The Flow

LES HERBES HAUTES:
-Ce sont ces longues pousses desséchées
et pâles que l'on trouve aux abords d'un
terrain en friche,à deux pas d'une barre d'
immeubles en décrépitude.
Certains s'y cachent pour geindre,ou pour
se recueillir.D'autres viennent enfouir un
secret,planquer du "matos". s'adonner à
à quelque activité enivrante,voir illicite.
-Le vent y murmure de vieux airs que l'on se
surprendra à fredonner,ou attise les braises
d'une inspiration crue.

Pierre ; guitares/chant/harmonica
Dany ; batterie
le duo s'est formé en 2024

Les herbes hautes sont parfaits pour les lieux
intimistes,petites salles,concerts privés.
N'hésitez pas à nous contacter
cyprinski@gmail.com
0041/077 529 15 43

Dox Morgan & Royal Frenz is the union of two Urban music journeys, combining the Rap of Domenico Cusano with the Soul/R&B sound of Francisco Rabet. A friendship that has grown stronger over time, project after project, laying the foundations for their concept album, which retraces a decade of shared experiences. The duo has released the first singles titled “Sliding Doors”, “Uno, Dos, Tres”, “Ma Sai Che C'è”, and most recently “Tabù”. As an integral part of the collective The Enterpreneurs, Dox Morgan & Royal Frenz deliver a broad and accessible sound that resonates with a diverse audience.

Claire-Lyse von Dach – "Celtic-Shamanic" Folk

Author, singer, and composer, Claire-Lyse von Dach transforms music into medicine for the soul. Hypersensitive and navigating a life journey marked by an invisible disability, she has made her voice a breath of resilience and transmutation. For over twenty years, music has guided her steps, evolving from various projects toward a solo path begun in 2014, rich with a unique artistic identity.

On stage, Claire-Lyse weaves a "Celtic-Shamanic" Folk universe, a sonic bridge between the visible and subtle worlds. Her compositions, imbued with dreamlike, fairy-tale, Celtic atmospheres and shamanic resonances, are true invitations to an inner journey. She sings in French, in English, and sometimes in the "language of the soul"—sounds and vibrations that touch directly upon the essence of Being. Each piece is an ode to reconnection, a living prayer aiming to reveal the beauty, creativity, Life, and the Sacred within everyone.

This artistic project is now carried and sublimated by a precious collaboration with Vincent Triponez. By her side, he brings gentleness, talent, and professionalism, accompanying the singer to make these vibrations of healing, joy, and peace resonate. Together, they offer an experience where the beauty of the lyrics and the power of sound facilitate the transmutation of wounds, both individual and collective.

Whether you have come out of curiosity, resonance, or an inner calling, welcome to this space of reconnection.

www.clairelysevondach.com

My name is Sarah Mesaric, 19 years old independent artist from Switzerland. I recently released my song "Take me High Away."

Es handelt sich um ein Instrumental duo mit Saz und Gitarre.

GRAYWOLF are not here to play it safe — they fully embody the phrase once used by a British fan to describe them perfectly: “Forget Swiss diplomacy – GRAYWOLF are here to kill.”

The band from Zurich stands for uncompromising rock packed with power, melody, and genuine emotion. In 2025, GRAYWOLF received the British HRH Award “International Young Blood” for Best New International Band — a strong sign of the international impact of both their sound
and their explosive live presence.

With their current singles SCREAM and SHATTERED HORIZONS, GRAYWOLF sound heavier, more direct, and more determined than ever: “SCREAM” is an uncompromising rock anthem full of passion - a raw outcry celebrating the unbreakable connection between band, stage, and fans. “SHATTERED HORIZONS” delivers the darker counterpart: heavy, intense, and driven by anger.

With musicians who have previously shared stages with acts such as Pure Inc., Brainholz and The Hunt, GRAYWOLF combine experience, energy, and uncompromising dedication. Their sound merges the raw ferocity of classic rock giants with modern heaviness and the intensity of
the present day — raw, loud, and without any safety net.

After their debut album entered the Swiss charts at #21 in 2023, GRAYWOLF are now fully focused on the future: their second album will be released at the end of 2026 and marks the band’s next major step forward. But their true strength unfolds live — because GRAYWOLF don’t simply play concerts. They unleash energy, push every emotion to the limit, and leave audiences burning long after the final note has faded.

BLUES ROCK - MADE IN ITALY

JASS est une chanteuse/guitariste & compositrice d'origine brésilienne née à Lausanne (CH)

The Coming is a music project exploring love, loneliness, freedom, childhood, fear and hope in a changing world — telling stories from the borderland between everyday life and the unseen world.

