The Flow

JASS est une chanteuse/guitariste & compositrice d'origine brésilienne née à Lausanne (CH)

The Coming is a music project exploring love, loneliness, freedom, childhood, fear and hope in a changing world — telling stories from the borderland between everyday life and the unseen world.

Moritz Schlanke first made a name for himself in 2008 with his radio hit “Good Girl”, which was discovered at the M4Music Festival and went on to become a summer hit on Switzerland’s biggest radio stations. With his debut album “Piece of Gold” (2011), he toured across Switzerland and shared festival stages with Pegasus, 77 Bombay Street, Stefanie Heinzmann, and Marc Sway. In 2013, the artist from Uster was awarded a Gold Record for his contribution to a compilation album that sold over 15,000 copies. His second album “Sunset Tales” (2016) entered the Swiss album charts, with all 14 tracks receiving radio airplay.
In 2017, he presented a self-produced EP together with the swing and jazz formation The Royal Rhythms and went on to perform regularly at jazz festivals. At the end of 2024, Schlanke released the heartwarming Christmas single “It Feels Like Christmas”, accompanied by a fully self-produced AI music video – the very first of its kind. On August 29, 2025, he followed up with “Du bisch mir wichtig”, a heartfelt song dedicated to the Association for Children with Rare Diseases (KMSK). Since October 2025, Moritz Schlanke has once again been regularly releasing new singles in his signature style. “Realize”, “If Only”, “Flying Away”, “Meant To Be” and “Summer Breeze” are already out. His third album will follow in autumn 2026.

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Somewhere between a fairy and a popstar <3

Keshi Beheshti — « le souffle du paradis »

Musique intimiste de là-bas, d'ici et d’ailleurs ….
.
Chaque note naît d’un instant de paix, comme une respiration.
C’est une invitation à s’arrêter, à écouter le temps d’un instant.
Créé entre les sommets et la vallée des Ormonts, Keshi Beheshti est un pont entre la nature alpine et le mysticisme oriental — un voyage sans paroles.

کشی بهشتی — «نفس بهشت»
موسیقی بداهه از آنجا، از اینجا و از جاهای دیگر…
.
هر نت از لحظه‌ای آرامش زاده می‌شود، مثل یک نفس.
این دعوتی است برای توقف، برای گوش دادن در یک لحظه.
ساخته‌شده میان قله‌ها و درهٔ اورمون، کشی بهشتی پلی است میان طبیعت آلپی و عرفان شرقی — سفری بی‌کلام.

Marco Balzli is a Swiss singer-songwriter known for his authentic, handcrafted songs and his soulful voice. Now in his mid-forties and deeply rooted in music, he looks back on a diverse artistic journey that has taken him from his indie-rock beginnings to the personal singer-songwriter style he embraces today.

His musical career began in 2000 when he joined a regionally renowned rock band. While rock music provided him with valuable stage and band experience, Balzli gradually realized over the years that his voice was not naturally suited to the classic rock frontman style.

Marco Balzli first gained wider public attention in 2013 when he appeared on The Voice of Switzerland, where he advanced to the Battle Rounds. Although his journey ended there, the experience laid the foundation for his solo career. Just one year later, in 2014, he released his album Those Days, featuring the single Marlene. The song received airplay on numerous Swiss radio stations and led to a small but successful tour across Switzerland.

While major commercial success remained elusive, Balzli experienced several unforgettable highlights throughout his career. Among them were performing as the opening act for the Alan Parsons Project and sharing the stage before Swiss music legend Polo Hofer—experiences that left a lasting impression on him and reinforced his artistic path.

Marco Balzli focuses on what truly matters to him: honest, handcrafted music with the voice at its center. His songs tell stories about life, encounters, dreams, expectations, and the experiences that shape us. Authentic, relatable, and full of emotion—these are the qualities that define the path he now continues to follow with complete conviction.

