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Alex Breahna is a Moldovan-born singer-songwriter based in Lausanne, Switzerland, where she has lived for over ten years. Trained from an early age in piano, music theory, and choir singing, she continued her musical education through various courses and workshops, notably at the Conservatoire of Lausanne and later at EJMA, where she is currently in a pre-HEM program, exploring jazz textures that she may integrate into her sound, inspired by artists such as Yseult, Raye, and Hozier.
Since 2020, she has been writing and composing in French, English, and Romanian, in a style that strives to be as sincere as possible, closely rooted in her lived human experience. Several tracks have been recorded between Moldova, France, and Switzerland, and her debut EP, The Things I’ll Never Tell You, received critical recognition and earned her the Friends of EJMA Award. A studio residency at Artefax, obtained in 2025 through a grant offered by the City of Lausanne, also marked an important step in her artistic development.
Her live presence in French-speaking Switzerland is currently growing, notably through the OnStage (EJMA Live) program, which supports her artistic development as a performer.
Her artistic universe is shaped by absence, introspection, fleeting passions, and perhaps a longing to stop time.
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„Heeee he, já chegou Djovana…“ – mit dieser legendären Zeile wurde Nilsa Ende der 1990er-Jahre als Mitglied der Hip-Hop-Gruppe Djovana bekannt. Seither wird sie oft als die „Queen of Mozambican Hip-Hop“ bezeichnet.
Heute lebt Nilsa seit über 25 Jahren in der Schweiz und arbeitet als Singer-Songwriterin an der Schnittstelle zwischen den musikalischen Traditionen Mosambiks und zeitgenössischen Einflüssen aus Jazz, World Music und Pop.
Mit ihren neuen Singles „Sofala“ und „Emilia“ erzählt sie sehr persönliche Geschichten:
„Im Song Sofala suche ich nach meinen musikalischen Wurzeln. Der Song erinnert an meine Kindheit bei meiner Grossmutter auf dem Land in Mosambik – ohne Fernsehen, ohne Telefon, geprägt von Gemeinschaft, Tanz und Musik.“ erzählt Nilsa. „Im Zentrum steht dabei der Tanz Utsi, ein traditioneller Tanz begleitet von Trommlern.“Und zum Song Emilia meint sie:„Emilia entstand aus einer Begegnung mit meiner Nichte. Auf mein Kompliment, wie schön sie geworden sei, antwortete sie selbstbewusst: „Ich weiss.“ Der Song ist eine liebevolle Aufforderung an junge Frauen, nicht nur auf ihre Schönheit zu setzen, sondern ihren eigenen Weg zu gehen, Bildung zu suchen und unabhängig zu werden.“
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Contact: letsgocornichons@gmail.com
Live video at Sunset Bar on YouTube (link)
Contact us if you are interested in booking an event!Let’s Go Cornichons is a band founded in 2025, made up of four musicians (vocals, guitar, bass, and drums).
A one-hour performance featuring around twelve original songs in a high-energy Punk/Rock universe.
Their concept: telling the story of four pickles who refuse their fate as mere consumer products and rise up to fight for their freedom. Each song represents a chapter in this revolution.
Let’s Go Cornichons enhances its performance with an original stage production, enriched by projected illustrations that follow the evolution of their rebellion and immerse the audience in this offbeat world.
The band is currently performing at various venues and events.
Contact us if you are interested in booking an event!
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voir www.fabiolafriolet.com -
Comme une savoureuse fondue «moitié-moitié», la chanteuse fribourgeoise Fabiola Friolet, avec ses textes en Français et Singinois nous entoure d’un délicieux goût de bilinguisme. Ses chansons riches en expériences de vie, souvenirs doux ou amers ainsi que d’anecdotes pleines d’humour embarquent le public pour un voyage musical à plusieurs facettes.
Pour le vernissage de son Album MOITIÉ MOITIÉ le 23.2.2019 à La Spirale, Fribourg, elle est accompagnée de l’excellent guitariste Mike Bischof (classique, jazz, musique contemporaine) et de la jeune et talentueuse pianiste de jazz fribourgeoise Livia Marras ainsi de Barbara Andrey (voc), Noémie Grandjean (vlc), André Rossier (ts, cl), Martin Küchler (b), Herbie Bach (dm, perc, voc)Ayant grandi dans le bilinguisme fribourgeois, je vis aujourd'hui sur les rives du lac de Morat.
Très jeune déjà, je laissais la nature, l'amour et la nostalgie m'inspirer des textes en Français, Suisse-Allemand ou Anglais. En 1996, Stéphane Cosandey écrivait les premiers arrangements et m'accompagnait au piano lors
de la finale du Prix de la Chanson Nouvelles Scènes à Yverdon.
