The Flow

International Radio Airplay & Mentored by Tony Michaelides (U2/Bowie). Modern Folk from Zurich.
https://linktr.ee/tallpinetrace
Tall Pine Trace | Authentic Acoustic Folk & Country

This is more than music—it’s my life turned into sound. Every song is born from deep personal experiences: the profound love for those in my life, and the raw ache of heartbreak.

Rooted in the soul of Country and Folk, Tall Pine Trace explores the quiet moments of longing, the weight of loss, and the unbreakable bonds that define us. It is music for the seekers and the dreamers who understand both the darkness of loneliness and the glow of hope.

It is a profound honour to have the support of music industry legend Tony Michaelides (former promoter for U2, David Bowie, and The Police). Tony has featured my music and continues to stand behind the vision and sound of Tall Pine Trace.

Top-rated on Groover – Featured by international tastemakers and curators in the Folk & Acoustic scene.

For fans of: Authentic storytelling, acoustic vibes, and handmade music.
Based in: Zurich, Switzerland.

The indie-pop singer-songwriter and topliner Lynn Dossenbach, originally from Lucerne and now based in Liverpool, is bringing a fresh wave of creativity into the music scene. She studied Songwriting and Performance at the Liverpool Institute for Performing Arts (LIPA), founded by Sir Paul McCartney, and now thrills audiences on stages across Switzerland and England with her five-piece band.

She has impressed the music industry with her songs during A&R sessions with Communion Records, Island Records and multiple airplays on BBC Music Introducing and Amazing Radio. Her work as a topliner at the Montreux Suisa Songwriting Camp 2025, a guest appearance at Openair St. Gallen, multiple airplays on Swiss Radio, as well as commissioned works continue to keep her firmly on the radar in Switzerland.

Known for her distinctive voice and captivating stage presence, her debut EP “Combination” with five songs will be released on the 24th April 2026. Lynn Dossenbach is definitely a singer-songwriter to keep an eye on – a performer you will not forget.

autodidacte, passionné et grand appréciateur de Miles Davis

„Is It“
Was mir akustischer Gitarre, Tape-Loops, Samples, Saxophon und Effektgrätli intim beginnt, wird später mit voller Wucht gegen die Wand gefahren.

Frage: Ist etwas wirklich ein Scheitern, wenn darin gleichzeitig Freude oder Erkenntnis steckt?

Fasziniert von Effektgeräten mit Knöpfen, den Bandmaschinen seiner Grossväter und einem Sammelsurium an Instrumenten ist Yet To Find auf der stetigen Suche nach neuen Sounds und Songs.

Although often mistaken for a British fashion phenomenon, The Kate Effect are in fact a Swiss band. Their explosive mixture of melodic death and thrash metal with a little dash of hardcore firmly lodges in the 2000s nostalgia center of every brain, taking the listener on a journey from breakdown to blastbeat and finally lands on the expected climax with catchy choruses.
The Kate Effect are a guarantee for exuberant live shows and, with their combined 60 years of band experience, prove time and again why they have been an integral part of the Swiss metal and hardcore scene since 2011.
In its current line-up, The Kate Effect consists of founding members Lukas Villiger (vocals), Martin “März” Kubli (guitar), Marco “Rada” Radamonti (guitar, also in With One Word), Pascal Maurer (drums, also in Silent Circus) and Severin Bruttin (bass, PhD).

Steven Sat Kalki est un musicien suisse né en 1962 à Genève. Il est issu d'une famille de musiciens amateurs et professionnels et malgré son handicap des bras d'origine génétique (la déformation ou maladie de Madelung) l'empêchant de jouer des instruments à manches comme la guitare, la basse, le violon ainsi que les cuivres, les saxophones etc, il a développé un jeux de piano et de claviers basé sur l'improvisation avec l'impossibilité de virtuoser en particulier de la main gauche. C'est pourquoi après avoir pratiqué la rythmique et l'expression corporelle à l'Institut Jacques-Dalcroze, après avoir appris la flute douce tant bien que mal, étudié cinq années durant le solfège et le  piano classique avec sa tante Mariette Félix, il s'est tourné vers le jazz, le blues, le funk, la pop, le rock, et par la suite la variété et les standards de piano bar et de bal. Steven Sat Kalki a accompagné de nombreux chanteurs et chanteuses et a joué avec plusieurs orchestres et groupes de 1975 à aujourd'hui : L'Orchestre du Cycle d'Orientation, le Choeur du Collège Voltaire (L'Orféo de Monteverdi et le Requiem de Mozart en concert au Victoria Hall en 1978), le groupe de funk-rock "LO TZE", le band de Bernie Constantin, le chanteur Brian Mc Combe, l'orchestre Génération de Jésus Garcia, les chanteuses Aline Chalifoux et Fabienne Palasciano. Il a aussi performé en solo en tant que pianiste de bar dans de nombreux hôtels et restaurants de Suisse et d'Europe. Après un apprentissage de libraire chez Naville, il a enchainé avec des apprentissage de vendeur spécialisé et d'employé du commerce de détail chez Bernard Musique, le célèbre magasin d'instruments de musique et de sono que toutes les célébrités de passage à Genève venaient visiter.

