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The Flow
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Somewhere between dying houseplants and screaming at walls out of regret, Noah Parks finds songs that somehow make everyone sing along.
Born in 1998 and raised in Schaffhausen, Switzerland, Parks took a winding path to music: a computer science degree he didn’t finish, a stretch working as a videographer, and a near-miss with a teaching career before landing at art school and giving himself the time to become a singer, songwriter and producer. His 2025 debut, SPOT, recorded with producer Philipp Treyer in Baden, was a ten-song account of everything unresolved about becoming an adult, centered around Parks’ crystal-clear, direct voice and catchy, clever indie-pop productions that occasionally venture deep into other genres. The album earned him SRF 3’s “Best Talent” title, sixteen weeks of daily national radio rotation for lead single “Something to Feel,” festival slots at Stars in Town, Moon & Stars and Luzern Live, and a quarter-million streams — a remarkable first outing for an artist who was, by his own account, still figuring out what he wanted to say.
His next chapter, arriving with the single “Fucking It Up,” sounds like an artist who knows exactly what he wants to say and has decided to say it himself. It’s Parks’ first release as sole producer, written and recorded in a basement studio in Winterthur with friends and musical collaborators. A heavy groove, jangly guitars, an unexpected key change and a cathartic chorus set a new tone, built for a live crowd to scream their lungs out together. Parks calls it “a hymn for people who crash into the only tree in a wide open field.”
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MAR.DI – Music like a day by the sea. With their vintage sunshine pop, the four guys invite listeners to dream of distant places – whether of destinations, feelings, longings or memories. For MAR.DI themselves, it feels like a peaceful day by the sea: a warm breeze on your skin, the sun in the sky and an ice cream in your hand – ideally a Coco Limón combo.
But it’s not all postcard-perfect idyll. The band from Zurich and Graubünden can also go deeper, heavier and less colourful. After all, a day by the sea can mean many things – true to the motto: anything goes, nothing is a must.Following their first EP, White Lies (released under the name “Chasing Anna”), which was accompanied by various live performances, radio airplay (SRF3, Radio Swiss Pop, RTR, Munot, TOP, etc.), a live session (4TNG) and a TV appearance (TV Südostschweiz), the Zurich-based band is now following up with their second EP, Coco Limón. The singles released so far have already generated a response: in addition to radio plays and interviews, the band won the Lakelive Stage Contest, securing themselves a slot at the Lakelive Openair in Biel.
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That Poster Boy changed his artist name. That Poster Boy no longer exist.
Old bio:
That Poster Boy combines visual creativity with sonic experiments. Early demos on Garageband laid the foundation for his sound. Influenced by Bjork, Britney Spears, Coldplay, Will.I.Am, Lady Gaga, FKA Twigs, Grimes, Air, Lana Del Rey, Fiona Apple and many more. His sound and visual style is driven by his curiosity for the unknown.When asked how do you live your live?, he had to figure it out himself, which was quiet hard, because he didn't have role models that he could orientate to.
Inspired by the hashtag #ThatGirl, his stage name is a representation of a world that only exists in the future, where open self expression and kindness are the norm.
His love for futurism motivates him to live ahead of the time and therefore to be That Poster Boy.
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Vater – Singer/Songwriter – Student API - Designer
Viel Spass beim hören der Songs. Sind in DEMO-Form/Home-Recording. Neues Material ist auf dem Weg. Wünsche allen viel Liebe & Licht, Beat.
Solothurn, nach einer tollen Juniorenzeit als Fussballer und zeichnerischer Lehrtätigkeit in Architektur setzte Beat mit 17 Jahren alles auf eine Karte. Schon im Alter von Zwölf lockte es ihn andauernd ins Probelokal! Die Begeisterung und Liebe zur Musik und damit zur eigenen ersten Schülerband wuchs Tag für Tag!
Nun ging es also los. Vom Drum zum Bass, von Gesang zur Gitarre und zurück. Der 4-Saiter und die Backing-Vocals kündigten sich als seine Hauptinstrumente an.
