The Flow

OXSA plays electronic music the way you play an instrument: synthesizer, turntables, hand-built modular racks and voice. Where most electronic live sets are driven, his is played.

Behind it is Patrick Eichenberger, a musician from Geneva. Piano at four, scratching at twelve, self-taught on a turntable found in the street. He has played Paléo Festival twice, Montreux Jazz and the Electron Festival, and writes, arranges and mixes for other artists from his studio in Meyrin.

He released ASTROSPORA in June 2026, twelve tracks put out independently on his own imprint ADESIV. His current work pushes modular synthesis toward song: in October 2026 he created LÀ-EAU for the Undertown's thirtieth anniversary, some fifteen minutes of yodel through autotune, scratching and synthesis.

Booking: ADESIV · oxsa.ch

Sylvia Polaris is a multidimensional artist who spent many years working behind the scenes — ghostwriting and producing for other musicians — before stepping into the spotlight to share her own creations. Her music is a reflection of eclectic and evolving inspirations: from pop, dark ambient, techno, classical, Chinese folk, shoegaze, vaporwave, eccojams, mandopop, R&B, EDM, hybrid trap, hip-hop, ambient, new age, phonk, chillout and lounge. She now also shares her entire catalog of C-pop, dream pop, and shoegaze albums featuring Chinese lyrics here, following rejections related to the language on other platforms; she also left Spotify for personal reasons but returns there soon.

Over the past few years, she has already created several albums — which explains the rich wave of releases appearing this year. Each track carries a distinct emotional signature shaped by her lifelong connection to sound, memory, and the unknown.

Sylvia collaborates with two exceptional Chinese tenors, Tian Zhang and Liang Lin, whose ethereal voices add depth and soul to her musical world.

Sylvia Polaris Beijixing is the trio name for Sylvia, Tian Zhang, and Liang Lin — merging East, West, and something beyond — an harmony born of distant roots and shared resonance.

Wenn du in der Schweizer Independent Szene im Bereich «Guitar Driven» Musik unterwegs bist, hast du ziemlich wahrscheinlich schon etwas von mir gehört… nicht von mir persönlich vielleicht, aber zumindest eine meiner Produktionen.

Über 150 Artists aus der ganzen Schweiz haben in den letzten 15 Jahren mehr als 1000 Songs mit mir realisiert. In jedem einzelnen steckt Herzblut, Spass und Kreativität und so manche Freundschaft ist daraus entstanden.

Der Prozess der professionellen Musikproduktion – egal ob Rock, Punk, Hardcore oder Metal – soll sich für dich von A bis Z maximal einfach und entspannt anfühlen und ich sorge dafür, dass du deinen individuellen Sound bekommst… genau so, wie du ihn immer im Kopf hattest!

Seb @ SOS BASEMENT productions

Mikro-T. - Songwriter

Mikrotie (griech. „mikros“ = klein, „ous/otos“ = Ohr): eine angeborene Ohrmuscheldeformation.

Der Name steht für das, was sichtbar ist – aber nicht das, was zählt.
Denn Hören entsteht nicht im äußeren Ohr, sondern im Inneren.

Mikro-T. ist kein Genre, sondern eine Haltung. Zwischen Rap Metal, Alternative Metal, Crossover, Funk Rock, Hardcore Punk und Hip-Hop treffen aggressive Gitarren, treibende Rhythmen und elektronische Klangwelten aufeinander. Dunkle Atmosphären und eine unverwechselbare Sprache verbinden sich mit Texten über menschliche Abgründe, innere Widersprüche, Kontrollverlust und gesellschaftliche Spannungen. Keine musikalischen Schubladen, keine Gefälligkeit, keine künstliche Pose. Ungefiltert, unbequem und jenseits des Mainstreams.

