Voice Romano De Paoli
10.2025……Aktiv

Im Alter von 5 Jahren wurde Romano auf Musik aufmerksam. Von da an verschrieb er sich seiner Passion. Als Rhythmus Gitarrist in einer Death Metal Band namens Bazillus startete er sein Musiker da sein! 1995 begann er als Deejay in der Elektronischen Musikszene in der Schweiz Fuss zu fassen und wurde CH weit sehr bekannt. Auftritte an Festivals wie Streetparade, Goliath und Evolution folgten sowie als Resident im legendären OXA in Zürich. Während all dieser Jahre blieb Romano aber seiner Passion Metal Musik stets treu und fing an vermehrt als Leadsänger engagements anzunehmen. 2024 lernte er den Songwriter und Gitarrist Marcel Zollinger kennen. Dieser zeigte ihm einen Song zu welchem Romano sogleich eine Gesangsmelodie dazu fand und begann den Songtext zu schreiben....Broken Road entstand. Ein Song...eine wahre Geschichte aus seinem Leben, wurde geboren. Gespannt darf in die Zukunft geblickt werden.

Cypher-Host, Musik-Journalist, Aktivist, Musiker und Rapper. von.Tanell MC ist seit einer gefühlten Ewigkeit und mit unterschiedlichen Namen im subversiven Untergrund Zuhause. Vor acht Jahren hat er eine EP angekündigt, die nun endlich da ist. Produziert wurde das Dysthymie Tapevon MC43 und veröffentlicht vom DIY-Label-Kollektiv Stächpalm.

Hyde Out is an indie rock group led by Omar Merlo (from Lugano) and Jaka Levstek, two seasoned musicians who began their creative partnership in 2014. Rooted in indie and alt-pop rock, and offering a fresh take on the iconic sounds of British rock, Hyde Out blend diverse influences ranging from folk and pop to prog-rock and hard rock, resulting in a rich and eclectic soundscape.

In 2018, Hyde Out self-produced their debut demo album, marking the beginning of their recording journey. This was followed in 2020 by the release of their EP 'Chiaraluna', created in collaboration with Italian musicians. Later that same year, the band unveiled their first full-length studio album, 'Smoke and Mirrors', a 12-track project that garnered over 100,000 streams within a few weeks and received widespread acclaim. The breakout single 'Alive' became the band’s most popular track, while the title song earned multiple songwriting awards.

Hyde Out’s second album, 'Tunnel Vision' (2022), saw the duo delve into a harder rock direction, characterised by bold guitar riffs and high-energy anthems such as 'Over This', 'Armchair Uprise', and 'When the Winter Comes'. Recorded across studios in Ticino, the US, and the UK, including London’s Abbey Road Studios, the album further solidified Hyde Out’s reputation in the rock scene.

In November 2024, Hyde Out released their latest album, 'Moonfactory', marking a return to the softer, more melodic textures reminiscent of 'Smoke and Mirrors'. The record showcases their signature genre-blending style, offering a compelling mix of pop-rock songs that explore a wide range of moods and musical directions.

Looking ahead to 2026, Hyde Out will release a series of new singles leading up to their next studio album, due around December. This new phase begins with the vintage-inspired rock anthem 'Caught in a Trap', released at the end of 2025, followed by the high-octane rock track 'Starsighted' in February 2026. Plenty more new music is planned throughout 2026.

iuri is a singer-songwriter from Basel, Switzerland. Their first album 'Soon' was released in May 2025 as a collaborative work that brings together artists like Anuk Schmelcher, Tara Cunningham, Cori Nora, Alon Ben, and Pascal Eugster. With their single 'Colours' iuri was selected Artist of the Month for the RTS programme Radar in August 2025.
In the past few years iuri toured in Switzerland and abroard, opened for artists like Liana Flores, Odd Beholder, Cori Nora, Kathi Deakin, and MNEVIS and took part in Sophie Hunger's Masterclass in 2022.