Je repris ces pièces en 2012 puis, deux ans plus tard grâce à Barbara Andrey, fis la connaissance de Mike Bischof en vue du premier concert MOITIÉ MOITIÉ au Bilboquet, Fribourg, 2016.
La concrétisation de ce disque réalise mon rêve de jeunesse. Les expériences de la vie m'ont permis d'y ajouter de nombreux souvenirs, pensées et anecdotes, parsemés de métaphores et d'humour.
Je vous souhaite à tous beaucoup de plaisir à l'écoute de cet album et me réjouis de vous guider à travers ce voyage temporel et musical.
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Since 1996, René Degoumois has been composing and shaping the universe of Dawn. As singer, guitarist, bassist and keyboardist, he explores vintage textures and darker emotions to build sonic landscapes where melancholy becomes a strength. Musician, producer and author, he always moves close to the intimate.
Co‑founder of Dawn alongside René Degoumois, Julien Vuataz has shaped a vital part of the band’s identity since 1996. A bassist and guitarist with a love for vintage textures, he brings a melodic sensitivity that runs through Dawn’s entire discography and defines its sound.
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Elina is an 18-year-old singer-songwriter from Aargau. With honest lyrics, modern pop melodies and a distinctive voice, she tells stories about love, change and growing up. What began as a spontaneous visit to the studio quickly developed into a genuine passion.
In her songs, Elina combines personal experiences with emotions that many can relate to. Authenticity and emotion are always at the heart of her work. With every release, she continues to develop her own sound and takes her listeners on a musical journey.
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ejazzerato is a 16-year-old jazz musician from Valais, Switzerland. His artist name is a play on words that comes from when he was little. He always pronounced the Italian word “esagerato” (which means exaggerated) as “egiaserato”. Later, when he started releasing songs, he changed the spelling to “ejazzerato” as the pronunciation remained the same and it fitted well with his main genre, jazz.
In addition to jazz, ejazzerato also produces funky pieces and songs in the jazz fusion style.
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NARBENKRONE ist mein persönliches Projekt, das ich mir schon lange erfüllen wollte.
Ich bin kein ausgebildeter Künstler / wollte jedoch schon immer Musik machen. Mit Hilfe von KI (Texte und Musik) kreiere ich persönliche Songs mit Tiefgang. Texte, die berühren und Musik, die ins Ohr geht. Lass dich inspirieren und geniesse den Moment.Ach ja, ich konkurriere nicht mit ausgebildeten Musiker/innen. Ich habe höchste Achtung vor ihrer Arbeit. Ich sehe meine Musik als neue Form, als Ergänzung, als Erweiterung und als meine ganz persönliche Musik, die mir sehr Freude macht. Mit meinen Texten und Melodien will ich Freude und Hoffnung machen. ENJOY IT! 🙏🍀
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Die Oberwalliser Folk-Rock Band «Werli and the Melodies» wurde 2008 gegründet. Die irisch angehauchten Lieder sind vorwiegend in Mundart geschrieben und besingen das Fernweh, die Heimat, alte Zeiten, den Steinadler, die Italianità, Schmuggler, verbotene Tänze und natürlich die Liebe. Neben Auftritten am Irish Guinness Festival 2017 in Sion, am Mad Muni Festival 2017 in Saanen.
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Influenced by rock music from the ’70s, ’80s, and ’90s, Stringtension infuse their songs with a touch of modernity, proving that “good old rock ’n’ roll” is far from dead.
With their EP “Time Runs” (2024), Stringtension impressively demonstrated just how surprising, moving, and captivating rock music can still be today.2025 brought a breath of fresh air: New singer Sandy brought new girl power to the band with her expressive voice.
With renewed energy and a fresh sound, Stringtension are ready to take the stage once again and thrill audiences with their rousing live shows.
Stringtension are
Sandy Keller - Vocals
Daniel Beyeler - Guitar & Backing Vocals
Marcel Schläfli - Guitar
Simon Klingler - Bass
Nicolas Berger - Drums
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LES HERBES HAUTES:
-Ce sont ces longues pousses desséchées
et pâles que l'on trouve aux abords d'un
terrain en friche,à deux pas d'une barre d'
immeubles en décrépitude.
Certains s'y cachent pour geindre,ou pour
se recueillir.D'autres viennent enfouir un
secret,planquer du "matos". s'adonner à
à quelque activité enivrante,voir illicite.
-Le vent y murmure de vieux airs que l'on se
surprendra à fredonner,ou attise les braises
d'une inspiration crue.
Pierre ; guitares/chant/harmonica
Dany ; batterie
le duo s'est formé en 2024
Les herbes hautes sont parfaits pour les lieux
intimistes,petites salles,concerts privés.
