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The Flow
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . contemporary artificial music art
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Arkas ist ein Provinzkind mit Identitätskrise: Einerseits tief verstrickt mit urbaner Nonchalance, andererseits halt doch naiv und geprägt von Festbankromantik. Und auch wenn er seinem Ärger ab und zu zwischen den Zeilen Luft macht, bleibt Arkas dabei immer sanft. Auch musikalisch bewegt sich Arkas im Spannungsfeld: Rap will und soll, nein, darf das nicht sein. Manchmal ist es ein Flirt mit Post-Punk, aber ein Fuss bleibt trotzdem immer in der Tür zum Mainstream.
Zwischen introspektiver Tiefe und ständiger Reflexion sieht sich Arkas als kritischer Beobachter, erkennt sich zwischen den Zeilen auch als selbstwirksames Individuum und stellt sich der Herausforderung, sich in einer ihm fremden Welt zu verorten. Arkas ist verletzlich, doch nicht gebrochen; er vereint Feinfühligkeit mit brachialer Direktheit.
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“Beyrouth-Express Quintet is a skillful blend of jazz and arabic music in which Dida’s
voice is expressed with unmatched talent and warmth. Jazzmen Noé Tavelli and Manu Hagmann ensure a solid rhythmic anchoring throughout this new project. Multidisciplinary pianist Mirko Maoi brings his inspiring and lively style alongside
Samir Nasr Eddine, a master of the Arabian lute, the oud.”
Jazz sous les étoiles, Sion, Switzerland
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Wayne Fetherbay, Music Places
If you were a composer living high in the alps in Switzerland, its not surprising that your music would be ethereal. The music of this elevated group of musicians from Berne certainly could be called heavenly.
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Didier Becu, The original SinMagnetfisch are making electronic music, but not your usual electronic music as the central point of this Swiss band is creating moods and they do it with the most effective thing there is, using guitar lines from cold wave....so yes, if you are wondering how "Seventeen Seconds" by The Cure would have sounded if Robert and Co. had decided to make it an electronic piece of art it would have sounded a bit like magnetfisch!!! Honestly said I really was moved by it especially as in some ways it comes very close to what Vini Reilly did with The Durutti Column. Maybe it's a bit typical for Swiss alternative artists that they keep on hanging on that cold wave sound from the eighties but for me this is just a bonus.... Magnetfisch have made a brilliant electroadventure...
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Magnetfisch already exist since 1998, and from a duo, which originally played instrumental music with roots in the 80ies New Wave, they became an outright band after two beautiful albums. Still, they let their roots shine through and do not deny them at all. [...] songs with catchy tunes that will find lots of fans amongst aficionados of good old New Wave. Although the music is electronic in its structure, I personally rather see the incisive guitar sounds, which remind me of giants like The Durutti Column, And Also The Trees and The Cure. [...]. Unfortunately, such melodic, unobtrusive New Wave is much too rare nowadays.
Alexander Pohle (www.backagain.de)
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A few bands succeed in developing themselves and truly taking a step forward. For most, development stops here: experience has been gained, but without real progress. Magnetfisch [...] are a noticeable exception. In the past they proved expressively that they were able to compose moving, calm and melodious instrumental arrangements. The original duo made of Timothée Barrelet (keyboards, programming) and Patrick Scherrer (guitar) was rejoined by bass player Rolf Althaus [...]. In the wide worlds between synth pop and new wave, Magnetfisch have sort of created an own segment by combining guitars and synthesizers in their own way. The lead track, “botox”, is simultaneously buoyant and harmonious [...]. In my opinion, “poisonous trace” is the best song of the single, pricking one’s ears with its melodies and by the singing. The change of speed towards the end is impressive, [...]. "Footloose and Steady" is by no means inferior to its predecessor, with the awe-inspiring bass playing by Rolf Althaus coming to the fore.
Jörg David
(www.synthiepop.de)
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Human-made music for imagined futures.
A Swiss solo project blending cinematic Darkwave, hypnotic electronics, restrained guitars and a deep baritone voice into immersive songs of distance, memory and tomorrow. Created by a musician with over three decades of live experience on stages across Europe.
