The Flow

Eric Daniell makes Swiss German pop that blends pop-rock and funk. The Zurich artist launched his music project in 2026 with his debut single, “Michelle”. The song about a brief summer romance has already received airplay on Swiss radio stations including Kanal K, RaBe, Radio Grenzenlos and Radio 4TNG.

His second single, “Gheim”, followed on 30 October. The funk-infused pop song explores a situationship in which one person wants more while the other wants to keep things casual. Closeness, yes. Commitment, less so.

Both singles were recorded at Powerplay Studios in Maur with producer Cyrill Camenzind and musicians Marvin Trummer, Marco Blöchlinger and Martin Fischer. Mixing and mastering were handled by Reto Muggli.

Inspired by Tom Odell, Keane and Coldplay, Eric writes his songs at the piano, which he has played since the age of six. As a singer, however, he kept his voice to himself for years. It was only with the release of “Michelle” that those around him really heard him sing. Some could hardly believe it was his own voice.

With two singles released, Eric Daniell is now working on more songs in Swiss German.

Paolafuerte ist Kleinstadt-Poesie par excellence. Er mauserte sich in den letzten Jahren zur kritisch-selbstironischen Nachtigall. Das enfant terrible der Nachtgesänge bewegt sich dabei stellenweise grossmäulig provokativ und manchmal melancholisch intim in brachialen Kanzonen, die sich mit eingängigem Indie Rock vermischen.
Paolafuerte singt, wie ihm der Schnabel gewachsen ist und schwebt dabei leichtflüglig zwischen der Schweizer Mundart, dem Französischen oder dem Italienischen.
In mitreissender Eleganz streift er relevante Themen und pointiert scharfsinnig, humorvoll, fasziniert und polarisiert damit gleichermassen.

SPHERYA is a Swiss music project bringing together electronics, percussion and string instruments. It explores sonic territories between electronic music, ambient and experimentation, weaving rhythms, atmospheres and improvisation. Each composition is a journey through urban and natural landscapes, where acoustic and electronic sounds meet and transform.

Big Dreams Avenue is a cutting-edge musical collective redefining the boundaries of modern music production by bridging the gap between human emotion and artificial intelligence. By seamlessly fusing organic instrumentation with advanced AI technologies, the project delivers a high-energy, nostalgic, yet futuristic soundscape that redefines the indie-pop and synth-rock landscapes.
At the core of the band’s sonic identity is an innovative hybrid approach to creation:
The Hybrid Performance: Dynamic, real-world guitar riffs, drums and percussions played by Santiago Ortola and McCarthy's organic human vocals collide with meticulously programmed AI instruments and synthetic vocal harmonies.
Modern Techniques: Using state-of-the-art vocal modeling and sound design, the project shapes AI layers to act as lush, cinematic extensions of the human performance—creating a massive, wall-of-sound effect that is entirely unique to the digital age.
The Narrative Voice: Driving this technological engine is the vivid storytelling of songwriter Patrick McCarthy, who pens all of the band's lyrics. McCarthy’s words anchor the high-tech production in raw, universal human experiences—exploring themes of nostalgia, distance, and fleeting memories.
By combining the unpredictable soul of human artistry with the flawless precision of artificial intelligence, Big Dreams Avenue doesn’t just make music for today—they are paving the sonic highway for the future of pop

Musical, inspired and passionate: that's how she sees and feels herself.

Marlin was born and raised in Switzerland and has Swiss, Guinean and Hungarian roots. Her diverse background sparked an early interest in music and performance. Introduced by her father, she discovered the R&B, hip-hop, reggae and rap of the '90s and 2000s as a child. Artists like Alicia Keys, Lauryn Hill, Bob Marley, Usher and Sido shaped her musical taste. As a child, she was already writing lyrics, taking dance classes and singing in choirs, and she decided early on to become a singer.