Né au bord du lac Léman, François Vé a grandi dans un univers musical et campagnard. Il est l’auteur de six albums dont le premier, «La saison des trèfles» (2003), écrit sur son balcon lausannois a reçu le prix Charles Cros. Il est suivi quatre ans plus tard par «Le jardin de Frankee», réflexion sur l’adolescence et ses tourments.
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2010 – Sortie d’un livre photos et poèmes «En super 8», puis il part seul avec sa guitare pour une aventure à vélo, en bateau et en train autour du monde. De ce voyage naîtra «La tentation du sel», un disque tourné vers des mélodies pop folk.
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2016 – Après deux ans d’immersion dans ses racines vaudoises et protestantes, naît «Les douze femmes de Frankee Vee». Un album plus sombre et plus organique, avec des musiques cinématographiques. Côté arrangements, François Vé confie depuis 2012 ses chansons au musicien et arrangeur Christophe Calpini (Prix suisse de musique 2017).
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2019 «Helvetica» – Un album dans les 4 langues nationales. La tournée s'est effectuée en mobilité douce grâce à un vélo cargo solaire, en transportant tout le nécessaire pour jouer des concerts aux 4 coins de la Suisse!
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2022 à 2026 «Arbres» – Le nouvel album de François Vé est l’aboutissement de quatre mois de vie au Chalet de Pierre dans le Jura vaudois, un alpage à 1551 mètres d’altitude. Cet opus est une envie de faire de la musique autrement, plus simplement. Produit en grande partie grâce au système solaire de son vélo cargo, l’album se retrouve empreint de hauteur, de vaches, de sapins, de calme et de quelques tempêtes. C’est un sentiment de voyage avec ses incertitudes, ses grandes joies et ses moments de solitude qui se cachent derrière douze chansons. Dont trois sont écrites en Bärndütsch, en Rumantsch et en Italien.
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2026-2029 «Comme au Cinéma» – Une nouvelle création piano-voix, avec tournée et un 7e album à venir. Toujours avec son fidèle vélo cargo solaire transportant le piano et de quoi projeter ses films super-8!
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François Vé a donné de nombreux concerts en Chine, en Pologne, en Hongrie et aux USA ainsi qu’un peu partout dans la francophonie. Il a chanté sur de magnifiques scènes dont le Paléo Festival de Nyon en 2002 et 2004.
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BOOKING: Séverine Gonzalez - cvrin prod - www.cvrin.com

Subtle. Intense. Mysterious.
Swiss artist ANIKK captivates her audience with a voice that is both delicate and deeply moving. What may seem deceptively subtle at first unfolds into an intense, immersive experience that lingers long after the music ends.
Every note is a glimpse into her inner world, carried by expansive soundscapes and driven by pulsating electronic beats that define her distinctive pop style.
Recent highlights include support performances for Sophie Ellis-Bextor and Sophie and The Giants, where she could share the stage with international artists.
With her unique presence the Graubünden-born artist is rapidly establishing herself as one of the most compelling emerging talents on the Swiss music scene.