Seid Kindestagen ist Musik für mich alles, doch nie habe Ich den Schritt gewagt.
Damals mit 15 Sass ich mit meinen Eltern am Tisch und wir sprachen über Künstlernamen.
Mein Papa meinte Plötzlich Lizpowara und ich rümpfte die Nase.
Als er mir aber erklärte was das heisst war Ich begeistert.
Heute Habe Ich den Namen getrennt und modernisiert ausgesprochen sagt man Liss Pauwra.
Nachdem ich eine Ausbildung in Kommunikation gemacht habe, merkte Ich dass meine Kommunikation mit Gesang ist.
Meine Songtexte schreibe Ich selber.
Ich war bereits nochmal im Studio und habe da zwei weitere eigene Songs aufgenommen wie drei Coversongs die modernisiert wurden aber so dass es noch nach dem Song klingt wie das Orginal, das war mir sehr wichtig.
Ich finde gerade meinen eigenen Stil was den Deutschen Schlager mit Schweizer Volk vereint, sei gespannt.
Es wird zwar noch etwas dauern bis dieser Stil veröffendlicht wird aber ich freue mich sehr darauf auch Heimat in die Songs einzubinden.

HEARTBEAT VOIT LE JOUR EN JUIN 2024 DE LA RENCONTRE DE LA CHANTEUSE "COEUR" ET D'UN TRIO DE MUSICIENS ROCK POUR SOUTENIR SES TEXTES EN ANGLAIS.
LE GROUPE SE JETTE DANS LA COMPOSITION DE TITRES ORIGINAUX, EXPÉRIMENTE AVEC LE SON, L'APPORT DE SAMPLES ÉLECTROS, ET DES STRUCTURES PROGRESSIVES QUI FORGERONT SON IDENTITÉ MUSICALE : ROCK PROGRESSIF ÉLECTRO.
CHAQUE MORCEAU DISTILLE UNE ÉNERGIE BRUTE AU SERVICE D'UNE INTERPRÉTATION VOCALE PLEINE D'ÉMOTIONS.
DURANT L’ÉTÉ 2025, LE GROUPE ENREGISTRE 2 TITRES EN AUTO- PRODUCTION PUIS FAIT SA PREMIÈRE RÉSIDENCE AU BRISE GLACE D'ANNECY POUR FAIRE ABOUTIR LEUR SCÉNOGRAPHIE INNOVANTE, INTÉGRANT DES JEUX DE LUMIÈRES EN SYNCHRONISATION DIRECTE AVEC LA MUSIQUE.
S'EN SUIT UN ENSEMBLE DE CONCERTS DURANT LESQUELS LE GROUPE RODE SON SET, RENCONTRE VÉRITABLEMENT SON PUBLIC, ET RECUEILLE DES RETOURS ENTHOUSIASTES.
FORT DE CETTE DYNAMIQUE, HEARTBEAT PROFESSIONNALISE SA STRUCTURE FIN 2025 EN INTÉGRANT UN BINÔME D'INGÉNIEURS DU SON POUR OPTIMISER LE RENDU GLOBAL ET ENRICHIR L'EXPÉRIENCE LIVE.
EN 2026, LE GROUPE FRANCHIT UNE NOUVELLE ÉTAPE AVEC L'ENREGISTREMENT D’UNE PREMIÈRE CHANSON ET SON CLIP EN STUDIO. LA PROGRAMMATION SE DENSIFIE AVEC L'AJOUT DE NOUVELLES DATES DE CONCERTS DE PLUS EN PLUS NOMBREUSES.
FORTS DE LEUR EXPÉRIENCE ET DE LEUR IDENTITÉ SONORE AFFIRMÉE, LES MEMBRES DE HEARTBEAT AFFICHENT UNE DÉTERMINATION SANS FAILLE : JOUER DANS LES FESTIVALS ET SALLES DE CONCERTS DE LEUR RÉGION, AFIN DE FAIRE CONNAÎTRE LEUR UNIVERS AU PLUS GRAND NOMBRE.

Portés par des textes sincères et bouleversants, chaque morceau est sublimé par la voix vibrante de leur chanteuse, qui offre son cœur sur scène.

De l’atmosphérique au survolté, les musiciens livrent une expérience authentique et viscérale, avec des sonorités rock exploratoires et audacieuses.

HEARTBEAT, c’est une onde sonore qui prend aux tripes et ne laisse personne indifférent.

Leur univers saura séduire les fans de Muse, Radiohead, Evanescence, Archive, ou encore Leprous, ainsi que les amateurs de sonorités rock progressives et alternatives.