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Contemporaries of bands such as Mayhem, Samael and Tiamat, Alastis made a name for themselves in the 1990s with uncompromising power dark metal. With five albums to their name, the band performed all over Europe on tours and at festivals such as Wacken and Metal Mania. After a 20-year hiatus, the band reunited in 2024 and returned with a setlist featuring reworked versions of their classic songs, while awaiting the release of their sixth album of original material.
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Miami Art is an independent music project by European songwriter and producer Maren Mueller, built around one simple principle: the song comes first.
Written, composed, and produced in a living room, the music moves freely between alternative pop, soul, indie, rock, and hip-hop - without settling into a fixed genre or polishing away its edges.
The songs often begin far from the studio: as a melody that appears while running, a rhythm found while cleaning, or a line captured on a phone before it disappears. Some have been waiting for almost a decade; others arrived only recently. Together, they form a finished album that is now being released one song at a time.
At the heart of Miami Art are songs that stand for something - songs about courage, compassion, connection, and the decision not to remain silent. Music with heart and backbone, made for underdogs, outsiders, and anyone unwilling to make themselves smaller just to fit in.
It’s all about the song.
Written and produced at home.
Made to travel.
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I’m Sandro Bigger, a drumteacher, sub drummer and session drummer based in Eastern Switzerland. My main musical styles are pop, funk, soul, R&B and hip-hop.
I support bands, artists and productions for live concerts, short-notice substitutions, individual shows and studio recordings. Groove, timing, dynamics and playing in a way that serves the song are always my main priorities.
I work reliably and professionally and prepare carefully for new setlists and projects. I am available for engagements in Eastern Switzerland and throughout Switzerland.
Sub Drummer | Session Drummer | Live & Studio
Enquiries from bands, artists, producers and agencies are welcome.
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Mhai is an Italian rock band formed in 2024. The project grew out of the artistic evolution of Domenico, frontman and songwriter, who was active as a solo artist from 2021 to 2024. In 2021, Domenico traveled to Turin to record his first EP, marking the beginning of an intense and deeply personal musical journey.
In 2024, the meeting with Mischu and Nico gave new life to the project: together they officially founded Mhai, transforming the solo project into a full band. From that moment on, the sound expanded and gained strength, while keeping a strong focus on deep and reflective lyrics that explore emotions, vulnerability, and personal experiences.
Mhai’s Italian rock balances energy and introspection: powerful and direct songs alternate with sweet and emotional rock ballads, creating an authentic and recognizable musical identity.
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Pocky Red ist ein Schweizer Künstler mit japanischen Wurzeln, der Cloud Rap, melodische Trap-Sounds und moderne Hyperpop-Einflüsse miteinander verbindet. Mit atmosphärischen Produktionen, persönlichen Texten und einer klaren visuellen Ästhetik entwickelt er seinen eigenen Stil zwischen emotionalen Melodien und energiegeladenen Tracks. Gemeinsam mit seinem Kollektiv arbeitet er kontinuierlich an neuen Releases und baut sich Schritt für Schritt eine eigene Identität in der deutschsprachigen Rap-Szene auf.
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Totaiota, a project born from me, a breath of passion, a tumultuous melody.
Music, my accomplice; storytelling, my art;
On stage, adrenaline, a heart ready to lose itself in the dark.The hesitation of a chord, a note, a word, awakens with every sound, every shiver of the echo.
The joy of blending my dreams with those of shining souls;
This project is all of this—a luminous adventure.Since childhood, I composed at the piano,
but the courage to perform, I never dared to find.
Then came "Breathing," a impulse, a sincere breath,
A first confession of a clear intimacy.The project blossomed, with reinterpretations and creations, in Italian, in English, in many directions.
I savored the exploration, the collaborations, until 2022, when I launched my mission:
The fruit of hard work, of a new vision.
Between the end of Covid, and my life beginning in Switzerland, I wove notes, words—a dance, an endless story.That of my life, my struggles and hopes,
Totaiota, a tale worth believing.Today, my path is clearer than ever:
to tell my story, with friends by my side.
This is only the beginning—a journey to chart,
I will learn, grow, and soar toward my future.