Moritz Schlanke first made a name for himself in 2008 with his radio hit “Good Girl”, which was discovered at the M4Music Festival and went on to become a summer hit on Switzerland’s biggest radio stations. With his debut album “Piece of Gold” (2011), he toured across Switzerland and shared festival stages with Pegasus, 77 Bombay Street, Stefanie Heinzmann, and Marc Sway. In 2013, the artist from Uster was awarded a Gold Record for his contribution to a compilation album that sold over 15,000 copies. His second album “Sunset Tales” (2016) entered the Swiss album charts, with all 14 tracks receiving radio airplay.
In 2017, he presented a self-produced EP together with the swing and jazz formation The Royal Rhythms and went on to perform regularly at jazz festivals. At the end of 2024, Schlanke released the heartwarming Christmas single “It Feels Like Christmas”, accompanied by a fully self-produced AI music video – the very first of its kind. On August 29, 2025, he followed up with “Du bisch mir wichtig”, a heartfelt song dedicated to the Association for Children with Rare Diseases (KMSK). Since October 2025, Moritz Schlanke has once again been regularly releasing new singles in his signature style. “Realize”, “If Only”, “Flying Away”, “Meant To Be” and “Summer Breeze” are already out. His third album will follow in autumn 2026.

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Somewhere between a fairy and a popstar <3

Keshi Beheshti — « le souffle du paradis »

Musique intimiste de là-bas, d'ici et d’ailleurs ….
.
Chaque note naît d’un instant de paix, comme une respiration.
C’est une invitation à s’arrêter, à écouter le temps d’un instant.
Créé entre les sommets et la vallée des Ormonts, Keshi Beheshti est un pont entre la nature alpine et le mysticisme oriental — un voyage sans paroles.

کشی بهشتی — «نفس بهشت»
موسیقی بداهه از آنجا، از اینجا و از جاهای دیگر…
.
هر نت از لحظه‌ای آرامش زاده می‌شود، مثل یک نفس.
این دعوتی است برای توقف، برای گوش دادن در یک لحظه.
ساخته‌شده میان قله‌ها و درهٔ اورمون، کشی بهشتی پلی است میان طبیعت آلپی و عرفان شرقی — سفری بی‌کلام.

Marco Balzli is a Swiss singer-songwriter known for his authentic, handcrafted songs and his soulful voice. Now in his mid-forties and deeply rooted in music, he looks back on a diverse artistic journey that has taken him from his indie-rock beginnings to the personal singer-songwriter style he embraces today.

His musical career began in 2000 when he joined a regionally renowned rock band. While rock music provided him with valuable stage and band experience, Balzli gradually realized over the years that his voice was not naturally suited to the classic rock frontman style.

Marco Balzli first gained wider public attention in 2013 when he appeared on The Voice of Switzerland, where he advanced to the Battle Rounds. Although his journey ended there, the experience laid the foundation for his solo career. Just one year later, in 2014, he released his album Those Days, featuring the single Marlene. The song received airplay on numerous Swiss radio stations and led to a small but successful tour across Switzerland.

While major commercial success remained elusive, Balzli experienced several unforgettable highlights throughout his career. Among them were performing as the opening act for the Alan Parsons Project and sharing the stage before Swiss music legend Polo Hofer—experiences that left a lasting impression on him and reinforced his artistic path.

Marco Balzli focuses on what truly matters to him: honest, handcrafted music with the voice at its center. His songs tell stories about life, encounters, dreams, expectations, and the experiences that shape us. Authentic, relatable, and full of emotion—these are the qualities that define the path he now continues to follow with complete conviction.

Seid Kindestagen ist Musik für mich alles, doch nie habe Ich den Schritt gewagt.
Damals mit 15 Sass ich mit meinen Eltern am Tisch und wir sprachen über Künstlernamen.
Mein Papa meinte Plötzlich Lizpowara und ich rümpfte die Nase.
Als er mir aber erklärte was das heisst war Ich begeistert.
Heute Habe Ich den Namen getrennt und modernisiert ausgesprochen sagt man Liss Pauwra.
Nachdem ich eine Ausbildung in Kommunikation gemacht habe, merkte Ich dass meine Kommunikation mit Gesang ist.
Meine Songtexte schreibe Ich selber.
Ich war bereits nochmal im Studio und habe da zwei weitere eigene Songs aufgenommen wie drei Coversongs die modernisiert wurden aber so dass es noch nach dem Song klingt wie das Orginal, das war mir sehr wichtig.
Ich finde gerade meinen eigenen Stil was den Deutschen Schlager mit Schweizer Volk vereint, sei gespannt.
Es wird zwar noch etwas dauern bis dieser Stil veröffendlicht wird aber ich freue mich sehr darauf auch Heimat in die Songs einzubinden.