🎸 Un voyage émotionnel à ne pas manquer !

Since almost three decades behind the decks alongside of many who have embossed the electronic music cultur, several partying nights and countless organized events, Adriano Mirabile, formerly known as a.d.i., looks back to a time with a deep insight into all facets of electronic culture! Today, he says, “I want to miss a single minute,” this time has also influenced, among other things, its current work as a producer. The music since long has come in his soul and flows in the studio in his tracks. A little bit more quiet but for sure not silent, he publish today on renowned labels such as Amselcom, Traum Schallplatten, Bar25, Senzen, Stasis Recordings, Sirion Records, Camel Riders and as well on Andrés Marcos Label Wondermachine Music. His path leads him step by step moving forward. Stories he wants to tell, pushing forward into the deepest grounds, touch and seduce

George Merk is a Swiss singer-songwriter whose music combines classic rock influences with modern songwriting. Performing primarily in English, he creates melodic, emotionally driven songs shaped by the timeless traditions of British and American rock. After years of live performances across Switzerland and Europe, George continues to craft authentic music built on strong melodies, honest lyrics, and a passion for storytelling. Independent in spirit and international in outlook, his songs are made to resonate beyond borders.

upcoming:
14.08.2026 Rock n' Dorf, Tagsdorf FR
22.08.2026 Garage Sounds Festival, Gurmels

past shows:
01.05.2026 s Dörfli, Münchenstein
24.04.2026 Valhalla, Basel
21.03.2026 The Stage, Wetzikon
29.11.2025 Toms Beer Box, Chur
19.09.2025 Rock Festival, Issenheim FR
30.08.2025 KiK, Sissach
28.05.2025 New rock'n Roll Bar, Issenheim FR
23.05.2025 Im Grüntal, Winterthur
22.03.2025 Valhalla, Basel
22.02.2025 Im Grüntal, Winterthur
30.11.2024 Punktreff, Bern
23.11.2024 Wenk, Aarau
21.09.2024 Rockfact, Münchenstein
24.08.2024 Ebrietas, Zürich
22.06.2024 Summerside Festival, Grenchen
25.05.2024 FlaFla, Herford DE
27.04.2024 Valhalla, Basel
09.03.2024 Sommercasino, Basel
19.01.2024 Bruch Brothers, Luzern
20.09.2023 Quarterdeck, Basel
19.09.2023 Alte Post, Zürich
27.05.2023 Im Grüntal, Winterthur
01.04.2023 Sommercasino, Basel
26.05.2018 Birsrock, Laufen
21.04.2018 Sedel, Emmenbrücke
14.07.2017 Slip n' Slide, Magden
11.02.2017 E9, Basel
14.01.2017 Badhüsli, Basel
17.09.2016 Fat Inn, Arlesheim
17.12.2015 Trinity @ Hirscheneck, Basel
17.10.2015 Räpplikäller, Basel

naanzook expérimente par l'improvisation l'essence d'une musique imagée et propose des paysages poétiques dont l'auditeur s'imprègne pour imaginer son propre voyage. Ainsi, chaque instrumentiste devient un acteur qui explore un climat d’interactions. Il est tantôt interprète, tantôt compositeur de pièces instantanées, libres et uniques. Le travail est essentiellement acoustique, les sons ou les dérives sonores appartiennent donc à la technique du musicien qui se trouve confronté à sa propre palette musicale. Pas d’esbroufe, du senti, du vécu, du partage, de l’écoute !

Par ailleurs, naanzook travaille toujours la formule du trio+ c'est à dire un trio plus un invité. Ainsi, le groupe joue-t-il régulièrement avec Hans Koch ( un concert avec Samuel Blaser). Par ces collaborations, les musiciens du groupe sont appelés à explorer des timbres et des chemins encore inexplorés dans les formations précédentes.

De plus, la lecture musicale autour du texte de Christophe Gallaz "Cela commence par..." travail de composition collective élaboré avec le lecteur Gilles Jobin et l'accordéoniste Alain Woodtli tourne encore.

naanzook ose donc de nouvelles expériences dans l'exploration des musiques de l'instant, enrichissant les possibilités de l'improvisation de passages écrits qui rythment les envols basés sur des images, des signes, des envies... Autant de voies que le nouveau trio expérimente dans ses recherches musicales.