Mit „24“ präsentiert Batuhan Kanay eine EP, die Gegensätze vereint: Selbstbewusstsein und Zweifel, Nähe und Distanz, Licht und Schatten. Entstanden zwischen Rap-Attitüde, Afropop-Vibes und emotionalem Storytelling, zeigt das Projekt einen Künstler, der sich nichts schönredet – sondern ehrlich bleibt.

Fünf Tracks führen durch persönliche Erfahrungen, toxische Beziehungen und den Hunger nach mehr. Mal dominant, mal verletzlich, immer authentisch. Die „24 EP“ ist kein Moment – es ist ein Statement und erschien am “30.01.2026”.

Batuhan Kanay steht für eine neue Generation: genreübergreifend, direkt und nahbar. Musik, die bewegt – im Club genauso wie im Kopf.

Mit warmer Stimme, klarer Haltung und einem Gespür für Melodien erzählt Batuhan Kanay Geschichten aus dem echten Leben. Seine Songs handeln von Liebe, Herzbruch, inneren Konflikten und Wachstum – ehrlich, ungefiltert und emotional. Dabei verbindet er moderne Sounds mit persönlicher Tiefe und schafft Musik, die nicht nur gehört, sondern gefühlt wird.

She is anything but a purist and sees herself as a free spirit on the blues scene: the Swiss singer-songwriter Manu Hartmann. Uncompromising and boundless, she has always incorporated soul, funk and psychedelic elements into her sound, which she describes as ‘Modern Blues 3.0’. She sees music as her voice – expressive and with a versatile voice, she denounces social injustice in her songs, criticises narrow-minded thinking and urges us to go through life with an open heart.
In 2018, Manu Hartmann and her band won the Swiss Blues Challenge, and in 2019 they became the first major Swiss band to reach the semi-finals of the IBC in Memphis, USA. She has been nominated for the Swiss Blues Award three times.
Manu Hartmann has released six albums independently to date, three of which are studio productions. Her next live album, ‘ARCABAS SESSION’, is due out on 20 March 2026.

Singer-songwriter, Emilie is an independent Swiss artist whose creative project is rooted in sincerity and the exploration of human emotions. Through introspective and sensitive writing, she gives voice to fragilities, contradictions, and the darker corners everyone experiences, without trying to smooth them over or conceal them.

She first came to wider public attention through her participation in The Voice in 2022. This marked her initial steps into the music industry and brought her early media exposure through local press. The experience proved to be a turning point, encouraging her to fully embrace and assert her artistic identity.

Following the release of two debut singles, she unveiled her first project, a five-track EP titled “Douceur Douleur.” Conceived as an emotional diary, the project explores universal themes such as jealousy, unstable love, heartbreak, loss of direction, and self-relationship. Each track delves into a raw, unapologetic, and vulnerable emotion, forming a mosaic where softness and pain coexist without contradiction.

Active on stage since 2018, Emilie sees live performance as an essential space for connection with her audience. Her concerts, whether intimate or on a larger scale, are marked by strong emotional intensity and a genuine closeness with listeners. Inspired by artists such as Amy Winehouse, Jorja Smith, Charlotte Cardin, and Iliona, she creates a musical universe at the crossroads of pop, soul, jazz, and electronic influences, designed for both intimate listening and the powerful shared experience of live performance.

I'm LEXX Brun, a music producer, DJ, and founder of LEXX Brun Records. My career began with a passion for music that blends electronic and acoustic elements to create emotional, genre-crossing soundscapes.

International Collaboration
Over the years, I've collaborated with artists from all over the world—from emerging talents to established names in the music scene. This collaboration allows me to unite musical cultures and create authentic, innovative productions.

Releases & Streaming
My tracks are released internationally and reach listeners through platforms like Spotify, Apple Music, and other digital stores. My music regularly finds its way onto global playlists and into diverse scenes worldwide.

I Skarbonari est une formation née à Neuchâtel composée à la base de quatre musiciens
Le groupe commence début 2003 avec pour projet de mettre en musique le quotidien d’immigrés et donc de mélanger leurs cultures  musicales suisses et italiennes. Ce métissage s’enrichira par la suite d’airs provenant d’autres latitudes d’échanges culturels lors de nos tournées.
 
