The Flow

Es begann alles während der Pandemie. Damals bestellte sich Ambra Fia eine Gitarre im Internet, liess sie nach Hause liefern und lernte ihre ersten Akkorde. Schon bald sprudelten die ersten Lieder aus ihr heraus, und sie bemerkte, wie gut ihr das Songwriting tat. Ein bis dahin unbekanntes Gefilde wurde zu ihrem treusten Begleiter.
Seit einem Jahr arbeitet sie gemeinsam mit Luca Burkhalter an ihrer ersten Debüt-EP und ist dabei auf der Suche nach ihrer musikalischen Identität. Es waren spannende Tage in den Untergeschossen des Studio 571 in Zürich. Die beiden tüftelten, lachten und diskutierten, bis das Projekt schliesslich zu Ambra Fia wurde.
Die Lieder bewegen sich in Schweizer Mundart und sind musikalisch zwischen Pop und Folk angesiedelt und besitzen echtes Ohrwurmpotenzial. Einige davon sind Up-Tempo-Nummern, zu denen man am liebsten sofort tanzen möchte. Hört man jedoch genauer hin, wird schnell klar, dass die Songs nicht nur von Leichtsinn geprägt sind.
Ihre Musik handelt von Zweifeln, Unsicherheiten und Melancholie. «I ha doch alles, aber alles esch mer zvöu» singt sie in einer Ballade und bringt damit auf poetische Weise zum Ausdruck, dass ihr ihre eigene Innenwelt manchmal zu viel wird: zu laut, zu intensiv und zu verunsichernd. In ihren ruhigeren Songs richtet sie den Blick nach innen, stellt sich Fragen und verarbeitet dabei ihre Prägungen und Erfahrungen. Ambra Fia lässt sich nicht einfach einordnen. Sie bewegt sich zwischen Melancholie und Leichtsinn, zwischen Nachdenklichkeit und Lebensfreude. Diese Dualität kennt sie nur zu gut. Sowohl in ihren Songs als auch in ihrem eigenen Leben nimmt sie diese Spannung gerne als Herausforderung an.
Wer Ambra live auf der Bühne erlebt, merkt schnell: Ihr natürlicher Charme wirkt ansteckend, und ihre Stimme sorgt immer wieder für Gänsehautmomente. Falls ihr Ambra Fia noch nie live erlebt habt, solltet ihr das unbedingt nachholen.
Let this horse out of the box!

Arkas ist ein Provinzkind mit Identitätskrise: Einerseits tief verstrickt mit urbaner Nonchalance, andererseits halt doch naiv und geprägt von Festbankromantik. Und auch wenn er seinem Ärger ab und zu zwischen den Zeilen Luft macht, bleibt Arkas dabei immer sanft. Auch musikalisch bewegt sich Arkas im Spannungsfeld: Rap will und soll, nein, darf das nicht sein. Manchmal ist es ein Flirt mit Post-Punk, aber ein Fuss bleibt trotzdem immer in der Tür zum Pop.

SPLIT is back.

More than 40 years after SPLIT was founded, the remaining founding members are bringing the band back together and returning to the stage.

Rehearsals have already begun, and auditions are currently underway for saxophone and vocals. At the heart of the project are the many original SPLIT compositions from the 1980s and 1990s – reinterpreted with today’s energy and complemented by new material.

The unmistakable SPLIT sound – a powerful blend of funk, jazz-rock and fusion – is not just meant to live on as part of the band’s history, but to return to where it truly belongs: live on stage.

The first concerts are planned for 2027.