In 2019, she released her first EP 688 as part of the duo "Øzyah" with her longtime friend and producer Gabiga. This led to her first performances in Zurich, Aarau and Baden. Since her solo single More (2022), Marlin has been writing songs with Gabiga (known for work with Ovrkast, Danitsa, Benjamin Amaru, Luuk) that evoke deep emotion. Her lyrics are honest and vulnerable, her music authentic. Radio stations such as SRF 3, SRF Virus, Couleur 3, RTS La 1ère and Global Soul Radio have supported her with airplay.

In 2024, Marlin was part of the Mountain Academy at Zermatt Unplugged and the Montreux Jazz Residency. Her debut EP New Her (February 2025) reflects on a toxic relationship and her journey back to herself. In April, it earned her the title SRF 3 Best Talent. Produced by Gabiga, the EP blends R&B and pop with influences from Tom Misch, J Dilla, Masego, Ari Lennox and Jorja Smith. That same summer, Marlin performed at Montreux Jazz Festival and Moon & Stars Locarno. In 2026, she played Cully Jazz Festival and Luzern Live, and in October she took part in the SUISA Songwriting Camp.

In March 2026, she released her second EP Side Effects. It looks ahead: after healing, the focus is on letting healthy love in, even when old patterns resurface. Moving between R&B, pop and funk, Marlin tells this story openly through singles like Hard To Get and the title track Side Effects. She is currently working on new music for 2027.

Alex Ash — La renaissance d’une passion

Alex Buchi, alias Alex Ash, est une figure de la scène pop rock suisse, pour qui la musique est bien plus qu’une passion : c’est une respiration. Depuis toujours, la musique est son refuge, son échappatoire, son ancrage.

En 2013, il fonde avec des amis d’enfance le groupe de rock Jetlakes, où il devient la voix du projet. Une voix reconnaissable parmi toutes : chaleureuse et puissante à la fois, habitée d’une sincérité brute qui touche l’âme, dès les premières notes.
Pendant cinq ans, Jetlakes enchaîne les concerts, une vingtaine par an, le succès radio de ses singles (Back to Life, Thunderstorm) leur permet de se produire notamment en première partie de Mika à l’Arena de Genève, de fouler les scènes du Caribana Festival et de nombreux festivals en Suisse et France. En 5 ans, Jetlakes réalise un album, deux EPs et plusieurs clips, le tout en autoproduction.
En 2018, en parallèle de son nouveau projet Souvarof et après avoir connu la richesse et les défis de la vie de groupe, Alex ressent un besoin particulier : celui de se retrouver seul face à lui-même et de se recentrer.
En 2019, né alors le projet Alex Ash : une pop électro organique, mêlant piano-voix expressif, percussions électroniques, synthés atmosphériques.

Il s’entoure de son ami musicien et producteur Lucien Leclerc avec qui il sortira en 2020 un EP de covers d’artistes de différents styles qui l’inspirent, notamment : « Opposite » de Biffy Clyro , « The Hype » de Twenty One Pilots, en passant par « Parasite Eve » de Bring Me The Horizon ou encore « Always » de Galvin James.
En 2022, il sort sa première composition en solo, « Letters to Your Heart », un cri du cœur électro-pop, direct et incandescent, où piano-voix et beats électrisants fusionnent dans une émotion universelle, produite par Lucien. Son clip dépasse rapidement les 30'000 vues sur YouTube. Aujourd’hui, en parallèle de sa vie d’entrepreneur, Alex décide d’aller plus loin, il s’autorise enfin à réaliser un rêve qui l’accompagne depuis longtemps : créer un album sans compromis, un album introspectif, brut et sincère, qui lui ressemble vraiment. Avec ses mots et ses mélodies, nourris par ses grandes influences du moment comme Sam Fender, Bruce Springsteen ou The War On Drugs.