Les compositions font évoluer leur thème vers une forme d’improvisation dirigée ou directement influencée par l’écriture comme couramment dans le jazz. Elles s’inspirent encore des propositions apportées par les invités, laissant les musiciens créer en fonction des inspirations qu'elles leur suscitent. Ici les maîtres mots sont communiquer, conduire, suivre, inspirer, chercher et développer. Les musiciens sont donc acteurs, créateurs, incitateurs et toujours réactifs et inventifs.

Ainsi, chaque instrumentiste devient un voyageur qui explore un climat d’interactions. Il est tantôt interprète, tantôt compositeur de pièces qui se veulent instantanées, libres et uniques. Le travail est acoustique, aucun effet électronique. Les sons, les dérives sonores appartiennent donc à la seule technique du musicien qui se trouve confronté à sa propre palette musicale. Pas d’esbroufe, du senti, du vécu, du partage, de l’écoute !

naanzook a vu le jour en 1995. Très vite, le groupe s'est tourné vers des musiques novatrices issues du jazz. Durant ces seize années, le collectif a travaillé en quintet, en septet collaborant notamment avec des poètes, danseuses.

2026 - New songs are currently being created at Studio 571 - stay tuned :-)
Anja, the Freiburg singer of Ani Blue, has been on stage for almost 25 years. She was allowed to perform her new songs on June 22 at the Mühle Hunziken. She has also played at the Salzhaus as support for Sina, at the Frison, Bad Bon, Mahogany Hall, Parterre, Jazzfestival Freiburg and at the Openair Avenches. In November, she will christen her upcoming folk-pop album, which also has jazzy influences, at the legendary La Spirale in Freiburg.
She has already been played with her first 2 albums in RTS, Radio Suisse Pop, Radio Rabe and Radio Fribourg. In addition, she was in the BZ in the FN and in 20 minutes. For the single "Seventeen" there were reports in the Könizer Zeitung and in the FN. Some indie radios such as Redline Radio (Airplay MX3), Kanal K, Radio Rocher, Radio15.ch ("Fly" Single of the Week) have already included the last singles "Seventeen" and "Fly" in their program. "Better" is on air on Rete 3 and Rete 1 on mx3 on RNV and RedLine Radio and will be presented on Radio Freiburg. In addition to the rapidly growing indie community, which is touched by the profound songs of Ani Blue, it is also music that deserves to be heard in larger media or as 20 Min. wrote a few years ago: "Highly radio-friendly song pearls".

Formed in 2010, The Ghost Parade is the collaboration of two musicians brought together by a shared passion for atmospheric and ambitious rock music. Drawing inspiration from artists such as Queen, Pink Floyd, Muse, The Temper Trap and The Kissaway Trail, the band blends progressive rock, cinematic textures and soaring melodies into a sound that is both powerful and deeply immersive.

Built around contrasts, syncopated rhythms, shifting atmospheres and expansive arrangements, The Ghost Parade’s music aims to feel less like a collection of songs and more like a journey through dreamlike and emotional landscapes.

After years of experimentation and self-production, the band released its first homemade EP, The Brightest Sun, in 2013. Early reactions from industry professionals, including acclaimed producer David Richards, encouraged the duo to pursue their musical vision. The EP quickly gained attention: The Brightest Sun (Parts I & II) received airplay on several radio stations including BBC Radio, while Shades of Grey reached the top of Switzerland’s “Songs of the Week” chart. Both tracks were later featured in international film soundtracks.

Despite this promising start, the project was unexpectedly slowed down for several years by circumstances largely outside the band’s control. What began as a highly active and ambitious collaboration gradually turned into a long hiatus, making the band far quieter than originally intended throughout the following years.

Rather than abandoning the project, The Ghost Parade chose to take the time to rebuild and refine its musical universe. This eventually led to the release of BEYOND, an album revisiting and expanding the band’s original work. The record features fully re-recorded versions of the five tracks from the original EP alongside new material, including the singles Summer and Colors.