HEARTBEAT VOIT LE JOUR EN JUIN 2024 DE LA RENCONTRE DE LA CHANTEUSE "COEUR" ET D'UN TRIO DE MUSICIENS ROCK POUR SOUTENIR SES TEXTES EN ANGLAIS.
LE GROUPE SE JETTE DANS LA COMPOSITION DE TITRES ORIGINAUX, EXPÉRIMENTE AVEC LE SON, L'APPORT DE SAMPLES ÉLECTROS, ET DES STRUCTURES PROGRESSIVES QUI FORGERONT SON IDENTITÉ MUSICALE : ROCK PROGRESSIF ÉLECTRO.
CHAQUE MORCEAU DISTILLE UNE ÉNERGIE BRUTE AU SERVICE D'UNE INTERPRÉTATION VOCALE PLEINE D'ÉMOTIONS.
DURANT L’ÉTÉ 2025, LE GROUPE ENREGISTRE 2 TITRES EN AUTO- PRODUCTION PUIS FAIT SA PREMIÈRE RÉSIDENCE AU BRISE GLACE D'ANNECY POUR FAIRE ABOUTIR LEUR SCÉNOGRAPHIE INNOVANTE, INTÉGRANT DES JEUX DE LUMIÈRES EN SYNCHRONISATION DIRECTE AVEC LA MUSIQUE.
S'EN SUIT UN ENSEMBLE DE CONCERTS DURANT LESQUELS LE GROUPE RODE SON SET, RENCONTRE VÉRITABLEMENT SON PUBLIC, ET RECUEILLE DES RETOURS ENTHOUSIASTES.
FORT DE CETTE DYNAMIQUE, HEARTBEAT PROFESSIONNALISE SA STRUCTURE FIN 2025 EN INTÉGRANT UN BINÔME D'INGÉNIEURS DU SON POUR OPTIMISER LE RENDU GLOBAL ET ENRICHIR L'EXPÉRIENCE LIVE.
EN 2026, LE GROUPE FRANCHIT UNE NOUVELLE ÉTAPE AVEC L'ENREGISTREMENT D’UNE PREMIÈRE CHANSON ET SON CLIP EN STUDIO. LA PROGRAMMATION SE DENSIFIE AVEC L'AJOUT DE NOUVELLES DATES DE CONCERTS DE PLUS EN PLUS NOMBREUSES.
FORTS DE LEUR EXPÉRIENCE ET DE LEUR IDENTITÉ SONORE AFFIRMÉE, LES MEMBRES DE HEARTBEAT AFFICHENT UNE DÉTERMINATION SANS FAILLE : JOUER DANS LES FESTIVALS ET SALLES DE CONCERTS DE LEUR RÉGION, AFIN DE FAIRE CONNAÎTRE LEUR UNIVERS AU PLUS GRAND NOMBRE.

Portés par des textes sincères et bouleversants, chaque morceau est sublimé par la voix vibrante de leur chanteuse, qui offre son cœur sur scène.

De l’atmosphérique au survolté, les musiciens livrent une expérience authentique et viscérale, avec des sonorités rock exploratoires et audacieuses.

HEARTBEAT, c’est une onde sonore qui prend aux tripes et ne laisse personne indifférent.

Leur univers saura séduire les fans de Muse, Radiohead, Evanescence, Archive, ou encore Leprous, ainsi que les amateurs de sonorités rock progressives et alternatives.

🎸 Un voyage émotionnel à ne pas manquer !

Since almost three decades behind the decks alongside of many who have embossed the electronic music cultur, several partying nights and countless organized events, Adriano Mirabile, formerly known as a.d.i., looks back to a time with a deep insight into all facets of electronic culture! Today, he says, “I want to miss a single minute,” this time has also influenced, among other things, its current work as a producer. The music since long has come in his soul and flows in the studio in his tracks. A little bit more quiet but for sure not silent, he publish today on renowned labels such as Amselcom, Traum Schallplatten, Bar25, Senzen, Stasis Recordings, Sirion Records, Camel Riders and as well on Andrés Marcos Label Wondermachine Music. His path leads him step by step moving forward. Stories he wants to tell, pushing forward into the deepest grounds, touch and seduce