I skarbonari proposent un style de musique positive , rythmée, un mélange de tarantella, de ska, de chanson italienne et latino américaine, leur musique festive entraîne le public à  goûter un distillé de bonheur et de complicité ; ceci  tant en buskers (musique de rue)  en  petite formation de cinq musiciens qu’en groupe  élargi  pour une prestation sur une grande scène devant plusieurs milliers  personnes.
Actuellement I skarbonari propose un projet festif, car le groupe fête ses 20 ans

Moment important :
Grande scène Festineuch 11000 personnes Soirée avec Goran Bregovic et Rokia traoré
Tournée en Hongrie Vesprème Utca zene Grande scène avec Magic Circus, Roy Paci
Tournée en Argentine Medosa, Cordoba, Buenos Aires 15 concert, live radio
Tournée en Belgique, France, Italie
Invité au festival de Ferrara, Catelarte, Novara, Venezia, Barolo en Italie.
Projet théâtral (carnet de voyage) mis en scène par Thierry Romanens.
Réalisation de vidéo-clips (Joe Banana, Cumbiatella, D’jah &Go, Rubala, Carnevale)
Enregistrement de quatre CD (Il Monaco, Scacciapensieri, Carnet de voyage, Solosole)

Mirko Dallacasagrande : Chant, Guitar, Bass, Sax, Keyboards, Composition
Stéphane Roethliesberger : Back vocal, Guitar, Bass, Drums, Keyboards, Arrangement
Giancarlo Invernizzi : Bass, Back vocal, Mix
Olivier Forel : Accordeon, Back vocal
Patrick Besson : Clarinette, percussion
Davide Longo : Drums, percussion, Back vocal
Fabian Perrole : Drums, percussion
Mathieu Forster : Keyboard
Aureliano Marin : Contrebasse

THE PULSE OF MODERN FUNK & SOUL IN SWITZERLAND

Based in the heart of Switzerland, Joe Dallas & The Monks are a powerhouse ensemble redefining the boundaries of Modern Funk, Neo-Soul, and R&B. Known for their electrifying live presence and sophisticated arrangements, the band seamlessly blends vintage groove with a polished, contemporary Pop sensibility.

With a track record of high-profile performances at Jazz Ascona, Locarno Film Festival, and collaborations with international soul icons like Nate James, the "Monks" have established themselves as one of the most exciting musical exports from the Italian-speaking canton.

Their latest production, "Taking You Out", showcases the band’s evolution: a infectious, radio-ready anthem where tight rhythmic sections meet velvet vocals and a relentless groove. Whether it’s a late-night club vibe or a sun-drenched festival stage, Joe Dallas & The Monks deliver a world-class sound that is unapologetically soulful and quintessentially Swiss.

American Songwriter Song Contest Winner 2024 EDM: Genemo ft. Saralia „Goodbye“
SARALIA is an emerging singer and songwriter from Switzerland who blends emotional lyrics with infectious beats to create tracks that move her fans and empower them. Saralia is signed as a songwriter with Schacht Musikverlage Edition Hit Shit (DE) and is under Artist Development at Rockstar Entertainment (CH).
Singing since childhood, Saralia released on 08.16.2024 her first song ‘Goodbye’ which has already amassed >190’000 streams and listeners across multiple countries.
Drawing upon heartbreak and surviving toxic relationships, Saralia’s music ultimately explores themes of strength, positivity, resilience and how to find happiness in a turbulent world. With a number of projects and releases in the pipeline, 2026 is set to be Saralia’s biggest and most exciting year yet. In 2024 the song “Goodbye,” created in collaboration with @Genemo, won first place in the American Songwriter EDM category and was remixed by Austrian DJ/producer @YUNA - released on the label Munix Music.Saralia is an emerging singer and songwriter from Switzerland who blends emotional lyrics with infectious beats to create tracks that move her fans - and empower them. Singing since childhood, Saralia recently released her first song ‘Goodbye’ which has already amassed >190’000 streams and listeners across multiple countries. Drawing upon heartbreak and surviving toxic relationships, Saralia’s music ultimately explores themes of strength, positivity, resilience - and how to find happiness in a turbulent world. With a number of projects and releases in the pipeline, 2026 is set to be Saralia’s biggest and most exciting year yet. In 2024 the song “Goodbye,” created in collaboration with @Genemo, won first place in the American Songwriter EDM category and was remixed by Austrian DJ/producer @YUNA - released on the label Munix Music.