Charlton IV is the solo project of Loïc, a French singer-songwriter crafting bilingual pop with deep roots and a restless musical curiosity.
After building a catalog of 5 collections between 2002 and 2013 — spanning intimate acoustic folk, French chanson, and lo-fi indie pop — he returned in 2025 with his most refined work yet: new tracks that fuse classic organic songwriting with electronic textures and jazzy harmonics, while keeping melody firmly at the center.
His sound lives in the space between immediacy and depth: warm acoustic guitars, layered arrangements, and lyrics drawn from real life, travel, and the emotional residue of books and films. Somewhere between the melodic generosity of Teenage Fanclub and Josh Rouse, the bilingual eclecticism of Phoenix, and the restless genre-blurring of Beck and Gorillaz — with the occasional New Order pulse underneath and a Wilco-like commitment to craft holding it all together.
What to expect:
• Bilingual songwriting (English & French)
• Genre range: folk-pop, indie, electronic-tinged pop, occasional Latin and Brazilian flavors
• Mood: introspective, melodic, cinematic
Now actively releasing and open to collaborations.

Oe ici ça a mixe et ça a rap

Contact: letsgocornichons@gmail.com
Live video at Sunset Bar on YouTube (link)
Contact us if you are interested in booking an event!

Let’s Go Cornichons is a band founded in 2025, made up of four musicians (vocals, guitar, bass, and drums).

The band creates its own original compositions within an energetic punk/rock universe.

Their concept: telling the story of four pickles who refuse their fate as mere consumer products and rise up to fight for their freedom. Each song represents a chapter in this revolution.
Let’s Go Cornichons enhances its performance with an original stage production, enriched by projected illustrations that follow the evolution of their rebellion and immerse the audience in this offbeat world.
Maxence Mizel (Vocal)
Zacharie Puippe (Drums)
Paul Flückiger (Bass)
Baptiste Sarrasin (Guitar)

Mona Vane is an electronic artist with a smoky voice and a taste for the hours after midnight. Her sensual blend of minimal techno and dark electronica pairs warm, rolling bass with husky half-spoken vocals, intimate melodies and a little grit. She sings about desire, unfinished goodbyes and the courage it takes to let someone close. Beneath the pulse, there is always something tender—and something she hasn’t told you yet. Mona Vane is an animated female act.

Pop-Rock vom Feinsten - direkt aus der Region Baden/ Zürich

Wir sind The Outlights - eine aufgestellte Pop-Rock-Band in der Besetzung E-Gitarre, E-Bass, Drums und Gesang. Seit zwei Jahren rocken wir in dieser Formation gemeinsam den Proberaum und Bühnen und entwickeln uns musikalisch stetig weiter. Da wir uns in verschiedensten Genres zu Hause fühlen, ist unser Sound entsprechend vielseitig.

Unser Herz schlägt vor allem für den eigenen Sound:
Unsere selbst geschriebenen und komponierten Songs aus der Feder unserer Sängerin bringen wir im Bandraum gemeinsam zum Klingen. Das Resultat? Handgemachte Pop-Rock-Nummern mit viel Gefühl, die wir hier auf mx3 mit euch teilen möchten.

Klickt euch rein, hört euch unsre eigenen Songs an und lasst euch überraschen!

Fanadura's songs are all about real-life experiences, inner struggles, and the joy of living. Livia, Giulio und Leo take on big questions without getting lost in the clouds, leaving plenty of room to think, feel, and reflect.
🏔️
First time on air on 3 Oktober 2025 on Radio Grischa.

Born in Lausanne in 2025, Hyper Duper's sensitive pop music portrays a dialogue and struggle between the lived and the imaginary, desolation and a desirable world, melancholy and hope.
Distorted guitars join 80's synthesizers to carry an intimate voice. The whole, punctuated by naïve drums, reinterprets the codes of pop, offering a more fragile and sensitive version.
It's an invitation for emotions to resonate, to connect with memories and aspirations, lost or rediscovered. Music as a platform, a soundtrack for looking inwards and outwards with desire.

BARON SAMEDI plays rock music with garage, grunge and blues influences. Powerful, emotionally charged rock vocals, backed by backing vocals, with French lyrics that cry out for freedom and rebellion, sometimes politically engaged. Energetic music, unforgettable guitar solos and a rhythm section that never runs out of steam.