SPLIT 2027:
Ulrich Meldau – keyboards
Johann Bernard – drums
Christian Bohren – bass
Jean-Marc Hunziker – guitar
Saxophone & vocals – line-up in progress

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Notable Concerts 1984–1994
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Ugly Richterswil, STUZ Zürich, Atlantis Basel, Montreux Jazz Festival, Casino Frauenfeld, Domino Schaffhausen, Volkshaus Zürich, Dillons, Drahtschmidli, Stadtkeller Luzern, Casino Bremgarten, Limmatquai 82, Casino Luzern, Albisgüetli, Hotel National, Schützengarten St. Gallen, Kongresshaus Biel, Reithalle Frauenfeld, Tonhalle Wil, Cabanna Davos, Picaddilly Brugg, Open Air St. Gallen, Open Air Thun, Neuhof Bachs, Kaufleuten Zürich, Moonwalker Aarburg, Albani Winterthur, Mühle Hunziken, Hotel 3 Könige Chur, Inox Baden, Rössli Stäfa, Gaskessel Bern, Miller's Studio Zürich, Eisenwerk Frauenfeld, Hallenstadion Zürich, Mister D's, Casino Affoltern, Ca-Ba-Re Zürich, Kulturfabrik Burgdorf, Magic Factory, and many more.
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Supporting Act for
Stanley Clarke – 1986, Volkshaus Zürich
James Brown – 1987, Reithalle Frauenfeld
Mezzoforte – 1988, Albisgüetli Zürich and Kongresshaus Biel
Tania Maria – 1989, Tonhalle Wil
Cher – 1992, Hallenstadion Zürich

“Il Saggio” was formed in 2013 from the ashes of a previous band, “Griots”. Filippo Leoni (vocals and guitar) joined forces with Ivo Gasparini (drums, percussion and synthesizer).
Their early musical journey ranged from singer-songwriter music to blues and world music. Their first single, “Dove sta il mare”, received airplay on regional radio stations throughout the summer of 2014. It was followed by an EP featuring four original songs.
Over the years, their live performances have taken them throughout Switzerland and northern Italy. In 2018, they completed their first full-length album, “NaturaHumana”, featuring 17 original tracks and recorded with Auditoria Records. For the album, the trio invited Franco Ambrosetti (trumpet and flugelhorn) and Andrea Pedrazzini (piano and organ) to collaborate as guest musicians.
Their songs reached national radio stations, while their live appearances included prestigious venues and events such as the Teatro Sociale in Bellinzona and Moon and Stars in Locarno.
In 2023, they released two further singles, also recorded with Auditoria Records.

Von Zippen was formed in 2014 in Ticino, when Faze (vocals and piano) and Hedgehog (guitar) joined forces, soon followed by Rocco on drums and Staf on bass. After an early period of cover songs, the band began writing original material in 2017. A turning point came in 2019, when the band reinvented itself and embraced sleaze rock, drawing inspiration from acts such as Guns N’ Roses, Mötley Crüe, Kix, and L.A. Guns.

In 2024, they released the EP Ain’t Going Down No More, led by the acoustic single Tryin’ So Hard, proving they can weave softer tracks into their more aggressive sound. This was followed in 2026 by the singles Hit’Em Back and You Have To Run Away, further strengthening a musical identity that blends sleaze rock with heavy-hitting energy.

Through live shows, festivals, and radio airplay, Von Zippen holds to rock and roll as an attitude. Come taste the band.

Von Zippen’s lineup:
Amos “Faze” Malorgio — vocals & piano
Samuele “Hedgehog” Cambianica — guitar
Stefano “Staf (The Bull)” Martini — bass
Rocco Vitale — drums

Before Arto Cola, Augustin von Arx and Léonard Persoz had already shared more than a decade of music making together, both on stage and in the studio. Founding members of some of the most distinctive acts on the Swiss French-speaking scene, including Magic & Naked and Le Roi Angus, they have played more than 400 shows together, appearing at festivals such as Paléo and the Montreux Jazz Festival. Over the years, they refined a distinctive sonic signature, leading to Arto Cola, a space of freedom where the different facets of their journey as musicians, producers and arrangers converge. Truly singular and playful, their work takes the form of pop in perpetual flux, where influences from R&B, funk and soul blend freely and naturally with metal guitars.