Dans un monde de plus en plus dominé par la technologie et l’IA, Alex choisit le contre-pied : remettre l’humain, l’émotion et les instruments vivants au centre de son projet artistique, de revenir à l’essence de ce qui l’anime depuis toujours : une musique organique, vraie, sans artifice.
Il s’allie à des amis musiciens qui partagent sa vision et qui comprennent son univers dont Simon Jaccard, multi-instrumentiste et réalisateur, et recontacte Steve Forward, producteur et directeur artistique de renommée internationale (Stevie Wonder, Paul McCartney, Ray Charles, Depeche Mode ou encore Serge Gainsbourg), qui fait partie des piliers de confiance qui l’entoure sur son chemin artistique depuis toujours. Complices, ils construisent ensemble, un projet artistique fidèle et exigeant.
En live, il rêve d’une formation complète : guitare, basse, batterie, piano, synthés — chaque note sera jouée.
Ce disque dont la sortie est prévue en 2027, sera l’album de la résurrection, celui où il redonne vie à sa passion. Les chansons abordent des thèmes universels qu’il raconte à travers son expérience de vie : la quête de sens, la beauté des petites choses du quotidien, l’épreuve du doute, l’envie de croire encore.

Avec sa voix et sa vérité émouvante, Alex Ash porte l’ambition simple mais essentielle de remettre de l’âme dans la musique. Pas pour plaire. Pas pour suivre une mode.
Mais pour toucher droit au cœur, humblement, sincèrement.

Marie & Claire – das sind die beiden Berner Songwriter Pesche Fankhauser und Daenu Kunz. Mit feinem Gespür fangen sie in ihren Songs die kleinen und grossen Geschichten des Lebens ein – ehrlich und voller Zwischentöne, die berühren.

Im Frühling 2027 bringen Marie & Claire mit Löru Nufer am Schlagzeug und Tinu Oppliger am Bass ihr zweites Album auf die Bühne. Freut Euch auf eigenwillige, kraftvolle und ehrliche Lieder. Getragen von Pesches Stimme, die unter die Haut geht, und einer Band, die Akzente setzt und vorwärtstreibt.

Camilla Portner ist eine Pop-Sängerin und Songwriterin mit sardischen Wurzeln.
Stilistisch bewegt sie sich zwischen gefühlvollen Power-Balladen und tanzbaren
Sounds. In ihren englischen und italienischen Songs verbindet sie persönliche
Geschichten mit eingängigen Melodien.

Formed in June 2024 through the meeting of singer Cœur and a trio of rock musicians, Heartbeat has developed a musical universe rooted in progressive rock and enriched by electronic textures. Featuring English-language lyrics, the band creates original tracks that blend powerful riffs, evolving structures, and intense, emotionally charged vocal performances.
Electronic samples further define the band’s musical identity, deepening the atmosphere of their compositions.
In the summer of 2025, Heartbeat self-produced two tracks and held an initial residency at Le Brise Glace in Annecy, where they developed an immersive stage production incorporating lighting effects synchronized with the music. Throughout 2025, the band performed five concerts (in Grenoble, Gex, Geneva, and Marcellaz), gradually refining their set and establishing their stage identity.
By the end of 2025, Heartbeat reached a new milestone by bringing on a pair of sound engineers to optimize their sonic output and enhance the live experience.
In 2026, the band continued its evolution by recording their first studio track, accompanied by a music video ("Don't Give Up"). With eight concerts throughout the year, Heartbeat is expanding its presence on the regional scene and increasing its engagement with audiences—performing in the Isère, Ain, and Haute-Savoie departments in France, as well as in the Swiss cantons of Geneva and Vaud.
Defined by its progressive rock identity and a stage show that is constantly evolving, Heartbeat aims to share its unique musical universe across the region’s venues and festivals, delivering an intense, immersive, and deeply emotional live experience.

Oscillating between intensity and restraint, their original compositions are distinguished by complex structures and rich atmospheres.
Driven by sincere and deeply moving lyrics, each track is elevated by the vibrant voice of their lead singer, who lays her heart bare on stage.
Ranging from atmospheric to high-octane, the musicians deliver an authentic, visceral experience, characterized by an exploratory and bold rock sound.
HEARTBEAT creates a sonic wave that hits you in the gut—leaving no one indifferent. Their musical world is sure to captivate fans of Muse, Evanescence, Radiohead, Archive, LEAP, and Leprous.