Astral Rocks
The Sound of Courage, Emotion, and Creative Freedom
Astral Rocks is the musical project of Milli Schweizer, a British-Swiss singer, songwriter, composer, and author whose work blends cinematic rock, folk textures, and emotional alternative into bold, heartfelt songs. Her music reflects life’s journey—honest, raw, and always reaching for the light.
Drawing from her own path through personal challenges, Milli creates music with deep courage and emotional insight. Her songs are stories wrapped in melody, offering strength, hope, and a reminder that we are never alone in what we feel.
“Music touches our soul.”
With sweeping arrangements, honest lyrics, and powerful choruses, Astral Rocks invites listeners to feel, to rise, and to reconnect with what matters most. It’s more than music; it’s a lifeline for the spirit.
The Yorkshire-born singer spent many years working in London as a credit controller, a career that allowed her to travel and connect with people from all walks of life. This diverse range of experiences ultimately led her to embrace music. In 2023, Milli began transforming her words into songs to breathe new life into her unique experiences, infusing her music with the emotions and lessons she’s learned along the way.
"In The Dark”, "A Father’s Cry", and “Budapest I’m Finally Home" are among Milli’s latest originals. Their passionate vocals carry a nostalgic rock rasp, and the lyrics reflect scorn and overcoming on a journey full of tumultuous twists and turns.
The guitar-led evocative anthem ‘The Flame in Me’ presents a fearlessly honest, expressive, and inspiring perspective. With an epic soundscape and impassioned vocals, the song resounds with self-empowerment and possibility, and its immense hook underscores the drive and determination behind her work.
Milli’s other original singles include:
• Why War
• Bring Back Hope (Christmas Song)
• Gotthard Heartbeat of The Mountains
• When Ice Turns To Fire
• New releases in 2026
• Farewell
• Weekend & Sunshine
• Friday Evening
• Lost Spark
• Shooting Star
• Loneliness
• Down by the Riverside
• Digital Friends
• Strumming through Silence
• Stand-up Be Happy
• Shooting Star
• Cuts & Gossips
• Distant Memory
• You Give Me Hope
• You Embrace Me
• Stand-up Be Happy
Beyond the Music
Alongside her songwriting, Milli finds joy in storytelling. Her novel, “Whispers from the Deep,” is a quirky British murder mystery featuring a retired detective, laced with dry wit and dark humour. Written during her holidays by Lake Neuchâtel, Switzerland, the book will be released onspring 2026
Her memoir, 'Raised by Cold Hands,' is a raw account of surviving a childhood marked by abuse, betrayal, and trauma. It begins in Yorkshire and follows her journey to rebuild her life in Switzerland, scheduled for release in 2026.
Milli’s Message to the World
"Never lose heart, no matter how tough life gets. Cherish the connections that enrich your soul and broaden your perspective."
Through Astral Rocks, Milli Schweizer delivers this message—one powerful song at a time.

Shambhala Soundsystems: she stood in the doorway. wolftime, she said. i went with her and the door locked itself. the last embers of twilight gave everything golden contours. the world looked beautiful, but we both knew it wasn't. it wasn't feral either. the world just is. untouched by our human efforts to infuse it with meaning. autumn leaves swing in the breeze, snap off and slowly tumble to the ground in myriad varied patterns since time primordial.
we make our ways through empty streets swallowed by darkness while our eyes adjust to the moonlight. what was before golden and warm now turns silver and cold. blue hues on the asphalt, blue flickering hues from the windows. behind the curtains, where warmth resides, so familiar and cozy and a world apart. our passing in the night as invisible to the gatherings and homecomings and tired sofa evenings as their faces were to us. just light between us.
in the corner something stirred and joined our progress. lithe and silent, we were accompagnied by a single proud alleycat, after the next corner it was gone as it had sprung to life, turning invisible as it had been before it flashed its attention. we were clearly uninvited guests.

no fear in my heart, but joy at having such friends. no words needed, just open eyes. we got to the fire.

while before there was light, though fading, we were suddenly plunged into utter darkness. dancing, wild, longtongued flames. heat. and as soon as you were near it, just darkness around you. i was tempted to retrace my steps to where that fire was just a flicker in the distance. but no turning back. all quiet, we enjoyed the sudden warmth in the company of friends and strangers. silence. crackle. pop. hiss. it felt like standing inside a void, not even seeing the ground we stood on. if you tried to look beyond the fire, all you saw was it's brightness still etched in your eyes. we were safe, here.

i'm a nomad at heart. in real life, too. not for me the safety of cities, or small towns or just lonely cabins. for me they were just another shape on the road. i prefer the company of artists, poets, makers. bustle and flow. not for me, daily routines and simple lifes. sometimes i long for that, but to me our way of life was just as easy, natural, satisfying. a life of cameraderie and simple adventure. we don't hunt dragons. we make them. behind the fire, i could see it's blocky shape towering up all around me.

summoning its power is more gratifying to me than any corner office of a former life long forgotten. the soft carpets and the meetings of leaders. we scoff on that, leaders. lead your own way, that is all that matters now. the dragon snores, i want to ride it. everyone does. but tonight, it's time for silence.