Seit Teenager-Zeiten hilft mir Musik durch den Tag zu kommen und so ist es heute noch. Deshalb höchste Zeit wieder mal etwas aktiver zu werden. Die Welt liefert leider viel zu viel Inputs, die verarbeitet werden wollen.
Musikalisch geht die Reise Richtung "mehr Vielfalt" weiter, die schon auf "Rollmodel" begonnen hat. Weniger Rap, mehr Gesang. Mehr ausloten, was alles möglich ist bzw. wecken was alles noch in einem schlummert. Ich sag's mal mit Dendemann „Ich bin kein Rapper, nur ein Bluessänger auf Abwegen“ 😅.
Das ich das auf dem kommenden Song "Gwitter" zusammen mit den BEATGRNDRZ machen kann, freut mich extrem. Diese Hip Hop Freundschaft hält nun schon bald 30 Jahre oder in etwa so lange wie wir auf dem dritten Bild jung sind (Splash Festival ca. 2000).
Von den ersten Beiträgen auf den Lionkingz Mixtapes über Produktionen für 3-Sächser, Skilluminati oder für meine Solo Sachen, gab es über die Jahre immer wieder gemeinsame Tracks.
Der neuste Streich "Gwitter" kommt am 20. März und ich freue mich sehr, dass sie an Board sind. Und noch mehr freue ich mich das Resultat mit euch zu teilen.💚

Hardcore Punk since 1989

2026 – everything will be alright. We've started a year ready to burst at the seams. If everything doesn't explode for the better now, when will it? Before we burn out, we want to shine brightly one last time, and so we yearn for musical experiments. We want to dance, drift away in a daze, take the freedom to float away and distance ourselves from everything that spoils our day. Everything and nothing is possible now, everything is ultramodern, and Silvetone provides the soundtrack.

It's one man: Silvetone – at home in the land of mountains and chocolate. Programmed melodies, rhythms, sounds, and lyrics combine to create a novel, captivating mix. Under construction – Silvetone's focus is sound, working on it, distorting it, editing it. And the lyrics, letting it take center stage, the dramaturgy, ultimately united compositionally into an organic acoustic experience. And what emerges from this? Is it pop? Perhaps experimental pop? Spoken word? No, not really. The search for a suitable category is still ongoing.

Everything you hear is arranged by Silvetone (By the way, all tracks are registered with SUISA. For commercial use, please don't forget to register with SUISA!)

MUNI ist Mundartmusik mit popigen Zügen die Rocken.
Die treibende Kraft hinter MUNI ist der Sänger und Songschreiber Roger Aeschlimann geboren im Luzerner Hinterland, an Grenze zum Kanton Bern. Die Musiker bestehen aus Raum LU, AG bis ZH.
Aufgenommen wurde es im Tonstudio Adonia und von Michael Dätwyler produziert.
Die Songs erzählen von Begegnungen, Gedanken und Momenten mit Witz und charm aus dem Alltag. Sie trösten, motivieren, ja teilweise laden sie zum transformieren ein um mit Herz und Seele zu verschmelzen.

«ERGENDWIE HEILIG» beschreibt zwei Menschen, die sich über das Handy kennenlernen und sich immer mehr wünschen, auch Körperlich zusammen zu finden.

Hört den Song jetzt an. Release Datum ist am 28.03.2026

Iman Jah Bast, spreading spiritual vibes for about 30 years for the benefit of One and All, but never promoted my music i decided to make the step because it's TIME.

Singer, musician, engineer and auto-producer of 2 fresh small independant labels of Spiritual Raw ROOTS Reggae and Old Dubwise music: Time & Place Records, Roots Cover Records.

Have worked with Fruits Records, Soul Of Anbessa, Dub-O-Matic, Darker shades of roots, Dig this way Records and muche more to come.

One Blessed love

With a crystalline voice and a guitar in hand, Dominique explores the shifting territories of identity, migration, and belonging. A binational artist, born in Guatemala and based in Switzerland, she writes and sings in Spanish, French, and English, weaving bridges between her two cultures.

Her debut album, Dos Profundidades, produced by Latin Grammy winner Gaby Moreno, explores the dance between the conscious and the subconscious.

With Regresar, entirely self-produced, Dominique asserts a songwriting voice that is both intimate and political, transforming the migratory experience into a sensitive and universal sonic space. The album evokes the fracture between two countries, but above all the invisible bridges we build to feel at home.

Regresar was developed during her participation in the Proxima mentorship program at Les Docks (2021–2022). Her tour included over 40 concerts in Switzerland and internationally, including a collaboration with La Chica as the godmother of FIMU 2025.

She is currently preparing a third album in three parts, where the three languages coexist in balance, exploring contrasts between shadow and light, day and night.

A lover of acoustic textures, Dominique follows in the lineage of artists like Natalia Lafourcade, Silvana Estrada, and Madison Cunningham. On stage, she is accompanied by Los Cuchumatanes, a versatile collective that can perform as a duo, trio, quartet, quintet, or sextet, adapting seamlessly to both intimate venues and festival stages.