Lead Vocal and guitare, Sophie
Guitare, Stéphane
Bass, Marc
Drums & Vocal, Pascal

Contact: baron.samedi.rock@gmail.com

Paru en janvier 2026, le premier ep « 7m » met en exergue les diverses influences musicales de son interprète, l’artiste fribourgeoise Charlyne Joyce. Bass Music & pop française façonnent ses compositions, avec pour références Illenium, Fakear ou encore Therapie taxi.

Avec ses textes mélodiques et sa voix chaleureuse, l’artiste se livre, créant parfois un contraste temporel entre nostalgie du passé et empressement du futur.

En 2024-25, désireuse de mieux défendre son EP à venir sur les scènes francophones, Charlyne effectue une année de formation au sein de la Dalida Institute d'Aix-en-Provence. Elle fait évoluer ses compositions, son écriture et son expression scénique. En 2025, elle est alors sélectionnée par l'accompagnement Magma du 6MIC d'Aix-en-Provence.

"THE ‘Soul’ DEED" Album 2026

Gölä & "The Deed": With Rock in Their Blood and Soul in Their Hearts

Who is "The Deed"?
In 2010, Swiss german dialect rock star Gölä and his band launched a new musical project called "The Deed". Together with acclaimed American producer Charlie Midnight - who has worked with James Brown, Cher, Jimmy Barnes, Barbra Streisand, and Joe Cocker, among others - the band recorded the album "Hour of the Thief". Upon its release, the album immediately made it into the Top 3 of the album charts in Switzerland.

The Band
Gölä: Lead Vocals & Guitars / Ueli Bleuler: Guitars / John Woolloff: Guitars / Peter Keiser: Bass / Walter Keiser: Drums & Percussion / Martin Chabloz: Keyboards / Corinne Gfeller & Rahel Fischer: Backing Vocals

Gölä impresses in English
Gölä proved as early as 2010 that he can captivate a large audience in English as well, when he released the album "BB&G – The Greatest Hits Sessions" together with the U.S. country stars "The Bellamy Brothers". The album spent six weeks at No. 1 on the Swiss album charts and was certified double platinum shortly thereafter. More than 25,000 fans attended the concerts on Gölä’s completely sold-out Swiss tour with the "Bellamy Brothers".

Current album "THE ‘Soul’ DEED"
In 2026, “The Deed” fulfilled a long-cherished dream with the album “THE ‘Soul’ DEED”: a musical journey back to the roots of soul - the music that has had a lasting impact on the lives and work of the band members.

Nine timeless classics and two new songs written by Gölä bring us back to the golden age of soul music. With their unmistakable, rock-influenced style, “The Deed” reinterpret well-known soul classics and bring back to life the sound of an era when soul music flourished in the legendary studios and clubs from Memphis to New Orleans.

The result is a unique album that blends soul and rock, preserving the spirit of the originals while adding a touch of its own. "THE ‘Soul’ DEED" (release November 2026) is available on all major download and streaming platforms as well as on CD and a limited-edition of vinyl LPs.

Songs on "THE ‘Soul’ DEED"
1. TAKE ME TO THE RIVER by Al Green and Mabon “Teenie” Hodges
2. SHE’S LOOKING GOOD by Rodger Collins and Justin Dickens
3. BLACK ASH by Gölä (3rd single, including music video)
4. STAGGER LEE by Harold Logan and Lloyd Price
5. I HEARD IT THROUGH THE GRAPEVINE by Norman Whitfield and Barrett Strong
6. THE WEIGHT by Robbie Robertson
7. HARD TO HANDLE by Otis Redding, Al Bell, and Allen Jones
8. DANCIN' ON FIRE by Gölä (2nd single, including music video)
9. RESPECT YOURSELF by Luther Ingram and Mack Rice (1st single)
10. DARK END OF THE ROAD by Dan Penn and Chips Moman
11. SOME KIND OF WONDERFUL by John Ellison

G - I - P - I is modern pop straight from the mountains of Graubünden. The 11 songs on their latest album, *THAT'S ME*, are entirely original: the songwriting, lyrics, melodies, and vocals are 100% G - I - P - I. The result is a dynamic mix of high-energy English pop and Italo-pop vibes.