Seit über 20 Jahren stehe ich als DJ hinter den Decks und lebe meine Leidenschaft für elektronische Musik. Mit dieser geballten Erfahrung und einem feinen Gespür für die Crowd bringe ich jede Tanzfläche zum Beben. Seit vier Jahren kanalisiere ich diese Energie auch im Studio: Ich produziere meinen eigenen Melodic & Epic Trance – ein Sound voller tiefer Emotionen, epischer Melodien und treibender Beats, die direkt ins Herz gehen. Die Songtexte sind fast alle auf Latein.

Séverine Gonzalez, agente artistique indépendante chez cvrin prod.

– ROSTER: Dominique y los Cuchumatanes | François Vé | Hector ou rien | Anti-concert par Hector ou rien | Don't Kill The Cow | Gadjo | Noir & Gerber | Emilie Roulet & Michael Frei | The Story of John O'Hara - Cie 5/4 | Hemlock Smith

– Photographe et vidéaste sur mandat: Concert / Spectacle / Backstage / Session en studio d'enregistrement

– Communication pour Kaléidoscope à Romainmôtier en 2025.

– Programmatrice du Tilleul Festival pour la 10e édition anniversaire en 2024.

– Création en juillet 2018 d'un magazine musical, Onde Romande, pour mettre en avant les artistes suisses.

ALAIN MICHOUD aka Electro JazzPower
JAZZFUSION electroacoustik : Afro & Oriental // SAXES, FLUTE, KEYS, VOICES, compos-arrgts, playing, recording & mixing all myself.
(in years 70' I was a PIONEER of AFROFUNK in West Africa Hit #1 in 1976 in Ghana "Cry in the Jungle" and "Brothers & Sisters"
My hobby is littérature : ROMANS (en français) :
LA REVOLTE DU MAUDIT 2015 Edilivre Paris, fnac.com / épuisé !
SWEïLEME Jets d'Encre Ed. 2017 Paris chez amazon.fr, amazon.com , fnac.com, fnac.ch et dans toute la francophonie.
Version AUDIO avec soundtrack jazzfusion inédit : chez AUDIBLE, Amazon.fr etc
FIN 2026 : sortie du roman AUDIO ambiancé par soundtrack inédite jazzfusion " CANCER "

A voice like sun warmed skin. Soft and warm on the surface, deep underneath.

Nadiya is a Swiss-based R&B and Pop singer-songwriter with Italian and Arab roots. Growing up between two cultures shaped her openness to different music perspectives and her curiosity as an artist. She explores this through experimenting with different sounds, styles, and influences while always staying true to her own voice.

Her sound blends the warmth and soul of R&B with the openness of Pop. Letting the melody lead the way, Nadiya writes and composes in English.

She writes about what moves her deeply-heartbreak, self-worth, emptiness, fulfilment, hope, and the quiet moments when life simply feels right. Drawn to both the beauty and intensity of emotions, she turns personal experiences into songs.

Authenticity comes first in her music. She has never embraced excessive Auto-Tune, believing that a voice should retain its natural texture and imperfections. Anything that strays from that natural character can feel too “fake” to her. For Nadiya it comes down to real emotions, strong melodies and a voice that sounds unmistakably like her.

Her music is an invitation to feel deeply, stay curious and connect beyond boundaries, with people, with emotions, and with the many worlds that shape us.

Ein Blick in die Geschichtsbücher
Wer ganz weit zurückschaut, erkennt den Beginn der musikalischen Reise bereits in den 1990er Jahren, als die beiden Gründer der Band, Thomas Weber und Guido Wohler, mit dem Punk-Trio «Notausgang» Hunderte von Konzerten im In- und Ausland spielten.
2011 wagten die beiden unter dem Namen «Weber & Wohler» einen musikalischen Neuanfang. Aus Punk wurde folkiger Pop und aus Deutsch wurde «Züridütsch».
Die zwei Alben «Gueti Lieder» und «Herzbluet» folgten in den Jahren 2013 und 2016.
Schon bald war aus dem Duo-Projekt eine Band entstanden, welche ab dem Jahr 2018 unter dem Namen «Weber Wohler Band» auftrat.