Nouveau projet de Charles L.B., fondateur du groupe Capital Youth. Entre bedroom rock et garage DIY, dans la lignée des Strokes, des Growlers et de Current Joys. Un premier EP est attendu début 2027.

Pop - ePopFusion
saxophones, flute, keyboards.
Composer, arranger, producer.
Hobby: novelist. “La révolte du Maudit” (2015) (out of print), “Sweïleme” (2017), published by Jets d’Encre, Paris. Available at FNAC.COM, AMAZON.FR, AFRICA VIVRE, etc., and in French-language bookstores. Available as an audiobook on AUDIBLE.

Es gibt so viele Musikrichtungen, wie es Menschen mit ihren Geschichten gab, gibt und geben wird.

Die folgenden Musik-Skizzen sind für mich Versuche/Spielereien, um elektrische Rhythmen/Bässe mit eigenen Melodien zu kombinieren.

Foto:
Das braune Wundkleebläuling-Weibchen habe ich damals bei mir im Garten an einer Schnittlauchblüte fotografiert.
Der männliche Bläuling ist mir im Hitzesommer 2026 an einem heissen Sommerabend in einer Badi vor die Füsse geflattert.

Duo authors-composers, female singer and a guitarist (acoustic guitar), folk / country style; French and English songs.
The duo met and started to compose in 2009 to achieve or so more than twenty songs repertory today.
Performances :
In 2026 : Scène Nord NYON, Fête de la musique à Vevey, Yverdon et Lussy
In 2025: Fête de la musique à Monthey et Lussy
In 2024: Partager un moment musical au Port de Territet, Fête de la musique à Yverdon et Lussy
In 2023: Fête de la musique à Yverdon et Lussy, Partager un moment musical au Port de Territet
In 2022: Fête de la musique à Nyon, Yverdon et Lussy
In 2019: Fête de la musique à Monthey et Lussy. First Friday à Villeneuve
In 2018: Fête de la musique à Yverdon et Lussy. Restaurant Le KVO Salavaux. Les marchés de Montana (VS).
In 2017: Bar Toro1904 Fribourg, Fêtes de la musique à Yverdon, Monthey, Lussy
In 2016: Fête de la musique à Yverdon, Lussy-sur-Morges
In 2015: Fête de la musique à Yverdon, Nano festival à Lonay, Lussy-sur-Morges
In 2014: Fête de la musique à Ste-Croix, Monthey, Yverdon
In 2013: Festiv'AMA Arzier. Fête de la musique à Yverdon
In 2012: Festiv'Ouchy. Fête de la musique à Yverdon, Chailly, Monthey, Lussy. Tomate Bleue Monthey
In 2011: Fête de la musique à Nyon, Bussigny, Monthey, Lussy, Fête de Noël à Fribourg
In 2010: Fête des couleurs à Aigle, L’Ange Boîteux à Montreux

ShabbyChic (Soul, Jazz & Pop)

Das sind Cony Ziegler (Gesang) und Urs Zimmermann (Piano). Zwei musikalische Persönlichkeiten, die ihre Leidenschaft für handgemachte Musik teilen.

Mit einer warmen, ausdrucksstarken Stimme und einfühlsamem Klavierspiel interpretieren sie bekannte und weniger bekannte Perlen aus Soul, Jazz und Pop auf ihre ganz eigene Weise. Auch eigene Mundartsongs finden ihren Platz im vielseitigen Repertoire.

Mal groovig, mal melancholisch, mal verspielt und mit einer guten Portion Charme.

IvyCailín ist eine Schweizer Musikproduzentin und Digital Creatorin mit nordischen Wurzeln.

Sie verbindet mystischen Melodic Techno mit traditionellen keltischen Klängen – geprägt von ihren eigenen Herzensmelodien und persönlich eingesungenen Vocals, die sie mit modernen digitalen Produktionstechniken zu ihrem unverwechselbaren Sound weiterentwickelt.