we have met here because we are discontent. dark powers rule the land, dark warriors run the roads, trampling all beneath them. we smile at babylon. it just stares back. wondering where our coins are hidden. if it knew we have but little gold it would want to swallow us whole instead, like it swallows everything in the name of progress that smells so stale from afar. painting the same old needs anew daily does not satiate our need for freedom. freedom to choose whom to be. freedom to choose where to go, whom to meet, what to do. freedom to trade on a market that is hidden to most. for us, shops are where we go for commodities. we send one of our own for all of us. draw straws as to whom the obligation falls this week if for once everyone claims to have done it the last. but usually even that chore of going to the temples of abundance is fun somehow, entertaining, an invited contrast to our free daily surprising way of living. we never return the shopping carts but trundle them, ladden, to our camps and give them away to the homeless that stare at it as if owning a truck was something they always dreamed of. glad to oblige, many more where that came from.

the shopping cart. we should make it our symbol, paint it on our flags. the things it can carry, all the ways it can be used. long cables snake from it, you push it along one step at a time, while she doles the cable out. to collect, just reverse the process. water. speakers. vegetable and fruits. soup, less so, it tends to spill on the first inclination. think before you sit in it, it doesn't like that at all usually. herds of shopping trolleys live in captivity, spend endless empty days and outer-space-black-and-silent nights locked in the middle of a metal centipede. banged unwillingly around the aisles by angry dads, climbed by bored kids, spit and drooled at by flailing babies in seats designed for but not by them. all they usually do is fill up with food and toiletries until they resemble strange turtles out of their element. crawling to the cashiers in slow procession. there being cast aside, almost before their last contents are paid, or again loaded with bags, them into the cars after having checked every possible sharp edge and object to bump into on the way there and bumped into all of em at least twice and sideways. attacking every other trolley, launching at packs with intent to kill and feed on its own species. left with a kick and the klinking of chains. we change all that every time we meet one. just around the corner freedom beckons, just down that road. passersby smile knowingly. trolleys, in the wild, are often observed to mate and most live in polyamour or relationship anarchist relations with humans, preferrably packs, or other species, especially plants. flowers also occur in them in their natural indoor habitats but seem to tend to deplete and scour the trolleys skin; possibly due to the trolley’s rich and varied metal and chrome composition. trolleys are suspected to be immortal and can only seriously be maimed by every form of artificial grass or carpet, whereas escaping every ensnarement after a while if in the wild, consistently reacting “fatally” by partially or fully dissolving into unknown dimensions when forced to adapt to otherwise harmless display situations. single trolleys often blend or even diffuse with walls, the floor or both, again demonstrating materially indifferent polyamourous inclination. if ever you meet a free trolley outside of its natural indoor habitat of artificial light and polished to slippery stone levels you will notice its stubborn reluctance to return. it's wheels will suddenly feel like they want to go everywhere but ahead. grateful it offers you yet another idea, daily, of how to make use of its many talents. as long as it doesn't have to go back to the uniform herd, where just the last ones are the first ones to see action. the idiot in front, so proud this morning leading the pack snaking through the malls, now bangs its head each time a trolley comes or goes. free the trolley when you meet one!

back to the dragon. nah, that's a story for another day. go shopping.

while we go make music with dragons to write stories about…

copyleft

j mccloud 2026

Die Aarauer Neo-Folk/Americana-Band Tony and the Nightingales fand durch dieselbe Philosophie zu ihrem selbsternannten Genre «Argoviacana». Ihre Inspiration und Spielfreude entdeckt die Band im lauschigen «Probe-Atelier» immer wieder aufs Neue – meist, wenn der Abend spät, der Tee bereits kalt und – ganz wichtig – nur eine einzige Glühbirne brennt. Im August 2024 veröffentlichte die Band schließlich ihre erste Single „Schnäll Verby“. Was kommt wohl 2026?

Mir sind eh Mundart-Rockbänd us St. Gallä. Mir spieled energiegladene, frische und melodiöse Rock mit Text im Oschtschwizer Mundart Släng. Mir freued üs, bald live üsi Songs chöne z’präsentiere. Bis bald.