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Behind the “Cloud in a shell” project is a Swiss producer and songwriter from Gampel (VS) who consistently brings her musical vision to life entirely on her own. From the initial beats through songwriting to the final performance, the entire creative process is in her hands. The sound of Cloud in a shell defies traditional genre boundaries and falls within the realm of alternative rap. It is built on urban beats featuring distinctive lo-fi and tape drums, combined with layered, heavy synthesizers. Organic Latin percussion lends the productions rhythmic depth, while the use of Auto-Tune in the vocals and rap underscores the music’s modern, ethereal character. This distinctive aesthetic also reflects the Valais native’s close ties to the U.S. producer scene. The focus of the solo project is clearly on studio work. The current focus is on the release of her debut album “NOX” (Latin for “night”). Despite a consistent, unifying thread in the sound design, the album covers a broad spectrum of moods and themes—from love, intimacy, and sexuality to loneliness, loss, and carefree moments. “NOX” is the foundation of a promising Swiss newcomer project that combines international influences with an uncompromising DIY mentality.
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DONEPPE is a futuristic sound architect who merges electronic music, cyber aesthetics, and cinematic emotions into a truly unmistakable signature sound.
The track We won't stop was created as a personal tribute to DONEPPE's childhood in
Zurich's Niederdorf district. He grew up in the Stüssihofstatt, where his parents worked at the traditional Hotel Franziskaner and where the family also lived.
The atmosphere of the historic neighbourhood
shaped his early perception of music, community, and urban culture.
The visual design of the track deliberately
references this place, connecting DONEPPE's roots with his present artistic identity.
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I'm a Haitian-Swiss independent artist based in Lausanne. A self-taught songwriter and producer, I create primarily in English, moving freely through trap, dark R&B and cinematic soundscapes.
My album, 11:11 Dimensions of Tamara, explores experimental trap through a surreal universe of clouds, dreams and alternate dimensions.
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High-energy beats meet infectious pop hooks. A.U.E is a modern house-pop project dedicated to one single mission: making you move. Blending driving club rhythms with unforgettable melodies, A.U.E delivers the perfect soundtrack for daytime radio rotation and late-night dancefloors alike. No rules, no brakes—just pure entertainment.
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Patrick Harbor was born in Zurich in 1994. Early road trips with his Danish mother laid the foundation: acting as the glove-compartment DJ, he sang along to the great 90s hooks, long before Carpool Karaoke turned singing in cars into a global phenomenon. Today, as a solo artist, he combines Danish creativity with Swiss quality awareness.
Patrick is a thinker with a heart. He is a teacher, a passionate runner, and a musician who seeks the balance between energy and inner peace. Because of his talent for catchy melodies, he carries the nickname Captain Hook. His songs stem from a deep urge for musical maturity and genuine connection.
Multiple songs by Patrick Harbor have found their way onto Swiss radio to date, where they continue to receive regular airplay. His focus is consistently on organic, high-quality pop.
Patrick invites us to drop the masks. It is music for everyone who seeks adventure but never wants to lose their footing in real life, remaining authentic, approachable, and always focused on what truly matters.
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"DUTCH." is a Swiss based band formed by a filmmakers duo; « Kibble » and « Formaldehyde ». They found out that they can make music after a terrible fall in the stairs of a music store.
Their goal is to create the music that would be used as a reference for the tempo of a cardiac massage in a nursing home.
Other than that, they’re looking to create a connection with other talented artists; mixing their cinematic vision with some unemployment and love to spend 8 hours to find a snare sound.
Our dream is to prove to our old teachers that we can still do music even if we failed flute lessons.
If you’re interested to collaborate with us, you can send to us a fax with your favorite kind of fire extinguisher.
Love you all !
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Queri G is an Italian-Brazilian Latin singer and songwriter based in Switzerland. She started singing at the age of 9 and released her first single, Doido, at the age of 18 in both Portuguese and Spanish. Fascinated by the Spanish language from an early age, she chose to blend Portuguese and Spanish in her first release.
Since then, she has performed at various events and venues across Switzerland, building a strong connection with audiences through her live performances.
In 2025, she released her first EP, Só Love, a six-track project recorded in Rio de Janeiro in collaboration with two well-known Brazilian artists, Sodré and Fanieh.