Auf zu neuen Ufern
Das Jahr 2019 brachte schliesslich unzählige Veränderungen mit sich. Hoch motiviert, ein neues musikalisches Level zu erreichen, arbeitete die Band intensiver als je zuvor.
Als grösste Veränderung beschloss die Band, ab April 2020 unter dem neuen Namen «Finn’s Finale» aufzutreten und besiegelt damit ihren Aufbruch zu neuen Ufern.
Bereits ab dem Sommer 2020 wurden die ersten drei Singles unter dem neuen Namen veröffentlicht. Anfang 2021 folgte die Debut-EP «GO!» und 2022 erschien «Fahne in Wind».
Mit den neuen Songs bleiben sich Finn’s Finale treu und halten an handgemachter Mundartmusik mit tiefgehenden Texten und eingängiger rockig-poppiger Aufmachung fest. Gleichzeitig klingen die Songs deutlich moderner und grösser denn je.

With her powerful, deep voice, Lily Sollors naturally transforms life’s emotions into songs that are as intense as they are intimate. Drawing on a background in musical theater and jazz, she developed a broad and diverse artistic palette early on.

Lily decided to form her own band to share her original songs with audiences. In 2024, she took part in the Emergence Studio program (supported by the City of Lausanne and Artefax) to record her debut EP, "Breathe", blending rock, pop, and folk influences.

Following the EP's release, the band sought to explore new sounds. Influenced by modern jazz and indie rock, Lily Sollors’ new compositions push sonic and vocal boundaries while remaining deeply rooted in the emotions conveyed through her lyrics. A fresh energy best experienced live on stage.

Terry Blue - Leo Pusterla (vocals, guitars, synths and live processing) & Eleonora Gioveni (backing vocals, synths) - is an indie-folk/electro-pop duo from Lugano, Switzerland. Deeply influenced by artists such as Ben Howard, Bon Iver, James Blake and Leonard Cohen, composer and songwriter Leo Pusterla is always on the edge of a musical genre definition.
After the release of "Chronicles of a Decline" in 2023 and its following UK tour, Terry Blue returned in 2025 with the new album "Lakewoods" and an extended Europe Tour featuring shows in France, Germany, Spain, Portugal, Switzerland, Italy & Czech Republic.
In 2026 Terry Blue published "Ultimo Fiume" featuring Fabio Pusterla's voice and poems and presented it with 11 concerts around Italy and Switzerland. Both releases featured various well known musicians and performers such as Fabio Pinto (Monte Mai), Zeno Gabaglio (Niton), Andrea Manzoni (Migrantes), Christian Gilardi (Panighiröl) and Matteo Mazza (Diaspro).

Eifach müsig fer iisch und fer eiw ❤️ der räscht iisch nit wichtig..

Entre douceur et mélancolie, Marta dévoile un univers unique qui bouscule les
émotions. Depuis son plus jeune âge, elle écrit des chansons lorsqu’elle sent
qu’elle ne peut pas exprimer ses sentiments autrement : des accords simples
au piano et un cahier sont tout ce dont elle a besoin. Artiste en devenir, elle ne
se définit pas dans une seule case, mais explore divers sons, tout en voulant
toucher l’auditeur avec des paroles simples mais percutantes.

Yvonne Be The Flying Mother makes music for people who have the courage to look back without standing still. She's now also creating Swiss dialect pop with a rock edge. She loves to experiment. She's a singer-songwriter on her own journey....

Zwischen Underground und Indie: St. Gallen

With a tender spark of rebellion, bona rhodes set out to play warm-hearted indie folk.
The celestial, all seeing trout hail from Zurich/Winterthur, Switzerland.