Seine bisherigen Band-Stationen:
"Killer, Netz, CHINA, Swiss Blues Authority, Mud Slick, Acoustical Mountain, Vergeat & Storace und Moonroom".Studiorecordings, Tour...1981 tourte er mit Killer als Supporting Act von Mötörhead durch Deutschland. 1982 Konzertreihe in Schweden, Deutschland und in der Schweiz. 1985 erspielte er mit der Formation Netz den 3. Platz im 1. Marlboro Rock-In-Final/Volkshaus Zürich (über 450 Bewerber)! Nach Hochs folgten auch Tiefs. Aufgrund langatmigen Verhandlungen mit Platten-Labels und infolge interner Veränderungen kam es später zur Auflösung des Projekts Netz. Neue Ziele mussten definiert werden.
Beat arbeitet als Komponist und Arrangeur. Seinen bisher grössten Erfolg erreichte er 1990 mit dem Song „In the middle of the night“ (China). Die CD platzierte sich in den Charts: Schweiz Top 2, Japan Top 20, England Kerrang Top 50 und Deutschland Top 40. Drei der China Alben wurden über eine längere Zeit in München, New York, L.A. und Stamford aufgenommen. Im selben Jahr folgte eine zweimonatige Europatournee (45 Shows) als Vorband von Ingwie Malmsteen. Erwähnenswert sind sicher die Shows im „Hammersmith Odeon London und in der Dortmunder Westfalenhalle“. Erstes Resultat: Gold in der Schweiz. 120'000 verkaufte CD’s Europaweit und Fernost. Weitere Konzerte, Open-Air’s, Tourneen und neue Single-Auskopplungen folgten. Vier Videoclips, zwei davon wurden in den Pinewood-Studios London produziert. Radio, TV-Sender, Magazine ... alle spielten verrückt. Termine jeden Tag. Das Business wurde nun schwer überblickbar und der Nightliner became our rollin’ hotel. „Es gab viel Arbeit und brachte noch mehr Spass ... und dann kam es: unser amerikanischer Manager wurde zum Gangster – Kohle weg". Es folgten Unstimmigkeiten und Wechsel in der Band.
Nebenbei betätigte sich Beat als Musiklehrer, Coach, Hobby-DJ und in weiteren Bands.
Im Jahr 2000 absolvierte er das Studium zum dipl. Multimedia Producer/SAE-School Zürich. Der Sinn für's Detail und die Kreativität für mediale Gestaltung lässt ihn sogar seine Ideen und das Musikschaffen visualisieren. Das musikalische Rad drehte sich weiter. Nebst Rock & Pop entwickelten sich auch bluesige und jazzige Klänge: Swiss Blues Authority, Acoustical Mountain und als letztere Band gründete er MOONROOM.Erlebtes – mit allen Eindrücken und Konsequenzen – machten reicher!
Wieder im Kapitel angelangt – wo einst angefangen – schliesst sich der Kreis. Zurück zum erdigen Holz, die akustische Gitarre, gepaart mit seiner Stimme, seinen Songs.Beat ist natur- und kunstverbunden. Ästhetik und Harmonie sind für ihn von grosser Bedeutung. Ausschweifungen in, wie auch Interesse an Philosophie/Astrologie/Psychologie/Balance und individuellen Ausdrucksformen, schätzt er und erfüllen ihn sehr. Wie oben so auch unten – Namaste
Mein Motto: "Bodeschtändigi Choscht mit Härz & Seel"
DISCOGRAPHIE:
1981 „Killer“ (Ladykiller), Release CH, D, A
1982 „Killer“ (Thriller) , Release CH, D, A
1984 „Killer“ (Stronger than ever) , Release CH, D, A
1985 „Headhunter“ (Netz) , Release CH, D, A
1985 „1. Marlboro-RockIn“ (Final, Live in Zürich/Volkshaus mit „Netz“)
1988 „China“ (China) , Release Europa, UK, Japan
1989 „China“ (Sign in the sky) , Release Europa, UK, Japan
1991 „China“ (Live) , Release Europa, UK, Japan
1991 „China“ (Go all the way) , Release Europa, UK, Japan
1992 „China“ (So far) , Release Europa
1993 „Mud Slick“ (Keep crowlin’ in the mud), Studiojob, Release Europa
1994 „Swiss Blues Authority“ (Swiss Blues Authority) , Release Europa
1995 „China“ (Natural groove) , Release Europa
2000 „China & Marc Storace“ (Alive) , Release CH
| Diverse Single- und Compilation-CD’s |
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noggerchoc makes dance, trance and melodic techno that tells a story rather than just laying down a beat. His sound draws on the sweeping scale of film scores and fuses it with the energy and drive of electronic club music — euphoric, soaring, and still danceable. Rather than through words, he wants to make people feel something with his music; it's exactly this genre mix that makes his sound his own.