George Merk is a Swiss singer-songwriter whose music combines classic rock influences with modern songwriting. Performing primarily in English, he creates melodic, emotionally driven songs shaped by the timeless traditions of British and American rock. After years of live performances across Switzerland and Europe, George continues to craft authentic music built on strong melodies, honest lyrics, and a passion for storytelling. Independent in spirit and international in outlook, his songs are made to resonate beyond borders.

upcoming:
14.08.2026 Rock n' Dorf, Tagsdorf FR
22.08.2026 Garage Sounds Festival, Gurmels

past shows:
01.05.2026 s Dörfli, Münchenstein
24.04.2026 Valhalla, Basel
21.03.2026 The Stage, Wetzikon
29.11.2025 Toms Beer Box, Chur
19.09.2025 Rock Festival, Issenheim FR
30.08.2025 KiK, Sissach
28.05.2025 New rock'n Roll Bar, Issenheim FR
23.05.2025 Im Grüntal, Winterthur
22.03.2025 Valhalla, Basel
22.02.2025 Im Grüntal, Winterthur
30.11.2024 Punktreff, Bern
23.11.2024 Wenk, Aarau
21.09.2024 Rockfact, Münchenstein
24.08.2024 Ebrietas, Zürich
22.06.2024 Summerside Festival, Grenchen
25.05.2024 FlaFla, Herford DE
27.04.2024 Valhalla, Basel
09.03.2024 Sommercasino, Basel
19.01.2024 Bruch Brothers, Luzern
20.09.2023 Quarterdeck, Basel
19.09.2023 Alte Post, Zürich
27.05.2023 Im Grüntal, Winterthur
01.04.2023 Sommercasino, Basel
26.05.2018 Birsrock, Laufen
21.04.2018 Sedel, Emmenbrücke
14.07.2017 Slip n' Slide, Magden
11.02.2017 E9, Basel
14.01.2017 Badhüsli, Basel
17.09.2016 Fat Inn, Arlesheim
17.12.2015 Trinity @ Hirscheneck, Basel
17.10.2015 Räpplikäller, Basel

naanzook expérimente par l'improvisation l'essence d'une musique imagée et propose des paysages poétiques dont l'auditeur s'imprègne pour imaginer son propre voyage. Ainsi, chaque instrumentiste devient un acteur qui explore un climat d’interactions. Il est tantôt interprète, tantôt compositeur de pièces instantanées, libres et uniques. Le travail est essentiellement acoustique, les sons ou les dérives sonores appartiennent donc à la technique du musicien qui se trouve confronté à sa propre palette musicale. Pas d’esbroufe, du senti, du vécu, du partage, de l’écoute !

Par ailleurs, naanzook travaille toujours la formule du trio+ c'est à dire un trio plus un invité. Ainsi, le groupe joue-t-il régulièrement avec Hans Koch ( un concert avec Samuel Blaser). Par ces collaborations, les musiciens du groupe sont appelés à explorer des timbres et des chemins encore inexplorés dans les formations précédentes.

De plus, la lecture musicale autour du texte de Christophe Gallaz "Cela commence par..." travail de composition collective élaboré avec le lecteur Gilles Jobin et l'accordéoniste Alain Woodtli tourne encore.

naanzook ose donc de nouvelles expériences dans l'exploration des musiques de l'instant, enrichissant les possibilités de l'improvisation de passages écrits qui rythment les envols basés sur des images, des signes, des envies... Autant de voies que le nouveau trio expérimente dans ses recherches musicales.

Les compositions font évoluer leur thème vers une forme d’improvisation dirigée ou directement influencée par l’écriture comme couramment dans le jazz. Elles s’inspirent encore des propositions apportées par les invités, laissant les musiciens créer en fonction des inspirations qu'elles leur suscitent. Ici les maîtres mots sont communiquer, conduire, suivre, inspirer, chercher et développer. Les musiciens sont donc acteurs, créateurs, incitateurs et toujours réactifs et inventifs.

Ainsi, chaque instrumentiste devient un voyageur qui explore un climat d’interactions. Il est tantôt interprète, tantôt compositeur de pièces qui se veulent instantanées, libres et uniques. Le travail est acoustique, aucun effet électronique. Les sons, les dérives sonores appartiennent donc à la seule technique du musicien qui se trouve confronté à sa propre palette musicale. Pas d’esbroufe, du senti, du vécu, du partage, de l’écoute !

naanzook a vu le jour en 1995. Très vite, le groupe s'est tourné vers des musiques novatrices issues du jazz. Durant ces seize années, le collectif a travaillé en quintet, en septet collaborant notamment avec des poètes, danseuses.