Ihr Sound schlägt bereits internationale Wellen: Ihre Debütsingle „The Evergreen Promise“ wurde für das Album „Jetset Life Hits – Volume 1“, powered by Jetset Life Radio, ausgewählt.

Auch das europäische Musikmagazin European Indie Music Network wurde auf die Künstlerin aufmerksam und widmete ihr im November 2026 ein exklusives Interview über ihre musikalische Reise.

❄️ Winter Special 2026

Mit „Leave A Light For Christmas“ beginnt eine besondere musikalische Winterreise voller keltischer Magie, mystischer Melodien und berührender Emotionen.

04.11.2026 – Leave A Light For Christmas

24.11.2026 – Winter Call

04.12.2026 – The Last Fire | A Celtic Winter Journey (Album)

Rania Yasmine, a voice both gentle and powerful.
This Swiss, Dominican and Tunisian artist creates music that is richly blended and resolutely modern, where soul, R&B and jazz meet. Her inspirations range from Ino Casablanca, for his fusion of influences and multiculturalism, to Kokoroko, for their organic, Afro-rooted sound, and Cleo Sol, for her softness and authenticity.
Embracing a freedom beyond labels, she has turned her eclecticism into a true signature: her socially engaged lyrics, carried by a captivating voice, speak as much of injustice as of resilience, and as much of pain as of love. Selected in 2026 for EJMA Live’s NEXTAR program, she continues to grow within an initiative that supports emerging talent on the Swiss scene.
Her journey has already been shaped by memorable encounters with artists such as David Donatien, NNAVY, anaiis, Talulah, Jas Kayser, Lizz Wright and Christian Sands, notably through her time at the Montreux Jazz Festival’s Residency 2025.
This plurality extends to her use of language. Bilingual since childhood, as her father grew up partly in the United States, she lets French and English answer each other naturally in her lyrics. It also shapes the way she composes: equally involved in instrumental production and topline writing, she crafts her songs from start to finish.
Proof that an artist can be many things without ever losing herself.

Since 2022, Wave Trail has been crafting sensitive, ethereal indie pop. A solo project by musician Maxime Duperrex, every track is performed, recorded, and produced by Max—a multi-instrumentalist and singer—in his home studio. <3

Matteo Bussy is a musical project from French-speaking Switzerland offering original compositions in a melancholic folk-jazz style. Drawing inspiration from both modern and timeless sounds, the project stands out for its rich harmonic colors and bold explorations. Each piece is a journey where the music, both delicate and powerful, unfolds with the freedom of improvisation, allowing for unexpected moments and raw emotion.

Carried by a voice that moves effortlessly between French and English, Matteo Bussy delivers an immersive sonic experience, where the warmth and depth of the harmonies blend with organic rhythms.

The concept of cycles, of time repeating and transforming is central to his artistic approach. Through the use of ostinatos, loops, and sound effects, he seeks to create an immersive, almost meditative experience, inviting the listener into a different sense of time. His voice, enriched with subtle effects, becomes a sound exploration tool in its own right.

This unique musical approach has already resonated on prestigious stages such as the Chorus Jazz Club, the JazzOnze+ Festival, and more recently at ONO.

Originally from Lausanne, Switzerland, Matteo Bussy is currently studying jazz at the Jazz Campus in Basel.

Raised between Winterthur and Fribourg, Swiss singer-songwriter manon may blends soul, pop and acoustic elements into an emotional and authentic sound. Inspired by artists such as Adele, Amy Winehouse and Olivia Dean, her music is characterised by expressive vocals, honest storytelling and a particular sensitivity to the emotions and complexities of human relationships.

manon may formed her first band at the age of nine. Since then, she has been writing unapologetically about the raw and contradictory sides of life and relationships. She places particular importance on collaborating with real people and incorporating live instrumentation into her music. Since the release of her debut single «criminal» on 24 July 2026, she has begun attracting attention.