Through interwoven three part harmonies and an organic palette of stringed instruments, they spin a delicate, earth-toned tapestry of sound. Their music is described as a fire that flares and falls apart, until the wind carries its final embers over soft, rolling hills.

With over 1.1 million views and 100,000 subscribers on YouTube achieved in just one year with only 8 tracks, Deborah’s independent project demonstrates an outstanding conversion rate and impact on the audience.

This strong visual traction is driven by hits such as "Scent of Your Skin" (250K views) and "Love wins" (140K views).

A powerful voice and competitive production make Deborah a high-potential profile for Swiss radio, television programming, and live festivals.

LA SIRENA – The Sorceress Dreaming
With The Sorceress Dreaming, Chilean artist LA SIRENA presents a deeply personal body of work shaped by an organic creative process — a collection of songs rooted in loss and love, transformation and surrender. Written, composed, performed and produced by Carolina Stiles, the album brings together her distinctive voice, piano-driven songwriting, and an instinctive approach to creating music.
Behind LA SIRENA is Carolina Stiles — singer, pianist, songwriter and producer. Under the name Linah Rocio, she released a series of albums and EP, including All About Secrets, Warrior Talk (Aveline Records, London), Keep Your Grace, and Armour and the Universe with Linah Rocio & The Lighthearted. 
LA SIRENA represents a new chapter in her artistic path — a name that emerged intuitively and reflects the place she finds herself in today.
The starting point for The Sorceress Dreaming was a single fifteen-minute composition. 
Originally intended as a standalone recording, the piece soon developed a momentum of its own, becoming the catalyst for an album that brought together songs written over time into a new and cohesive whole.
Trust in the process became central. The core of the album was recorded live at Humm Studio in Bristol with British bassist Dave Ayre and Swiss drummer Eddie Walker over the course of four days. Time was limited. The core arrangements were carefully prepared by Carolina, who entered the sessions with a clear vision and a strong sense of the emotional direction of the work. Working closely with the band, the arrangements were then brought to life in the studio, leaving space for spontaneous decisions that allowed the songs to breathe. Six songs were captured this way, with two more following later. In an industry often shaped by endless revision and the pursuit of perfection, that immediacy became one of the defining qualities of the record.
From the very beginning, the album was shaped by the contributions of Dave Ayre (UK) and Eddie Walker (UK/CH). Dave, based in Stroud (UK), brings a wealth of experience from collaborations with artists such as Joni Mitchell and Muse, as well as work with Hans Zimmer and the BBC Symphony Orchestra. Eddie, originally from England but based in Switzerland, is an accomplished drummer well known in the Swiss music scene, performing with acts including Martin Schenkel, Gigi Moto, Back From Mars and Rotosphere. The album was further enriched by contributions from guitarist Jean Pierre von Dach (CH), whose work includes collaborations with Joss Stone and Gigi Moto; trumpet player and improviser Silvan Schmid (CH) of The Gamut Kollektiv; South African artist Brendan Adams; and Swiss singer-songwriter Timothy Jaromir (CH) of Goldschatz.
The album's final sonic landscape was shaped through mixing and mastering by Simon Kistler from Switzerland (Sina, Vera Kaa, Anna Rossinelli). Working closely with LA SIRENA, he crafted a sound that is warm, spacious and quietly immersive, while preserving the immediacy of the live performances.
Musically, The Sorceress Dreaming moves between contemporary pop, intimate songwriting and expansive sonic landscapes. The title track forms the album’s cinematic centre, while the album reveals LA SIRENA’s signature blend of raw emotional honesty, poetic language, and evocative storytelling.
The Sorceress Dreaming is an album about transformation, connection, and the delicate balance between intention and discovery — where carefully shaped songs leave room for something unexpected to emerge.
LA SIRENA – The Sorceress Dreaming

Release date: 25 September 2026

Label: TOURBOmusic