He's been producing since 2017 and releasing music seriously since 2023: his track "Le Dernier Voyage" has passed 1.5 million streams on Spotify, and the album "Train à Grande Vitesse" has topped 2 million streams across all platforms. In 2024, with the electro duo Soprabass, he won the "BandX Nordwest" talent competition — next up is bringing his solo project noggerchoc to the stage.
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Sometimes melancholic, often dark, but always danceable – along those lines Kalpetrane’s music can be described. If you want to know more details, you’ll have to listen. Something between new wave, disco and indie rock? We’re not quite sure ourselves. If you want to find out, you’ll have to give it a listen.
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Eine kraftvolle Kombination aus Stimme und Gitarre. Beides aus dem Blues und Classic Rock gewachsen und gereift zu einem einzigartigen Style mit viel Power und Ausdruck vor allem live on Stage. Als Komponist und Songwriter überrascht er immer wieder mit seiner Art, rockige Musik mit modernem Touch zu schaffen.
Seit 2026 auch Frontman bei der Country Rock Band Longshot Rebells und Gitarrist bei der Berner Mundart-Legende Natacha.
www.natacha.ch
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The world is on fire. Lilac Attitude are roasting marshmallows.
Somewhere between riot grrrl, new wave and indie rock, the four-piece have cooked up their own strain of floral-punk: all sharp edges, blown-out amps and hooks that stick to your brain like chewing gum to a club floor. It’s music for a generation caught somewhere between existential dread and the pressure to have their shit together. So instead of pretending everything’s fine, Lilac Attitude turn the mess into something you can dance to.
After more than 80 shows across Switzerland and Germany, they’ve built a reputation as a live band that doesn’t fuck around. No empty rock-star posturing, no playing it safe and no macho bullshit; just loud guitars and enough feminist rage to smash a few dusty gender stereotypes against the wall.
Call it floral-punk, indie rock or whatever the hell you want. The point is: the apocalypse can wait. There’s a gig tonight.
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ΨVΔ — Yvanna-9 (music production, singer-songwriter)
Musical Universe
Yvanna-9 passionately blends electro-pop nostalgia with epic lyrics, the depth of analog darkwave, and digital futurism. Driven by a rebellious glitch energy and inspired notably by Alice Glass, she crafts neo-pop electronic music with gothic undertones and a luminous, ethereal quality.Creative Process and Sonic Identity
Using a synthesizer and a drum machine, Yvanna-9 composes her own tracks, lyrics, and verses. Her distinctive voice cuts through the rhythms, reworked and amplified by artificial intelligence. Some productions also feature official collaborations.Background and Distribution — New challenge for August 2026: ending previous non-profit DJ sets and shifting toward an experimental musical direction.
An independent Swiss artist registered with SUISA, Yvanna-9 develops her electro-style productions. Her music is distributed via DistroKid across major streaming platforms.
Best regards, music lovers. Kisses!
Info: yvanna.jaunin@bluewin.ch