Today, The Ghost Parade continues to explore a musical world filled with haunting atmospheres, lyrical melodies and carefully crafted sonic landscapes — somewhere between progressive rock, space rock and cinematic storytelling.

Tusig Liechter - 12 Juni 2026

Wär mier sind
Wir, Géraldine (Gesang) und Claudio (Gesang und Gitarre),
sind ein Akustikduo aus Sargans.
Unsere gemeinsame Leidenschaft
begleitete uns durch gute und
schlechte Zeiten. Musik heisst für
uns Liebe.

Üseri Musig
Unsere Musik erzählt Geschichten
aus unserem Alltag, die uns bewegen, berühren und begleiten.
Wer uns zuhört, lernt uns besser kennen.

Eleven million streams. SRF3 #1 with "Anything". Songwriter Award for "Inside Out". A top-rated voice model on voice-swap.ai. Pull n Way is the Swiss electronica project of vocalist and songwriter Mylène Schuler and producer Andy Prinz — cinematic vocal pop built for the dancefloor.
The story so far: the acclaimed 2019 debut album "Colours" and a string of multi-million-stream dance collaborations. With Sunlike Brothers alone: "Let Me Fly" (1.87M), "One Last Time" (1.75M), "Together As One" (690K) and "Feel About You Now". With Notalike: "Back From Broken" (1.66M) and "Without You". With York: "Spellbound" and "Diamonds On The Moon" (feat. Nourey). Further credits with Blaze U, LEROCQUE, Daniel Etienne, Maciel, Imre Czomba (the neoclassical-crossover "Truth Unfolds"), Mount Glass, Fancy Folks and Georgia Mos. Co-writes and sessions spanning Sydney to Stockholm, London to LA, Mexico City to Berlin.
Since 2023, Mylène's voice has also been one of the top-rated AI voice models on voice-swap.ai, inspiring producers worldwide.
2026 is the reboot. June kicks off with "Inside Out (2026)" and "Together With You" — a 140-BPM psy-trance banger with Swiss-American duo Alchimyst (EDC, Ultra, Dreamstate, 94K MLs). "Drifting", "Body Ground" and "So Hard" follow through summer.
After almost four years off, Pull n Way is back — and aimed straight at the open-air season.

Linda Rao, auteure, compositrice, interprète et Dj suisse d’origine italienne, se révèle à travers un nouvel album intitulé "On s’en fout !", sorti en mai 2026.

Pour la création, elle collabore étroitement avec un ami de longue date, le guitariste Florent Bernheim, également compositeur et arrangeur ! Un doux mélange électrisant !

À travers des textes profondément personnels, Linda se dévoile sans filtre. L’album est un voyage intérieur, né de la nuit, du bruit, des silences et des cicatrices laissées par le temps. Son inspiration puise autant dans ses propres failles que dans les rencontres, les visages et les histoires de celles et ceux qui la touchent au plus profond.

Elle y chante l’amour et la passion, la liberté et le désir, la chute et la renaissance. Mais aussi la frustration, l’addiction, la tristesse. Et toujours, en filigrane, l’espoir : cette force qui pousse à se relever et à croire encore aux rêves.

Chaque titre est une confession, oscillant entre rage et fragilité, portée par des sonorités rock et électro, brutes mais élégantes.

Un album viscéral et sincère, qui ne cherche pas à plaire, mais à dire vrai.

Elona Joules - the new girl in town. The singer-songwriter from Davos now living in Nyon crosses the border between German- and French-speaking Switzerland in real life as much as in her musical universe, blending French attitude and nonchalance with German honesty and bluntness. Just to escapes both worlds through a third language: English, the mother of her childhood fairytales.

Loud lyrics and hearty hooklines define her style, that really hasn't any. And if you search for deeper meaning you probably won't find it - just let it be, as Paul McCartney said.

ARMANDO, 16 years old, is a new voice in the Italian rap scene.

Young, yes. But with a mindset far beyond his age.

He writes about what he lives, with no filters: the streets, emotions, and the truth.

A direct flow, powerful bars that hit hard and stay with you.

“Ricorderai” is only the beginning.

He doesn’t follow trends. He’s building his own path.

It’s not just music. It’s something that stays with you.