N'hésitez pas à nous contacter
cyprinski@gmail.com
0041/077 529 15 43
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Dox Morgan & Royal Frenz is the union of two Urban music journeys, combining the Rap of Domenico Cusano with the Soul/R&B sound of Francisco Rabet. A friendship that has grown stronger over time, project after project, laying the foundations for their concept album, which retraces a decade of shared experiences. The duo has released the first singles titled “Sliding Doors”, “Uno, Dos, Tres”, “Ma Sai Che C'è”, and most recently “Tabù”. As an integral part of the collective The Enterpreneurs, Dox Morgan & Royal Frenz deliver a broad and accessible sound that resonates with a diverse audience.
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Claire-Lyse von Dach – "Celtic-Shamanic" Folk
Author, singer, and composer, Claire-Lyse von Dach transforms music into medicine for the soul. Hypersensitive and navigating a life journey marked by an invisible disability, she has made her voice a breath of resilience and transmutation. For over twenty years, music has guided her steps, evolving from various projects toward a solo path begun in 2014, rich with a unique artistic identity.
On stage, Claire-Lyse weaves a "Celtic-Shamanic" Folk universe, a sonic bridge between the visible and subtle worlds. Her compositions, imbued with dreamlike, fairy-tale, Celtic atmospheres and shamanic resonances, are true invitations to an inner journey. She sings in French, in English, and sometimes in the "language of the soul"—sounds and vibrations that touch directly upon the essence of Being. Each piece is an ode to reconnection, a living prayer aiming to reveal the beauty, creativity, Life, and the Sacred within everyone.
This artistic project is now carried and sublimated by a precious collaboration with Vincent Triponez. By her side, he brings gentleness, talent, and professionalism, accompanying the singer to make these vibrations of healing, joy, and peace resonate. Together, they offer an experience where the beauty of the lyrics and the power of sound facilitate the transmutation of wounds, both individual and collective.
Whether you have come out of curiosity, resonance, or an inner calling, welcome to this space of reconnection.
www.clairelysevondach.com
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GRAYWOLF are not here to play it safe — they fully embody the phrase once used by a British fan to describe them perfectly: “Forget Swiss diplomacy – GRAYWOLF are here to kill.”
The band from Zurich stands for uncompromising rock packed with power, melody, and genuine emotion. In 2025, GRAYWOLF received the British HRH Award “International Young Blood” for Best New International Band — a strong sign of the international impact of both their sound
and their explosive live presence.With their current singles SCREAM and SHATTERED HORIZONS, GRAYWOLF sound heavier, more direct, and more determined than ever: “SCREAM” is an uncompromising rock anthem full of passion - a raw outcry celebrating the unbreakable connection between band, stage, and fans. “SHATTERED HORIZONS” delivers the darker counterpart: heavy, intense, and driven by anger.
With musicians who have previously shared stages with acts such as Pure Inc., Brainholz and The Hunt, GRAYWOLF combine experience, energy, and uncompromising dedication. Their sound merges the raw ferocity of classic rock giants with modern heaviness and the intensity of
the present day — raw, loud, and without any safety net.After their debut album entered the Swiss charts at #21 in 2023, GRAYWOLF are now fully focused on the future: their second album will be released at the end of 2026 and marks the band’s next major step forward. But their true strength unfolds live — because GRAYWOLF don’t simply play concerts. They unleash energy, push every emotion to the limit, and leave audiences burning long after the final note has faded.
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Moritz Schlanke first made a name for himself in 2008 with his radio hit “Good Girl”, which was discovered at the M4Music Festival and went on to become a summer hit on Switzerland’s biggest radio stations. With his debut album “Piece of Gold” (2011), he toured across Switzerland and shared festival stages with Pegasus, 77 Bombay Street, Stefanie Heinzmann, and Marc Sway. In 2013, the artist from Uster was awarded a Gold Record for his contribution to a compilation album that sold over 15,000 copies. His second album “Sunset Tales” (2016) entered the Swiss album charts, with all 14 tracks receiving radio airplay.
In 2017, he presented a self-produced EP together with the swing and jazz formation The Royal Rhythms and went on to perform regularly at jazz festivals. At the end of 2024, Schlanke released the heartwarming Christmas single “It Feels Like Christmas”, accompanied by a fully self-produced AI music video – the very first of its kind. On August 29, 2025, he followed up with “Du bisch mir wichtig”, a heartfelt song dedicated to the Association for Children with Rare Diseases (KMSK). Since October 2025, Moritz Schlanke has once again been regularly releasing new singles in his signature style. “Realize”, “If Only”, “Flying Away”, “Meant To Be” and “Summer Breeze” are already out. His third album will follow in autumn 2026.