As an ambitious studio project, the focus is currently entirely on the release and songwriting.

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upbeat music for the chronically exhausted

Antilo is a synthpop / alt-pop project driven by pop hooks, rock grit, and hyper-specific, deadpan lyricism. It explores the absurdity of modern heartbreak and emotional burnout through the eyes of an analytical Everyman, using humor as a tour-guide through his own emotional wreckage. The music is candidly ironic and deeply relatable; it’s the soundtrack for anyone who has ever ruined a perfectly good relationship just because the other person didn't like your favorite hobby.

Igor Iov lives two lives a day. From 9 to 5 he works in finance. From 5 to 9 he writes, composes and sings. That double life gave birth to «5 to 9», his debut album, due in 2027: a record about everything that happens between the end of the workday and the next alarm.

The first single, «Wake Up», is out on 30 October 2026. A song about the alarm clock and the life we keep putting off until after work. Alternative pop, recorded in Stockholm with Paris producer Guillaume l'Hostis (Sony Music France / Un Plan Simple).

Born in Switzerland to Serbian parents, Igor started out in the bars of French-speaking Switzerland and got noticed on The Voice of Switzerland with bilingual performances. As a guitarist he has played with Julie Meletta, notably on «Sauvage». He is one of the few Swiss to have completed Musikmakarna, the renowned songwriting school in Sweden.

In 2021 his first EP, «Hoping that the Sun Comes Up», reached Swiss national radio with «Morning Sun» and «Stumble». His duet «Et puis après» with Skyler Wind passed 450,000 streams on Spotify and was played on more than 40 international stations, in Québec, Belgium and France. In 2023 and 2024 he played from South Africa to Mozambique, and in France, Sweden and Norway: small clubs, cruise ships, small events.

Igor Iov's music is for anyone who keeps a dream for after work.

Jon Who is a Zurich-based producer and DJ, formerly known as Tahiti Snow, bringing together vocal and soulful house with an eclectic, emotional and high-energy approach to the dancefloor.
DJing since 2018, he emerged on Zurich’s club scene in 2022, going on to perform at major venues and events including Zurich Street Parade, Kaufleuten, Terrasse, Openair Gampel and the Ultra Europe Boat Party, alongside international appearances at Ministry of Sound London and Café del Mar Ibiza.
Now producing and performing as Jon Who, his sound is rooted in vocal and melodic/ deep house, combining powerful vocals, piano, strings and classic house influences with a contemporary club sound.

À 25 ans, Mae s’impose comme une voix singulière de la nouvelle scène francophone. Artiste suisse à l’univers à la fois pop et introspectif, elle ancre son identité avec le contraste des productions dynamiques et la profondeur mélancolique de ses textes.
Révélée en 2023 par Tataki (RTS) et rapidement repérée pour son authenticité et sa présence scénique habitée, Mae enchaîne les premières parties et les festivals d’envergure comme le Montreux Jazz Festival ou le Montjoux Festival et partage l’affiche avec des artistes phares comme Eva, Fredz ou Helena.

Après le succès de son titre « Danse avec moi » cumulant plus de 9 millions de streams sur Spotify, l’artiste suisse continue son ascension avec la sortie de son EP « + belle en blues », six titres qui donnent l’impression de lire un journal intime où chaque morceau explore les zones de tension entre doute et affirmation, vulnérabilité et quête d’identité, puis avec la sortie de son nouveau morceau « messy comme lola » à l’univers pop rock et au texte authentique.

Un projet profondément ancré dans son époque, où résonnent les questionnements d’une génération en quête de sens, Mae incarne une artiste de son temps : libre, authentique et déterminée à créer un lien sincère et durable avec son public. Elle s’impose aujourd’hui comme une évidence à suivre, comme une voix appelée à durer.